I want to write today something to do with happiness, something that is interwoven with my whole life story.
"You are too old, children," said Aslan, "and you must begin to come close to your own world now."
"It isn't Narnia, you know," added Lucy. "It's you. We shan't meet you there. And how can we live, never meeting you?"
"Are—are you there too, Sir?" said Edmund.
"I am," said Aslan. "But there I have another name. You must learn to know me by that name. This was the very reason why you were brought to Narnia, that by knowing me here for a little, you may know me better there."
These words, from the end of a book by C.S. Lewis in The Chronicles of Narnia were for me a big spiritual turnoff for as long as I can remember. (They went over my head when my father read The Chronicles of Narnia to my brother and me as little boys.)
When I read those words, they could not but grate because I wanted to continue to live vicariously in Narnia, not our world which seemed so drab and dull, and I was more interested in Aslan than a real Christ. And here I wish to touch on something.
The term "occult" has a few senses and meanings; it can mean supernatural power not given by God; or it can mean something that may or may not be supernatural but is very obscure and known to few. One classic study of occult memory techniques in Renaissance times is occult in both senses. By contrast, a familiarity with the story of the twelve paladins as heroic literature may or may not be occult in its supernatural dimension but is occult in the sense of being obscure. Today, Harry Potter and the X-Men may glorify an imaginary occult world but they are not occult in the sense of being obscure by the standards of pop culture: both of them are backed by tremendous marketing muscle to be a global financial powerhouse, and one need not try to delve into obscure matters to start becoming interested in either.
At that point I remember being puzzled by a counselor showing something almost like a patriotism towards one of the colleges in Harry Potter; in one sense it may seem harmless enough but I would expect a psychologist to know enough about happiness not to build a proper patriotism for something not literally available. I remember in reading "How to Be a Hacker" that talked about "hackers" (software experts who are usually not focused on breaking computer security) as being "neophiles", meaning people who, like the "Athenians and strangers" of the Bible in Acts 17:21, "...spent their time in nothing else, but either to tell, or to hear some new thing." And though technologies change and develop and there is little end to which changes of some sort are available, one of the big things I read on reading propaganda for HTML5 is that the axe ground against its predecessor XHTML spoke of an appetite for change in excess of the admittedly significant technical changes HTML5 heralded. The amount of bad smell attributed to XHTML was reminiscent of New Age people grinding an axe against Newton, or perhaps today Einstein, as a primary authority figure. My involvement in physics, for instance, never really turned up figures grinding an axe against past paradigms by physicists. Newtonian physics may be considered to have been surpassed, but I was taught Newtonian physics before relativity, and engineers (and for that matter some physicists) routinely stick with Newtonian physics in a large number of cases where the discrepancy between Newtonian and relativistic physics (or quantum mechanics, or superstring theory) is dwarfed by much larger imprecision in other matters. And being a neophile is a downwind attribute of finding that things one already has are just boring and really not being happy with life as it is. I would expect a psychologist to know, not so much that enough involvement in literal occult activities is a recipe to lose your mind, but that placing what is rightly called patriotism in a mere fantasy setting is a recipe to find what one can literally have, to be quite dull in comparison. Perhaps a degree of curiosity towards new things is helpful in rapidly changing times, but boredom with tried and true technology is not an attribute of happiness, and patriotism for Hogwarts represents a problem in the first world that is not, as the idiom goes, a "first world problem." A true first world problem is something minor that is blown out of proportion. A spiritual condition that can let you be in circumstances coveted worldwide and not appreciate it is a matter of grave concern. In a world where many are hungry, many lack clothing or shelter, where many lack a safe place to stay, many people wish for a lot that comes easily in the USA, and is taken for granted when one pines for Harry Potter and Hogwarts. A true "first world problem" is something like having a cracked phone screen or having to use cheaper and rougher toilet paper, for the lack of graver and more pressing concerns. Being an American white middle class professional is something that is coveted around the world. (Being an American white middle class professional who thinks her lot is dull, and pines for a bit of spice in patriotism for Hogwarts, is a significant missed spiritual opportunity.)
I harp on escapism because even though I have resisted some of its manifestations, it is something I know well, and it is not innocent or harmless. I imitated the staring in one place that opened a portal to a magical world in The Last of the Really Great Whang-Doodles; in a French language novel by a friend, there was no question about whether escape was to be found, only of how it might be ferreted out. There is also in fiction the possibility of intense concentration or some other intense psychological state breaking through; though it is not exactly a delivery of escape by which the curse is broken at the end of Ella Enchanted, the ace card that trumps magic nothing else could ever break illustrates another portal by which escape is provided in literature. In my own experience, reading or dipping into games can be a way to imbibe tainted spiritual realities as well.
My own attempted interest in Arthurian legends (in The Sign of the Grail, I omitted entirely one part of the rhythm of Arthurians where two knights hacked each other to death's door and were both well a few weeks later (contrast history where a sword duel was usually eventually fatal to both duelists), is relatively unique in that I don't see the fountainhead as being Sir Thomas Mallory's Le Morte d'Arthur, but studied the medieval flourishing that escaped Celtic folklore into mainstream European popularity in the 12th century "Brut", and was finally transformed into a 1000 page synopsis by Mallory as the end of a flourish. (And I tried hard to convince myself that reading an arbitrarily long sample of Arthurian legend is fascinating. Most of the time I was fighting uphill to convince myself that what I was reading was interesting, when I knew it was deadly dull.)
These Arthurian legends, told and retold and formed and reformed from about the twelfth to the fifteenth centuries, concern a time frame of allegedly the sixth century. The times in which the stories were told were separated from the time they occurred in by about as many centuries as the reteller's timeframe is distant to us historically, before history and period awareness were really discovered in Western culture.
For just a slice of what changed between the sixth century and the centuries of these retellings, such things as knights who fought on horseback and jousts simply were not available in sixth century England. Historically knights were mounted shock troops who fought from on horseback, and that depends on the stirrup, a technology not available in sixth century England. Without stirrups, horses can be useful but they can only take you to a battle scene faster where you can fight on foot. A knight riding on horseback in a battle, or in a joust, simply was not available in the sixth century any more in the sixth century any more than people in the twelfth through fifteenth centuries would have been able to coordinate their combat by using modern radios, walkie-talkies, and cellphones in a world where news really couldn't travel faster than people.
They are the medieval equivalent of our fantasy TV shows having Robin Hood's merry band go through a haunted house, and have Maid Marian confronted with a magical apparition the other side of a mirror and saying, "I am having... a biochemical... reaction!" or otherwise show scriptwriters who know how fantasy storytelling works today, but do not share Lewis's and Tolkinn's writing of medieval fantasy out of a profound knowledge of medieval literature and history. And in the days when these Arthurian legends were rampant, it really is not academic peskiness to suggest that chivalry was the real religion of the nobles, or to observe that Western Europeans traveling to the Byzantine empire participated in the dangerous sport of jousting that was practiced one place and the other sometime around the thirteenth century. "People now don't really love," to quote a repeated didactic comment about courtly love by a troubador, are the kind of signal that tells the historian that the milieu of medieval mania for Arthurian legend embodies courtly love as never before.
(And something of the same sensitivity gives me hope when Orthodox say that too little of the greatness of ancient monasticism is alive now, because it may signal a flourishing quite independent of our needing to re-create the conditions of the Egyptian deserts met by the followers of St. Anthony the Great. The Philokalia is very widely read among the faithful today, and that in and of itself is exciting.)
My mother showed consternation in relating a report that children surveyed would "rather be rich and unhappy than be poor and happy," but the consternation played out in circumstances in my life. Many people today would rather be escapist and ungrateful and unhappy with the here and now than be happy and grateful with the here and now.
I had the privilege of studying at the University of Cambridge in England, and in a very real sense that was an escape into a golden other world for me. A real Narnia to me, if you will. And it did not make me happy; I very much preferred being in Europe when the opportunity was open even if I was unhappy there. It was not until after I had returned to the U.S. that I learned how to be happy in the here and now. Years after that I traveled to Mount Athos, and I was expecting to feel better, but I was just happy, if the word "just" is appropriately used in such a case. The voyage was one of tremendous blessing to me, but I did not feel better for a transition to the Holy Mountain's medieval settings.
When I was at Cambridge I was received into the Orthodox Church, and I bristled when I read Vladyka KALLISTOS's comment in The Orthodox Church that Orthodoxy "is not something Oriental or exotic," because that is precisely what I wanted Orthodoxy to be for me. I also bristled when the priest who received me said, "Orthodoxy is slog!" Now, years and a decade later, I find that Orthodoxy transforms slog.
My "escape from escape" essentially unfolded as follows. When I had been leaning enough on, for instance, subtle mind tricks, one priest commented to me that monks in the desert were perennially warned about escape, with pastoral advice of praying through the temptation until it was gone. And I finally came to a point where I bleakly let go of escape, when all of my desire on one level was to escape the bleak here and now, and in an instant my eyes were opened and I no longer found the here and now to be bleak. Nowadays, the temptation comes back from time to time and I need to keep on intensely praying through the temptation the Fathers called "the demon of noonday," but even if the activity of prayer is initially bleaker, I know where victory comes from. When I pray through the temptation, sooner or later it leaves, and I find that the here and now bears some of the marks of Paradise.
"The road less traveled" is today the embrace of the here and now instead of trying to find happiness via escapism, and leaving the broad highway of escapism for the narrow and straight road less traveled, by all means, makes all the difference.