Section I: What is role play?
What is role play?
When you read a book, your imagination transports you to the long ago, the far away, the fantastic. You are there with the characters, listening and feeling with them, watching as the story unfolds.
Role play takes another step. You are still imagining goings on in a fantasy world, but not just as a passive observer: you are an active participant whose actions affect the twists and turns of the story. You aren’t just pretending to be with the great explorer, the brave adventurer, the charming minstrel; you are pretending to be that character, and he does what you decide.
The essential premise is that you have a made up character, with his own personality, likes, dislikes, goals, dreams, skills, abilities, attributes, etc. You are playing that character: you are told what your character sees and hears, what happens around him, and you choose what he does.
Your character is in a party of other player characters; these are companions and fellow adventurers who are working together towards a common goal. There is also a game master, whose role is not so much like that of one character as of the author: to serve as a referee as to events in the external world, telling what happens, what non-player characters do, and so on. (When the party walks into a town and starts looking for a tavern, an inn, a supply shop, etc., I’m the one who tells if/when they find it, who they meet on the street, what the bartender/innkeeper/shopkeeper does, and so on and so forth.)
The character should be a person, an entity, within the game world: a member of one of the seven races (Nor’krin, Tuz, Urvanovestilli, Yedidia, Jec, Shal, Janra). (A part of the character design is that it be from within one of the peoples there: a Nor’krin archer would be far more appropriate than a New York City cop who happens to have the body of a Tuz. (That’s a part of the fun of role play.)) He should also, as well as a race, have a role within the game: an adventuring related profession. (For example, archer.)
What you will do in setting up a character for my game is decide what kind of person you want her to be. To this end, I am furnishing a list of personal questions about her, and a list of skills, attributes, and virtues. In the interest of not intimidating you, let me say that they are given, not to tie you down, but to help you. I don’t expect a 500 word essay in response to every single question; my intention is rather that the questions help you think about your character — that they will spark an “Aha! I want to play a character who …”. Likewise with the skills and attributes — if you don’t need it, you’re more than welcome to play without it.
Section II: What do I need to do to start?
To start playing Hero’s Quest, you need to define a character. After the character is defined, role play can begin.
Here is roughly what should be defined in setting up a character.
- Personality. Identity. A sense of who the character is. To help define characters, there is a list of questions to that end, and a list of virtues. A personal history is also an important and helpful part of the character’s identity.
- Race. This is an important part of who the characters are; players should read at least the description of the race that your character is a member of, to understand part of the character’s identity.
- Role and abilities. What skills the character has; what he can do. The list of roles and the list of skills is intended to help define this part of a character.
- Attributes: what the character is naturally gifted at, and naturally not so gifted at. An idea of how strong or weak the character is in the listed attributes.
- Other miscellanea:
- Physical appearance.
Section III: Sample roles
The following roles are samples of what a character might build himself into. They are meant not to be a definitive limit, but illustrative of possibilities. If a particular race is especially appropriate to a role, it will follow the race. (Of course, other races could learn as well; it’s just that the particular races are especially well suited).
When a character’s role/selection of skills is being determined, one dimension worthy of consideration is whether the character will be a generalist or a specialist. On his own, a generalist is likely to be the most effective character; with a party, it is probably more useful to have specialized characters who excel at diverse skills.
The Acrobatic Scout (Janra) If you’re a Janra, you’re an acrobat. The scout in particular can roll down the passages of a cavern and maze, keeping a good sense of how to get out; he can climb walls and trees, pick locks, disappear into the shadows.
The Archer The archer can handle a bow with a virtuoso level of skill. An Urvanovestilli crossbowman has no trouble with parlor tricks such as whipping out a one-handed crossbow and shooting a coin off a child’s ear.
The Bard (Yedidia) The bard knows tunes to soothe the savage beast. He knows legends and lore, the tales of heroes; he has a decent chance of knowing at least a hint about where lost treasures might be. From extensive travel, he knows the lay of the land and pieces of local color, which inns will give you a night’s lodging if you sing for their visitors and which taverns have the best beer. The bard is an excellent storyteller and a master of words; to him, mediation is easy, and he has a most persuasive tongue.
The Hunter (Nor’krin, Tuz) The hunter is good at providing food for a whole party, and a decent woodsman to bat — can track, knows how to handle a bow (Nor’krin) or a dagger (Tuz), and knows the tricks of the wood.
The Interpreter In a world full of different languages and cultures, a party which does not all speak a common language or which is going to go to different lands will benefit immensely from having an interpreter. The interpreter will be a student of the different languages, know enough of etiquette and customs to avoid offense, and likely be a good general party mouthpiece: know how to secure provisions and a night’s roof, how much to haggle for, how to persuade people to do favors…
The Jack-of-All-Trades (Janra) The jack-of-all-trades is a dabbler who knows a little of this, a little of that — what would come in handy for an adventurer. He can track, hunt, smell creatures, move silently, hide, dodge, and handle a bow; he can pick locks, search, climb, use ropes, jump, function tolerably well in the dark… He’s in decent shape; he doesn’t wear out that quickly. He can guess what others are going to do, haggle, and knows a smattering of all the languages. He can survive in the wilderness, build fires, knows first aid, and can repair broken equipment (or at least jury-rig it to work for the moment). None of this he can do spectacularly — he is a jack of all trades and master of none — but he’s pretty good on his own and is likely to be able to do at least tolerably what nobody else in the party knows how to do.
MacGyver ’nuff said.
The Scholar (Urvanovestilli) The scholar is a very literate person who knows a lot about history and geography. He can read and write, and given time can decipher at least some of each language (and is conversant with the different literatures). It is often sages that Nor’krin seek out for advice in fulfilling their quests; they have sharp minds and extensive knowledge, which can help guide any party.
The Wayfarer The wayfarer is somewhat the jack-of-all-trades adventurer, somewhat the interpreter, somewhat the bard… He has travelled to many places and knows the different lands extensively; he’s made friends across races and has a lot of open doors.
The Woodsman (Yedidia) The woodsman knows the secrets of the wood. He knows which plants are edible, can find water without difficulty, knows which animals have passed by and which are nearby, knows a decent bit of mountaineering… He is able to track and hunt, of course, but is more than just that. He can calm animals, and enjoys having them eat out of his hand. He is at peace with the wood, and sees a great deal of beauty in it.
Section IV: The Spirit, and its Gifts
All characters are believers. As such, they have the ear of an omnipotent Father; Christ Jesus dwells in their heart; they possess the Spirit as the structure of obedience and as a power in their lives. Prayer and the motion of the Spirit are to be manifest in play; this is not included in the mathematical model, not because it is not important enough to model, but because it is too big and too important to model. (See model, section III)
The one Spirit that is present gives different gifts to specific believers; Paul, after laying out the teaching of one body whose different parts serve to a higher and necessary unity, writes (I Cor. 12:27-28, NIV):
Now you are the body of Christ, and each one of you a part of it. And in the church God has appointed first of all apostles, second prophets, third teachers, then workers of miracles, also those having gifts of healing, those able to help others, those with gifts of administration, and those speaking in different kinds of tongues.
For game purposes, a character (if so desired) may pray, asking for a specific gift or gift(s), which may or may not be given. (If something else is given, the character/player has not been bad or anything like that; it’s just that a different gift has been given.) One, or occasionally two or three gifts should be given. The gift should be appropriate to the character — his whole personality and identity — if there is one which is fitting. Gifts should not necessarily center around what is *useful* to play; it is unbelievably vulgar to think of the Spirit as a power source which is useful to characters. It is fine for not all — for that matter, none — of the characters to have gifts that happen to be useful to play. Gifts may also have different strengths, and/or different frequencies of operation, in different characters.
The gifts mentioned in the Scriptures may be given; other appropriate ones may also be given (for example, the touch given Curdie in _The_Princess_and_ _Curdie_). I’m not sure exactly how to define appropriate, but one obvious point is no imitation magic: no incantations and material components, no items with strange properties. In general, Spirit-given gifts which are consistent with how God has revealed himself in Scripture.
A Spirit-given leadership ability.Note that it is possible to have natural leadership talents without this gift of the Spirit; like several other gifts, it may not be obvious whether a person is exercising a gift of the Spirit or natural talent. (Some gifts, such as faith and helping others, are Spirit-given strong measures of qualities that all believers should have.)
Paul stated that he was the last of the apostles, so this gift is different from the others in only applying to a very small group of people at a very specific time. For the sake of simplicity, I will assume that player characters are not apostles.
- Discernment of Spirits:
As this gift applies to the discernment between angels and demons, it will not appear in its current form in the game. It will appear, however, as an ability to sense — perhaps even see, in a person in whom the gift is strong — angels.
A Spirit-given gift to effectively evangelize. This would not appear in a sinless world.
Someone with the gift of faith possesses a great measure of faith, and unusually powerful prayers.
The Spirit-given power to heal people.
- Helping Others:
A special Spirit-given ability and energy to help others, flowing out of an endowment of love.
- Interpretation of Tongues:
The Spirit-given ability to interpret what is spoken in tongues.
This gift appears in two forms.The first is a knowledge of sound doctrine — a gift that is at times not clearly distinguishable from prophecy, preaching, and teaching.
The second, “logos gnosis” (word of knowledge), is a Spirit-given insight into facts about the external world, about other people’s needs. (This is also not always clearly distinguished from prophecy)
- Miraculous Powers:
Look to the Old Testament narratives surrounding Elijah for a picture of a person in whom the gift is strong.
The gift of overseeing and caring for and nurturing the spiritual conditions of others.
The Spirit-given ability to preach the truth in a way that is powerful and shows its relevance to believers’ lives.
Prophecy, Biblically speaking, is somewhat broader than the contemporary understanding of “Spirit-inspired prediction of the future.”The first and foremost meaning, of chief ecclesiastical importance, is a Spirit-inspired telling of the truth. In this aspect, I am not sure how to clearly distinguish prophecy from preaching and teaching.
The second part of it is things such as dreams, visions, the voice of the Spirit speaking.
The specific form the gift of prophecy takes when given to a character will take some form like this.
- Speaking in Tongues:
Spirit-given (moment-by-moment) speech in the tongues of men and angels.
The Spirit-given ability to teach and impart the truth.
ONE FINAL NOTE ON THIS POINT: I am placing the Spirit in play, with greatest reverence, as someone too important to leave out. The Spirit is too big and too important to reduce to just another kind of power or just another element of play. Do not do it. Give the Spirit in play a treatment that is nothing short of worship.
I cannot give a rule to make this happen. Walk in the Spirit, and it will give you the power to do so.
Section V: A Sample of Play.
Here is a sample of play. The characters are Kendall Lightfoot, a Janra scout given prophecy, Qualinesti (regional name), an Urvanovestilli scholar given knowledge in the first sense, Pirt, a Jec wayfarer given faith, ‘Limna, a Yedidia interpreter given healing, and Torv, a Tuz hunter given the gift of help. They are currently in a Tuz village on the Urvanovestilli border. As they have been together for a while, they have all studied a common language (specifically Jec), which they have by now learned to speak with a reasonable proficiency.
I would like to emphasize that this is only one of many, many possible kinds of situations.
Pirt: “What did the riddle say, again?”
Qualinesti: “As tall as a house, as round as a cup; people drink from me without lifting me up.”
Pirt: “Hmm… [pauses in thought for a minute] I wonder if it was talking about a well. Why don’t we split up, search the village for a well, and meet back here in half an hour, and go to the well if we find one?”
Qualinesti, Kendall, ‘Limna, Torv: “Sounds good to me.”
Game Master: In half an hour’s searching, you find that the village has one well, next to the miller’s house. From the looks of it, it has been dry for quite some time. Pirt found, from a brewer, that the village now gets water from a valley about half a mile away.
Kendall: I’m going to climb down the well and search for any signs of anything interesting.
Pirt: “Would you like to borrow my lantern?”
Kendall: “Yes, thank you.”
Game Master: The well is approximately 25 feet deep; after fifteen minutes of climbing and searching, you find that one of the stones has letters chiseled into it in some script, apparently Urvanovestilli, which doesn’t spell out letters that you can read.
Kendall: “Pirt, may I also borrow your rope?”
Kendall: I’m going to climb up, take the rope, tie a Swami seat on Qualinesti, and body belay him down into the well.
Qualinesti: “Wait a minute. How am I supposed to get back up? I can’t climb the way you can.”
Kendall: “Relax. I can belay you, and if you really can’t climb, I can pull you up. But climbing’s so easy!”
Qualinesti: “I am not a Janra.”
Kendall: I’m going to wink as I say, “We all have our problems.”
Torv: I’m going to pick Kendall up and throw him over my head.
Game Master: Kendall, are you going to try to dodge?
Kendall: Given an opportunity to fly through the air? No way!
Game Master (to himself): Why did I even ask? (to Kendall) Sure enough, you find yourself flying through the air, and land in a couple of somersaults.
Kendall: I’m going to saunter back. (to Qualinesti): “So, how about heading down to read the inscription?”
Qualinesti: Ok, I’ll head down.
Kendall: Once he’s down safely, I’ll climb down as well.
Game Master: After a little while of identifying the script — it comes from some weird dialect — you are able to decipher the message. It reads, “Do the opposite of usual to what is opposite me.”
Kendall: Hmm… no buttons to push this time. I’m going to inspect the stone again.
Game Master: You don’t find anything new.
Qualinesti: Are the stones arranged in any kind of orderly pattern?
Game Master: Yes; as a matter of fact, they are. There are thirty-two in a circle.
Qualinesti: I’m going to see if I can do anything to the opposite stone — especially pull it out.
Game Master: You can’t budge it.
Kendall: I’m going to give it a try.
Game Master: You are able to pull it out one inch, at which point you hear a sound of some kind of stonework moving. After a few seconds, the base of the well beneath you begins to tremble, and slide to the left.
Kendall: I’m going to jump up and shoot my feet out to the sides so that they catch on a foothold, and shoot an arm around Qualinesti’s waist to hold him up.
Torv: I’m going to grab the rope and brace myself so that I can pull up Qualinesti and Kendall, if need be.
Game Master: Ok. (To Qualinesti and Kendall) The stone beneath you slide out to the side, revealing stone steps receding into the darkness.
Kendall: I’m going to shift Qualinesti to my back, and climb down to the stairs, and head down.
Game Master: At the end of the stairwell is a closed door, with twenty buttons and what appears Qualinesti to be a cryptogram. It says, [hands sheet to players]
Up pqfo uif eppxbz, qsftt jo cvuupot uxp, uisff, gjwf, ojof, boe pof npsf cvuupo. Uijt pof npsf cvuupo dpoujouft uif qbuufso.
Qualinesti: [looks at it] “Both ‘uif’ and ‘pof’ are repeated; I’d be willing to guess that one of them is ‘the’. (‘nspf’ and ‘cvuupo’ are repeated, but I don’t know any four or six letter words as probable as ‘the’.) For ‘t’ to go to ‘p’ is back four; ‘h’ going to ‘o’ is forward seven; ‘e’ to ‘f’ is forward one. That doesn’t help us any. ‘t’ to ‘u’ is forward one, ‘i’ to ‘h’ is… T-o o-p-e-n… Got it!
“To open the doorway, press in buttons two, three, five, nine, and one more button. This one more button continues the pattern.
“Hmm. Two plus three is five; five plus three is eight. No, that’s not it. Two plus three is five; two plus three plus five is ten. Now if we could only find a happy medium.”
Pirt: “Two times two minus one is three; two times three minus one is five; two times five minus one is nine. Hey! I think I’ve got it. Who’s for pushing buttons two, three, five, nine, and seventeen?”
Qualinesti: “Hmm, that’s a little complicated. If we add, two plus one is three, three plus two is five, five plus four is nine… it doubles, so nine plus eight is seventeen.”
Kendall: “I think you agree. How about if we try it?”
Others: “Ok.” Game Master: Gears begin to turn, and the door hinges squeak as the door turns back.
[The party enters the underground, and after a while of puzzles and exploits, locates the map which they had been in search of. Coming out after a couple of days, they go to an inn.]
Game Master: Jim, could you come with me for a second? [pulls Kendall’s player, Jim, out of earshot of the rest of the players.] During the night, you have a dream in which an angel appears and tells you to go the cave of Munra, a great prophet and sage, which is indicated by the notched circle on the map. He tells you to examine carefully and heed the information on the map, and says that on the way you will meet three trials, which must be overcome.
Kendall: I’m going to ask the angel what the trials are.
Game Master: “That is for you to discover.” [They return to the players.]
Kendall: “Last night, I had a dream. An angel told me that we must seek out the cavern where Munra lives, which is marked by a notched circle on the map. Munra is a great prophet and sage. We need to try to understand and pay attention to the map on the way there. We will meet three trials on the way, which we must overcome before arriving.”
Qualinesti: Are there any caravans or other wayfarers travelling in that direction from the village?
Game Master: No.
Torv: “How ’bout if we all buy five days’ provisions and set out?”
Qualinesti: Is there a path to the cave indicated on the map?
Game Master: Yes, there is.
Qualinesti: “I suggest we follow the path.”
Game Master: You begin to follow the path. Along the way, Torv finds an adequate supply of rabbits, boars, and so on to keep you fed, as well as springs and streams sufficient to always have at least some water in your waterskins. After fifteen days’ travel, you come to the place indicated on the map as Riddler’s Pass. There are two ridges coming together, forcing any travellers to pass between them, and between the mountains lies a yawning chasm.
The weather is an intense thunderstorm.
Kendall: Can we climb the ledges?
Game Master: There is only sheer rock, and the top seems to be angled so that there’s nothing for a grappling hook to catch on to.
Kendall: Is there anything to secure a rope to?
Game Master: Yes; there are trees on both sides.
Kendall: I’m going to toss my grappling hook and attempt to secure a rope on the other side, then tie a noose on the other end around the rope, and attach another rope through the loop of the noose so that I can pull the rope back from the other side.
Game Master: Done.
Kendall: “How about if I shuttle across giving you each a piggyback ride, and then carry across our gear?”
Others: “Ok. We’ll wait by the edge for you to get back”
Game Master: You get Torv, Pirt, and Qualinesti over; while you are carrying ‘Limna over, a bolt of lightning strikes the tree on the far side. The electrical spasm causes Kendall with ‘Limna to jump off the rope, and the thunder blast knocks Torv, Pirt, and Qualinesti over the edge. You fall seventy five feet onto rock.
Qualinesti has a fractured femur.
Torv has a tibia/fibula fracture, and some broken ribs.
Pirt has unknown injuries; he is knocked out by the impact.
‘Limna has two broken arms.
Kendall is able to roll and reduce the damage, but he will have some severe abrasions.
Limna: I’m going to pray over myself, and then lay hands on Qualinesti, Pirt, Torv, and Kendall.
Game Master: You feel a lessening of pain as the bones begin to slide into place.
Kendall: I’m going to search around the sides for a route up.
Game Master: The sides are sheer rock and slippery rock; you can see almost nothing now. It’s unclear whether you’d be able to find a route up on a sunny day; you can’t climb out now.
Kendall, Torv, Pirt: We’re going to search for a way out.
Game Master: You don’t find anything.
Pirt: I am going to pray that a way out may be found.
Game Master: The rain begins to grow less intense, and, after about an hour, the sun begins to shine. You notice that the walls have streaks of talc reaching up to the top.
Kendall: Are there any visible climbing routes?
Game Master: No.
Kendall: “Torv, may I borrow your dagger?”
Torv: “Here you go.”
Kendall: I’m going to start seeing if I can carve holds in the the talc, hoping to find a way to the top.
Game Master: In about three hours, you get about two thirds of the way up, before coming to the end of a streak which is not within any reasonable distance of any other.
Kendall: I’m going to climb down and rest for a while.
Torv: What’s the status of the rope?
Game Master: It’s lying coiled at the edge.
Torv: Are there any small rocks around?
Game Master: Yes, there are.
Torv: I’m going to throw rocks at it to knock it down.
Game Master: You can’t throw any rocks higher than about thirty feet.
Kendall: I’m going to stuff rocks in my pockets, and climb up the talc trail to throw rocks at the rope.
Game Master: You get about halfway through before knocking it down. It falls about ten feet to your right, and goes down about twenty feet.
Game Master: You barely manage to stop yourself sliding before you reach the tip.
Kendall: I’m going to climb up, scare away any animals, and ferry the gear across, then from the other end, pull across and reanchor the rope, and help the people up. [pause] Wait. I’m going to rapell down the side and carve handholds.
Game Master: There are a couple of raccoons who have helped themselves to your food, but no other animals. You manage to do what you wanted to.
Kendall: “Thanks for letting me use your dagger, Torv. Here it is.”
Torv: “You’re welcome.”
Game Master: You continue on, and early the next day come to a fork in the path.
Pirt: What does the map say?
Game Master: The map shows only one path.
Pirt: Is one side more sharply angled, or wider, or more worn?
Game Master: Both are equally angled, equally wide, and equally worn.
Pirt: I’m going to study the map to see if I can find any hints.
Game Master: [pauses] You don’t find any.
Qualinesti: I’m going to do the same.
Game Master: You don’t find any, either.
Kendall: I’m going to pray for a word on which path to choose.
Game Master: You remember the words of an author:
And I said to him, “Sir, give me a light, that I may tread safely into the unknown.”
And he said to me, “Put thy hand into the hand of God. That will be better to thee than a light, and safer than a known way.”
Kendall: Do I receive anything else?
Game Master: No.
Pirt: “God has sent us on this quest, and I am sure that he desires that we succeed. I think we should just pick a path, and trust God that it will be the right one. Which one do you suggest?”
Kendall: “Say, left.”
Torv: “How do you know? Did you receive a word from God?”
Kendall: “I don’t. I didn’t. But I’m trusting in him.”
‘Limna: “Is that okay for everyone?”
Others: “Sounds fine.”
Pirt: “Well, let’s go, then.”
Game Master: You go along, and as you go the hunting becomes more difficult. You come to the last village before the cave, where you purchase five days’ worth of provisions, and go along… four days later, you’re almost out of water, having just enough to get back, and haven’t been able to find any along the way. It looks like another good week’s journey until you get to the cave.
Pirt: Has there been any rain or any indication of rain?
Game Master: No. You’ve come across a couple of dry creeks.
Pirt: “I say that we go along and pray to find water.”
Qualinesti: “We could go back to the village and ask about water sources.”
‘Limna: “Yes, we could, but that would mean taking a few days’ recovery from dehydration. It would mean a long delay.”
Pirt: “I think that this is the third test.”
[After a continuation of deliberation, they decide to continue.]
Game Master: Two days later, you come across an abandoned well which, while tbe wood holdings, the rope and the bucket are hopelessly rotted, Kendall is able to climb down into to replenish your waterskins. Four days later, you come across a cavern twisting into the earth.
Pirt: I’m going to light my lantern, hold my breath, and walk in.
Game Master: It takes your eyes a little while to adjust to the semidarkness, and then you see an old man with a flowing, white beard, wearing a coarse woolen cloak, sitting in a chair. There is a fire in the corner of the cave.
He stands up, raises his hand in benediction, and then says something in his tongue. [pulls Jane, ‘Limna’s player, aside.] He said, “Greetings, travellers. I have been waiting for you.”
‘Limna: Unless I indicate that I’m having a private conversation with Munra, I’m going to interpret so that you can just speak for him. [to others] “He said, ‘Greetings, travellers. I have been waiting for you.'”
[‘Limna interprets for the interaction.]
Section VI: Character definition.
Here is a battery of questions designed to help players think about who the character they are designing is:
Who is he? Does Jesus sit enthroned in his heart? How does he try to imitate Christ? How does he see the world? Where do his loyalty and his love lie? How does he use his talents? What virtues does he embody? Is he temperate, controlled, balanced? What does he search for in other people? How deep are his friendships? How deep is he? How strongly does he embody the qualities he holds? What community is he a part of? What is his family, his liege, his birthplace? What inhabits his thoughts? How does he embody what is truly masculine (she embody what is truly feminine)? What fruit does he let the Spirit work in his life? What is his name?
What is his story? What interests, goals, and desires does he have? What does he cherish? What special twist does he put on things? How does he pray? What is his role in the Church? What does he create? Of what would his friends look and say, “That is him?” What is his story? What (if any) visions has he had [this question is more the focus of the DM than the player]? If he were an animal, what animal would he be, and why? What are his hobbies? What is his favorite story? What does he like to present to other people? What is he afraid of other people knowing about him? What memories does he cherish? How old is he? How has he changed over the years? How has he remained the same? What are his loyalties? Who lies closest to his heart? Who does he exist in relationship to? What communities is he a member of? How does he spend his time? What are his hopes and dreams?
What is he naturally gifted at? What skills has he developped? What would traditional game systems attribute to him? What gifts has he received in the Spirit [again, this question is more for the DM]? Prophecy? Faith? Wisdom? Knowledge? Healing? Miraculous powers? Leadership? What are his weaknesses? Does he have any handicaps? What can and can’t he do?
What does he look like? What is his manner?
What are his relationships to other characters?
Here is a listing of skills/areas of knowledge/abilities. It is meant to be illustrative rather than exclusive. (Partially borrowed from AD&D)
(A following parenthesized letter indicates that a skill is common to all members of a race: (N)or’krin, (T)uz, (Yedidia), (U)rvanovestilli, Je(C), (S)hal, (J)anra. Other parenthesized information may follow.)
- Acrobatics/Tumbling (J)
- Animal Handling (Y)
- Animal Lore
- Animal Training
- Artistic Skill (Specific Medium)
- Balance (J)
- Blind Action (S)
- Ceremonies (U)
- Climbing (J)
- Clockwork Device Craftsmanship (U)
- Cold Tolerance (N)
- Cultures (specific culture)
- Dancing (Y)
- Dodge (J)
- Farmer (C)
- Gardening (Y)
- Gem Cutting
- Guess Actions — guess from looking at a person what he will do next.
- Hear Noise — hear almost silent noises.
- Heat Tolerance (T,S)
- Heraldry (U)
- Herbalism (Y)
- History (U)
- Hunting (N,T)
- Improvisation (Musical)
- Incense Making
- Janra-Ball (J) — incomprehensible to members of other races.
- Jewelry Work
- Jumping (J)
- Keen Eyesight
- Languages (Specific Language(s))
- Leather Working
- Literature (U)
- Mathematics (U)
- Move Silently
- Musical Composition
- Musical Instrument (Specific Instrument)
- Open Locks
- Philosophy (U)
- Poetry Composition
- Pole Vault (J)
- Pottery Making
- Public Speaking
- Reading/Writing (U)
- Read Emotion (Y)
- Rope Use
- Shouting — shout loudly and prolongedly without tiring vocal chords.
- Singing (Y)
- Smell Creature (Y) — smell what creatures are around and have passed by.
- Strategy Games
- Swimming (J)
- Symbolic Lore (N,C)
- Technology Use (U)
- Theology (U)
- Tightrope Walking (J)
- Weather Sense (Y)
- Wilderness Survival (N,T,Y)
- Withdrawing/Meditation (S)
- Woodlore (Y)
- Wrestling (J,T)
Here is a list of some attributes, to think about how strong or weak a character might be:
- Ability to Learn
Possible virtues to think about how a character embodies goodness: