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Nor’krin

The Nor’krin are tall and strong, with thick, sandy blonde hair, deep blue eyes, and white skin that turns reddish when they go south from their frost-kissed land; the Janra affectionately refer to them as the Northern giants. They love to run across the snowy plains and up to the peaks, to feel the crispness of the air, and to drink the cold and crystalline waters of the flowing streams.

There are not very many of them; they live nomadic lives, spread out across the snowy North, carrying with them only their clothing, their hunting weapons (a large bow and quiver of arrows, an axe, and a knife), a canteen, and a handful of tools and other miscellanea.

Theirs is a culture of oral tradition and folklore, filled with a richness of symbolic thought. Their thought is expressed by storytelling. Some tell of people and actions full of goodness, love, and wisdom; some are allegories packed with symbolic detail; some are both. The evenings — from the meal onward — are times when the clans gather together, and the oldest member tells tales until long into the night, when the fire has died down to embers and the icy mountain peaks glisten in crystalline blue starlight.

(The language is one which revolves around the oral tradition; its grammar is fairly simple, sufficient for basic expression, but there is an extensive vocabulary fitted to epic poems, great tales, and the transmission of a symbol-filled body of lore)

Their experience of sense is primarily aural, centering around the communication and preservation of their tradition. The other senses all play a part in their knowing about the world around them and its enjoyment, of course, but the ears dominate.

Coming of age is very significant in Nor’krin culture. It is the event upon which a child becomes a full member of Nor’krin community, and appreciates it fully, for it is accomplished in solitude. It is the same for male and female, big and small.

Denuded of all possessions save a hunting knife and the clothing on his back, the child begins a solitary trek, south through the land of the Urvanovestilli and Yedidia, penetrating deep into the thick forests inhabited by the Tuz, until he enters a village, and, coming inside a shop, says, “Blacksmith, blacksmith, find me a task, give me a quest.”

There are as many quests as there are questions. Some are easy, some are hard; some are simple, some are complex. Whatever the quest be — be it finding an amethyst in the caves, climbing an immense mountain, answering a riddle, memorizing a book — he leaves the blacksmith shop and does not return until the quest is completed. (It must be said that, though some quests have taken years to complete, recorded history has yet to see a Nor’krin fail. A child leaves the immediate presence of his family, but remains in their prayers; they have great faith, and it is in this faith that they tread securely into the unknown.

Upon the return, the blacksmith begins to ask questions: “What is your name? What is your family? Who are you? What is your story?” — and begins to fashion an iron cross. This cross is at once a cross as any other, and a unique reflection of the person who wears it; no two are alike.

It is with this cross worn about the neck that he returns to his clan, come of age.

Nor’krin greet each other by standing opposite the other, placing the left hand on the other’s right shoulder, and lowering the head slightly; the gesture is a sign of respect.

The emotional side of their culture is not as intense or spectacular as many others, but is present and offers an important reflection of what they value. They know a deep sense of respect and appreciation; when they think of others, the first thought is, “This person is an image of God,” and there is a feeling of respect. The mountains, the trees, and the streams all bear a magnificence which they appreciate. Nor’krin worship services are filled with awe at the One whose glory is declared by tales, by lives, and by the created order. They are traditional liturgical services, where the place of the homily is taken by long tales and stories, conducted by the eldest members of the clan.

The Nor’krin homeland is named ‘Cryona’.

Tuz

Many wayfarers go south, early in life, to buy equipment; they need only wait, and a blacksmith will forge a pair of iron boots which will last for life.

The people are dark and strong; their eyes shine with power and lightning. The average Tuz male is short, stout, very broad-shouldered, and built like a brick wall; a thick, straight, jet black moustache and a thick, curly beard push out of leathery skin. Women are equally short and stout, but do not have such broad shoulders, being (relatively) more plump and less muscled, and do not have the moustache and beard (usually).

Their buildings are hewn of solid granite, with iron doors. The villages are small and scattered, joined by worn paths passing through the rich, deep green of the forest. It is this forest, fertile and full of beasts, from which the heart of their meal comes. They are more than fond of spicy meat stews and bear jerky. Their beer is dark, thick, and strong, and every house has at least a little bit of khoor, a spiced rum which is occasionally used by the other peoples as a pepper sauce.

The Tuz work hard and play hard. They are often hired for heavy work in the construction of Urvanovestilli palaces, and their work rarely receives complaint. After work is over, they tend towards wrestling and general rowdiness; if they are present, Janra children (and occasionally adults) are tossed about.

For all of their rowdiness, the Tuz do possess a great deal of restraint; even after a couple of beers, they seldom give each other injuries beyond occasional bruises and abrasions, and Janra children do not receive even a scratch. (Most of them rather enjoy being tossed about).

The usual greeting is a crushing bear hug, often accompanied/followed by a punch in the stomach, some wrestling or tossing around, etc; it is generally toned down a bit for children and visitors from afar, but there is always at least a spark of rowdy play.

As much as the Nor’krin are at home in the cold, loving everything that is crisp and chilly, the Tuz love heat. Their land is by far the hottest, but that doesn’t stop them from munching on peppers and wrestling around. Blacksmiths’ shops and fire and sun-hot iron — these are a few of their favorite things.

The Tuz also build obstacle courses of stone and iron and rope, which the Janra have no end of finding new and inventive ways to use; a slack rope which Tuz climb along the underside of will be walked — or occasionally run — atop by the Janra; jumping shortcuts, backwards or inverted travel, and acrobatic ways of avoiding raw strength moves are common. Tuz, by contrast, have very slow and methodical paths.

They are, indeed, probably the most constant and unchanging of peoples; the process of maturing is a process of becoming more who they are. Their sense of order is also great; they value greatly the gift of being well ruled.

A child, at the age of ten, is presented to the village elders and the various guildmasters. They spend a day talking with the child and his parents, in order to determine his talents, interests, and personality; then they spend another day talking and discussing amongst themselves; then, on the third day, his profession is announced, along with the master to whom he will be apprenticed. The results are sometimes surprising, but always embody a great deal of wisdom, and the selection of a vocation is a gift for which the child is grateful.

Children learn a way of life filled with discipline, tradition, and respect for elders. It is quite simple, not at all ornate when compared to some other philosophies, but it has a power, a solidity to it, and love, faith, honor, friendship, and hospitality are things that they truly live by. Their families and communities are very close, and their friendships are loyal until death. They do not pay as much emphasis on verbal articulation of teaching as a way of life. There is thought, but in its expression, words take a second place to actions. That a life of faith involves discipline is declared very loudly by Tuz hands.

The are very aware of the value of solitude and prayer; it is a common practice to simply leave, taking nothing save clothing and a hunting knife or axe, and go up into the mountains for a few days of solitude, allowing time to pray and to be refocused.

Their language has, in speech, a very heavy, thick, consonantal feel, full of grated ‘h’s (which is often present in ‘k’s, ‘r’s, ‘g’s, and ‘b’s). The speech is terse and concrete.

Their experience of sense is also very concrete, centered somewhere between visual and aural. Sight tells what is around and where, and what is happening and where. Hearing tells what is happening, and where, and what is being said.

The emotional side of their culture knows such things as accomplishment, tradition, exertion, and discipline. There is an emotion that comes from a job well done and a challenge mastered; they value it. To have a heritage and respect elders as well as enjoy children brings a feeling of right order. To wrestle around, run, or laugh heartily has a pleasure. To control oneself has a joy. Things such as these are what they feel.

Tuz worship services are be short and sweet, with worship embodying a great deal of fervor.

The Tuz homeland is named ‘Rhog’.

Urvanovestilli

The first thing to strike a visitor is the devices. In every house and many shops there is a tinkering room; a large workbench is covered with every imaginable sort of gear, spring, hinge, lever, chain, and shaft; the clock is only the beginning of clockwork. Two nearby cabinets — one filled with tools, one filled with parts and working materials — stand neatly closed; at the touch of a button, a drawer springs out, and shelves slowly slide up.

The craftsmanship of clockwork devices is, along with the study of diverse subjects — theology and philosophy, history and literature, science and mathematics — a hobby that symbolizes the culture. Each piece is created not only for utility, but also for artistic effect. Cuckoo clocks and spring loaded umbrellas, Swiss Army Knives and mechanical pencils, player pianos and collapsible telescopes: mechanical objects such as these fill the land.

The ornate complexity of the devices reflects the ornate complexity of thought. The language, quite possibly the most difficult to learn, allows a speaker to express detailed and nuanced thought in exacting specificity. There are twenty four verb tenses, so that there is (for example) a different past tense for a brief, well demarcated action, and one which occurred over a period of time; there are twenty four other verb forms, which are like verb tenses as to conjugation and construction, but express the verb in an atemporal manner. Their language has much room built in for conjunction and logical connectives, nesting and predicates, as well as subtlety, implication, and allusion.

They have a complex and formal system of etiquette, although it must be said to their credit that they take no offense at a wayfarer who is warm and friendly but does not know their rules; they understand how simple the heart of politeness is.

Their speech is clever and witty, and they are fond of abstract strategy games. They enjoy ornate and complex polyphony, and will spend hours exploring theology and philosophy (two disciplines which they have the wisdom not to separate).

Urvanovestilli culture places a very heavy emphasis on a facet of virtue which they call contrainte. Contrainte is a kind of inner constraint, where order is approached by adjusting conditions inside before conditions outside, and not letting oneself be wrongly controlled by external circumstance. A similar concept is embodied in the words ‘moderation’ and ‘self-control.’

Contrainte enables a man to be free and use that freedom responsibly; it enables a man to have access to drink without getting drunk; it enables him to think constantly without becoming rationalistic. The Urvanovestilli homeland has the richest natural resources in the world, and (with centuries of first rate craftsmanship and efficient work) they are by a wide margin the richest nation in the world. Despite this, they keep a very cautious eye on wealth, so as not to be enslaved by it. Theirs is not a culture of consumption; though some of their interests — art, sculpture, board oriented strategy games, tinkering — generally are pursued in a manner that involves wealth, the bulk — discussions, prayer, dance, imagination, thought — do not. Consumption as a status symbol and waste are both seen as vulgar.

In contrainte is also balance and complement. There is time in solitude and time in community, freedom and responsibility, private and public property, work and rest.

It is in contrainte that an ornate system of etiquette does not obscure love, and elaborate ceremonies do not obscure worship. Just as they do not have their sights set on wealth — they do not look to it for happiness, security, and other things that it can not provide — and are therefore able to enjoy it (among other and greater blessings) without being harmed, so also they set their sights on love and worship, and therefore do not permit rules of etiquette or liturgical forms to make themselves the focus and cause hearts to become cold and dusty.

Contrainte likewise allows them to act efficiently without becoming efficient. Off of work, life takes a calm and leisurely pace; nobody fidgets. It allows them to be very judicious in their use of money, and at the same time very generous; their hospitality is lavish, and it is unheard of for anyone — friend or stranger, native or foreigner — to go hungry in their land.

The single greatest mark of contrainte lies in that, with all of their achievements, they remain open to the gifts of God. Contrainte itself — though they work very hard to cultivate it — is not something that they try to achieve on their own power, but ask for in prayer, expecting to receive as a gift from God. Nor is it set up as the supreme context, the Supra-God to which God must bow down; they know nothing of religion within the bounds of contrainte. Contrainte does not “point to” itself as an object of worship, but rather God; it brings, in worship of God, a desire to grow in faith, hope, and love. It is like being reasonable enough not to be rationalistic.

On the surface, the Urvanovestilli culture appears to be the antithesis of that of the Shal. One is complex, and the other simple; one is rich, and the other poor; in one, people sit and talk for hours; in the other, people sit in silence for hours.

At the very heard, though, they are very much the same; Urvanovestilli, when traveling and visiting the Shal, feel that they are at home; the Shal find the Urvanovestilli to be brothers. They see beyond, rest in God’s love, and love their neighbors.

The Urvanovestilli are quiet, patient, temperate, and refined. They are classically educated and cultured; their country is a federation of republics, each one ruled by a senate in a tradition that has remained unchanged for centuries. Tradition is strong, and families remain together; come evening, three or four, sometimes even five generations sit down at one table, eating and drinking, talking and listening, long into the night. There is a great respect for age, but a respect that in no way despises youth; the oldest spend a great deal of time caring for the youngest. Indeed, one of the first sights to greet a visitor who steps inside an Urvanovestilli mansion is often a grandfather or great-grandfather, with a long, flowing white beard, sitting with a child on his knee.

Urvanovestilli names are long and ornate. The full name is rarely spoken outside of formal ceremonies; even Urvanovestilli do not often pronounce thirty syllables to refer to one entity; all the same, each one is considered important. The names are:

Family name: This is the first and foremost of names, and the most cherished; it is the most commonly used.

Maiden name: Among married women, this follows.

Birth name: This is the name given at birth, and is often used within families and when there are several people of the same family present.

Reserve name: This is a very intimate name, which is not always known outside of family and close friends; it is spoken with a great deal of affection and familiarity.

Baptismal name: This name is chosen at baptism by people who know the person well, and given a great deal of prayer; it is used especially in religious contexts.

Regional name: This tells of the city or village a person comes from, carrying with it connotations of regional flavor and culture. It is used primarily in reference to travelers or (occasionally) people far away.

Friend names: These names (some do not have any; a few have ten or eleven; the average is two or three) come according to friends; a friend can bestow a name, and it becomes thereafter formally a part of an Urvanovestilli full name. When such a name is bestowed, it will become the name used primarily by the person who chose it.

The phrases of politeness — those which would correspond to hello, goodbye, please, thank you, you’re welcome — are all benedictions; they take innumerable forms and beauties according to the people and situation. Blessing is something which they value; they often speak of good things — friends, virtue, art and music, food and drink — as so many blessings from the heart of the Father.

The traditional greeting is a hand raised, open save that the ring finger bends down to meet the thumb, or (when greeting a child) placed atop the head; the gesture is a symbol of benediction. It is followed by three kisses on alternate cheeks.

In youth, Urvanovestilli are filled with a wanderlust. They voyage to many different places, seeing different nations and lands — as well as the variety of their own cities — and enjoy experiences which provide a lifetime’s worth of memories. The wayfaring is never really complete, though, until it becomes the voyage home: the Time sometimes comes after two years of travel and sometimes after ten, but the Spirit always makes it clear. When that Time comes, each Urvanovestilli spends a little longer — perhaps a month — with the people he is visiting, and then leaves, with a very passionate and tearful goodbye.

It is Time to return home, to put down roots, to deepen, to mature; Time to wholly enter into the homeland. From this point on, the Urvanovestilli is no longer a wayfarer. The memories of his travels are cherished and very dear, a set of riches that he will always carry with him, and he will still send blessings, gifts, letters, and occasionally visits to friends in far away lands, but it is no longer time to go here and there; it is Time to grow into family, friends, and city.

Urvanovestilli writings and teaching, the means by which theology and philosophy are transmitted, take many forms — poems, riddles, parables and allegories, personal conversations, to name a few — but the predominant form is a systematic and structured logical argument: point one, point two, point three, subpoint three b, conclusion one… The structure carries allusion, nuance, and beauty; it leaves room for the speaker to make a very beautiful craft of words.

They enjoy being absorbed in thought; it is how they spend a good time of each day. They do not look down on sensation — indeed, they have a great appreciation for what is a very highly developed art, music, and cuisine — but it does not fill their world as it does that of many others. Abstraction and complexities of thought are fundamental to their experience of the world: sensation leads into perception, perception leads into concrete thought, and concrete thought leads into abstract thought. Moments of immersion in the senses are rare, Sensation, being the outermost layer, is governed and enjoyed from within. Its form is generally of aural and visual character; the aural side is shaped by words, and then accommodates the other plethora of sounds, and the visual side is shaped by the forms, the spaces, and the interactions of their devices, and sees something of springs and gears in the world around.

Their faces appear at first glance to be almost expressionless — a faint hint of a smile, perhaps — until you look at their eyes, the first window to the fire and intensity within. Urvanovestilli eyes — whether brown, amber, hazel, grey, or blue — bear an intense, probing gaze; in Urvanovestilli culture, eye contact is almost continual, and reflects a fire, an intensity, a passion, that fills their way of life. It does not take long to be reminded that eye contact is a form of touch; their eyes seem to be looking into your spirit. The gaze, in its intensity, is never cold and calculating, never the chilling, devouring stare of a steel face beyond which lies a heart of ice; at its most intense and most probing, it is the most filled with love, and most easily shows the intense fire within. They can rest — and they know calm and tranquility — but there is a great energy within, an energy that shows itself in their artwork and writings. Those who read their theologians certainly do not fail to notice the depths of wisdom and insight, but what is most striking is their love for God. The passion — of their love for God, for spouse, for family, for their neighbor; of desire to grow in virtue and knowledge, for their work — burns, and their experience of emotion — of discovery, of awe, of appreciation of beauty — is long and intense, complex and multifaceted. This emotion is the other side of contrainte; it is the same virtue that enables them to enjoy wine in temperance, and to be moved to tears by music and theater. It is not a “virtue” of stifling — that would be far too easy, but of control and proper enjoyment. Just as they find abstinence from drink to be too easy, a way of dodging the lesson of moderation, stifling emotion and crushing it would be, to them, a way of dodging the lesson of passions rightly oriented in accordance with holiness and love — not to mention an unconscionable destruction of an integral facet of being human.

Those Urvanovestilli who are the most virtuous, the most filled with contrainte, are nearly always the most passionate.

Urvanovestilli are usually short, but look like very tall in miniature, with clear white skin and jet black hair. The men have a thin and wiry frame, with sharp and angular features. They have flaring eyebrows coming out of a prominent brow, a thin, hooked nose, and tufts of fine hair flaring away from their ears. Skin holds tightly to bones, muscles, and veins, and arms end in long, thin hands with nimble fingers. Their voices are a very soft, almost silent tenor.

The women are somewhat slender, but a slenderness which is graceful and rounded. Their features, as well as their build, bear this slender, graceful, rounded character, and their movements are light and flowing. (If the men know more of passion, the women know more of calm). Their voices are high and clear, with a sound that is like silver, like cold and crystalline water, like clear, light, dry Alsace blanc.

Urvanovestilli worship services are long and complex, with ornate liturgy and ritual. The language is florid and ornate (like that of the liturgy stemming from St. John Chrysostom) and every sentence of the liturgy would embody theological truth. The homilies (although not the only part of the service which varies (much of the liturgy itself changing according to a traditional pattern dictated by a complex algorithm) from week to week) are themselves not that long. They are of moderate length, and differ from the liturgy — which presented different doctrines sentence by sentence — in being a full and well-developed presentation of one single idea, expressed in unequaled detail and eloquence.

The Urvanovestilli homeland is named ‘Flaristimmo’.

Urvanovestilli city — Capitello

Capitello is the capital of the Urvanovestilli land, and the classical Urvanovestilli city.

At the very heart lies a cruciform cathedral. It is an immense domed building, the outside in white marble, covered with statues and spires. Inside, all is dark — or so it seems to a person who first steps in.

Someone who steps in first stands in place, seeing nothing really, perhaps a few points of light in the darkness… and then, very slowly, begins to adjust. It is cool inside, and very still. The silence is a silence that can be heard, a very real and present stillness. As he begins to step into the coolness and the silence, he begins to see light — light that had gone unnoticed at first, but as he steps into it, becomes more and more visible. The light is shining through a thousand candles, each one bringing a little bit of light, a little bit of warmth, to what is around it. Then, after the candles become visible, it is seen what they illuminate — mosaics, worked with colored dyes and gold leaf… and faces.

Outside of the cathedral lies an open garden with fountains and statues. Around the garden lies a circle of seven great halls. In clockwise order, beginning south of the cathedral, they are:

Library: This collection, the largest in the world, has at least one copy of all known writings, and a scriptorium in which they are copied and transmitted.

Device museum: This is a clockwork building filled with exemplary devices (and copies in various states of disassembly).

Senate: This building is decorated with arts and crafts from the cities throughout the land; it is a place where senators (two from each city and one from each village) meet to govern the nation.

Mayorship: This is the local senate, the seat from which public affairs are run; the majority of political power is on a local level (the senate being the head of a confederation), vested in the town elders.

Forum: This is an immense amphitheater which hosts a variety of speakers, panels, and open talks. Lecture is the predominant medium and presentation, but poetry and storytelling occur not infrequently. The forum, along with the evening worship services in the cathedral, walking in the garden, attending a concert, or looking through the art museum, is appreciated as an enjoyable way to spend a night out.

Music hall/theater: This hosts concerts and recitals, theatrical performances, operas, dances, pyrotechnic displays, occasional Janra acrobatic performances, dramatic readings, puppet shows…

Art museum: Half of the space is devoted to permanent exhibits, and half to temporary displays. Most of the finest artwork ever produced by Urvanovestilli, and a good deal of the finest artwork from other cultures, may be seen here.

Outside of the seven halls lies what is called “the mélange”; outside of the mélange lie fields, pastures, and vineyards; outside of the farmland lies forest.

The mélange is a large annulus which contains mansions, shops, roads, paths, public squares, gardens, open lots, little forums and theaters, restaurants, and so on. It is where a great deal of life and culture transpires; in the little nooks and crannies, inside the parlors of the houses, a lot transpires.

The Urvanovestilli enjoy going out, but the enjoyment does not come from despising being at home. The parlors, which have the distinction of being within a person’s home and hospitality, are lavishly furnished, with couches, chairs, lanterns, some instruments, a liquor machine, some sculpture or paintings, often a fountain or clock or… and people enjoy sitting around, talking, reading, performing music…

Urvanovestilli city: Éliré

Éliré is known among the Urvanovestilli as the city of seashells. While most Urvanovestilli cities are built out of white stone, in ornately embellished classical geometric forms, Éliré is built out of sandy yellow stone, in flowing curves; buildings seem like giant seashells. The artwork and jewelry are crafted from seashells and other treasures from the sea — coral and pearls — and the public squares are filled with fountains and pools, where colorful fish swim about.

The people enjoy swimming, and often meet the dolphin population; they enjoy each other.

Urvanovestilli city: Mistrelli

Mistrelli lies in the heart of the Fog Valley; a shroud of mist cloaks the ground, out of which rise trees and tall buildings with spires and towers. Inside the buildings are all manner of tunnels of tunnels, secret passages, and trapdoors; there are clockwork devices in each one. Throughout the city are spread a handful of entrances to a vast underground labyrinth, of which the better part is known; there are all manner of doors and puzzles inside.

The city is full of rose bushes, climbing up the sides of the buildings, over and around gates; most are yellow, but there are some of every color.

The people take a long time to get to know, and their personalities always have hidden gems. Their study of theology emphasizes mystery and the incomprehensible nature of God; Connaissance, a theologian from Mistrelli, began and ended his magnum opus with the words, “I do not know.”

Urvanovestilli city: Fabriqué

Fabriqué is the biggest of Urvanovestilli port cities; it lies on the Tuz border, and is the site where ships — full rigs with multiple masts, many sails, and innumerable ropes — are built. They are polished and ornately carved, well suited for transport and trade as well as a work of art. The crews hired tend to be heavily Tuz — strong and sturdy workers who have no problem tying a rope as thick as a wrist in waves and storm — and set sail to other Urvanovestilli ports and ports around the world, transporting voyagers and cargo to destinations near and far.

Yedidia

The Yedidia culture is a culture of vibrant life. They live in buildings woven out of living trees and plants; the doorways are filled by hanging curtains of leafy vines which softly part as a person passes through.

Their manner of gardening spins out of a wonderful talent for drawing beauty out of the forest; many visitors come for the first time, do not even realize that they have stepped into a garden; they only notice that the forest’s beauty is exceptional there.

The Yedidia are very sensitive to the rest of Creation; they speak in a melodic, lilting tongue of the purest song, but even that language is not the one that is closest to them. The first language of every child is that of rocks and trees and skies and seas. They know how tot call birds out of the forest to fly into their hands; they know how to make plants flourish.

They have ears to hear the crystalline song by which the Heavens declare the glory of their Maker. They appreciate the beauty of the created order as it tells of the Uncreate with a power that can not fully be translated into words — and they use the language of Creation to speak of the mysteries of the Creator, whose fingerprints are everywhere in nature.

They look into the great and unfathomable vastness of space; it furnishes the language by which they tell of the great and unfathomable vastness of the Creator. They know the energy, the great fire out of which the sun pours out light and energy; it furnishes the language by which they tell of the energy and great fire in the heart of the Father, offering warmth and light freely and without cost. They dance in the rain, the life giving water poured out from above; it furnishes the language by which they speak of springs of living water come down from Heaven. They admire the beauty of the lilies of the field, which simply rest in the sunlight, rain, and dew showered on them; it furnishes the language by which they speak of resting in the love poured out. Their eyes are not closed when a grain of wheat falls to the earth and dies…

They are sensitive to the silent beauty that is sometimes unnoticed even by the Janra. They enjoy the brilliance of the sun, and the pale blue luminescence of the moon; the gentle warmth of a summer night, and the powerful motion of a pouring rainstorm (and there are few things many Yedidia enjoy more than being thoroughly drenched). They look at the veins of a leaf, the hairs of a caterpillar, the motion of a snail; they listen to the song of birds, the sound of wind whispering amidst the leaves, the splashes of water flowing over rocks; they taste the cold freshness of water, the tartness of lemons, the sweetness of strawberries; they smell the soft fragrance of jasmine, the spice of cinnamon, the freshness after a rain; they feel the velvety softness of a rabbit’s fur, the raspiness of a rhubarb leaf, the roughness of bark, the smoothness of a worn stone, the gentle kiss of a summer breeze, the springiness of pete moss, the shimmering heat of fire long into the night, the light tickle of a crawling gecko, the fineness of a child’s hair, and the warmth of a friend’s face.

They are as intuitive as they are perceptive; the emotions of friends especially, but strangers as well, are quickly understood; be it singing together, a friendly joke, talking, listening, leaving alone, sitting together in silence, holding a hand, giving a hug — they always seem to know.

The Yedidia make wines and incense which even the Urvanovestilli do not come close to. It is, though, the Urvanovestilli who make their garments. Some are short, some are tall; some are slender, some are rounded; they tends towards being fairly short and fairly round, but there is a lot of variety. All, though, have olive skin and dark, shiny black hair; the women wear a long, flowing robe of kelly green, over which cascades of hair fall and spin, sometimes reaching to the waist, sometimes almost touching the ground; the men wear cloaks and tunics of walnut brown. The clothing is soft and light as air; it streams out in the motion and jumps of dance — like their music, smooth, soft, flowing, graceful.

“Dance, then, wherever you may be, for I am the Lord of the Dance, said he.” Theirs is a culture full of joy and celebration; it is full of smiles, and always willing to welcome a visitor. Finding something good, they look for someone to share it with.

They are very sensitive to the cycles of nature, of the day, of the phases of the moon, of the seasons in turn. They shape the regular rhythm of their songs, and provide a sense of constancy and regularity, again, which furnishes the language by which they speak of the constancy and regularity of the Creator.

The traditional greeting is a soft and gentle hug, one which often lasts a while (or a butterfly kiss, or…). That touch, as their faces and voices as they speak, bears a great deal of expression: The phrase of greeting used means, literally, “Here is a person in whom I find joy.” The words remain the same, but the music of the speech colors it to perfection.

Though each culture has its own drink — even the icy cold water enjoyed by the Nor’krin is appreciated by visiting Janra, who recognize it as a gift given without sowing or reaping — drinks are one of the first things that come to mind when most people hear the word ‘Yedidia’.

First of all are their wines. Nearly all of the finest wines are made in their land. Red and white, and a little bit of rose and green, are stored away in caves to age for years, perhaps decades, before being opened to enjoy with friends and memories.

After the wines come cider; it is served hot and well spiced; the spicing is done in many different ways, and gives a wonderful variety to a very soothing drink to warm a cool evening.

There are fruit juices of every color of the rainbow; strawberry, pear, guava, banana, apple, peach, and fig are but the beginning of a very long and flavorful list. There is, though, one strong point of commonality: the fruit is always still attached to the plant a few minutes before it is served.

(the variety of fruit juices is fermented and aged as are grapes to make wine, but that variety of drinks is reserved for very special occasions)

They also enjoy teas and infusions; the trees and herbs provide another spectrum of tastes to sip with friends.

Roots of various plants are sometimes spiced to provide another drink.

Yedidia cuisine varies somewhat from region to region. In some places, it is based on fresh fruit, and in others, on breads, cereals, thick soups and vegetable stews; the latter is spiced, lightly salted, and often has some meat for added flavor. All forms of Yedidia cuisine begin with a small salad (either garden or fruit), have a main course of some form of the local specialties, are followed by a platter with an assortment of breads and fresh fruits, and end with a dessert of cheeses or cured fruit.

Life, to the Yedidia, is one big, long party, and, to the Yedidia, song is the symbol of celebration. They sing in the morning, and sing in the evening; they sing while working, and sing a prayer — hands joined together — before meals. Thought is expressed in song; the first place to look for an expression of their perspective on theology and philosophy is in the verses of their hymns. There are many cherished songs shared across the nation, but there is also much spontaneity and improvisation; their way of speaking/singing is in metered verse, and a wealth of their wisdom is embodied in the rhythm of hymns, regular and dependable as the cycles of nature. The day, the moon, the year — these different cycles are echoed in the structure of verses.

For the beauty of the earth, for the glory of the skies, For the love which from our birth over and around us lies: Lord of all, to Thee we raise this our hymn of grateful praise.

For the beauty of each hour of the day and of the night, Hill and vale and tree and flower, sun and moon and stars of light: Lord of all, to Thee we raise this our hymn of grateful praise.

For the joy of human love, brother, sister, parent, child, Friends on earth, and friends above; for all gentle thoughts and mild; Lord of all, to Thee we raise this our hymn of grateful praise.

For Thy church, that evermore lifteth holy hands above, Offering up on every shore her pure sacrifice of love: Lord of all, to Thee we raise this our hymn of grateful praise.

For Thyself, best Gift Divine! To our race so freely given; For that great, great love of Thine, peace on earth, and joy in Heaven: Lord of all, to Thee we raise this our hymn of grateful praise.
This is my Father’s world, and to my listening ears, All nature sings, and round me rings the music of the spheres. This is my Father’s world: I rest me in the thought Of rocks and trees, of skies and seas; His hand the wonders wrought.

This is my Father’s world, the birds their carols raise, The morning light, the lily white, declare their Maker’s praise. This is my Father’s world: He shines in all that’s fair; In the rustling grass I hear him pass, He speaks to me everywhere.

This is my Father’s world, O let me ne’er forget That though the wrong seems oft so strong, God is the Ruler yet. This is my Father’s world: the battle is not done; Jesus who died shall be satisfied, and earth and Heaven be one.

The Yedidia are the most alive to sensation; each sense is valued, and each one provides something a little different.

Touch is pre-eminent; it is enjoyed immensely, and they consider it the most informative of senses. Touch tells them of texture and temperature, of moist and dry; by how things respond to pressure, they can feel what is present beneath the surface and what structure it forms; it tells much of emotion. When sensation yields perception, touch provides them with the greatest richness.

Smell is a sense of memories; to walk through an orchard is to remember seasons past. It no less bears a tale of what has happened; each person bears his own distinctive smell, and a place by its smell tells who has passed by. Many different things leave a mark on a placés scent, and to smell is to be told, as if in a far-off memory (indeed, like those that smell mysteriously triggers), what plants are present, what the weather is like and has been, who has passed by, what fruit was picked — though not all of this is perceived all of the time, the fragrance of a place often tells bits and pieces.

Sight is a sense that works by light illuminating all that it shines on (and this is something from which they draw a lesson). It tells of the color, the form, and the beauty of what is around; what is moving and what is still; it tells of what is far away and can not yet be touched. It serves as a guide to what is around, as a guide by which to move and act in an unknown situation, and it bears its own beauty; all of this provides lessons about God and about faith.

The first sound in their mind, and the one they most love, is song. The song of a friend’s voice, the song of a bird chirping, the song of a babbling brook, the silent song of silvery blue starlight — all of these are listened to and enjoyed.

The taste of food tells of the time of year and of culture. Drink and food are a kind of art, and its taste tells both of the time of year and how it was prepared.

Yedidia emotions have a fluid character; they are a sensitive people who are easily moved and who show their emotions quickly. Their celebration is filled with smiles and mirth — as is, indeed, much of life. Tears are held to be very precious — in their language, the same word means ‘tear’ and ‘diamond’ — and they know tears, not only of sorrow, but also of joy. Tears come to greet both memories and powerful music, and mark as both sign and symbol the most significant events in life — farewell and death, yes, but also a loved one regained, and birth, and marriage. Memories and hopes, also, are precious. They know sorrow, but never bitterness; however deep and angst-ridden the sorrow may be, deeper and more healing is the joy. Farewell is always marked by the thought of, “I will be able to enjoy your presence again;” on many a deathbed has been spoken the words, “We will be brought back together again in the heart of the Father. It will not be long.”

Yedidia worship services are filled with songs — celebrations in which everybody participates.

The Yedidia homeland is named ‘Syllii’.

Yedidia character: Sylla

Sylla is relatively short and rounded; she has dark, olive skin and soft, brown eyes. Her hair falls down to her waist, and she wears a long, flowing kelly green robe, as is traditional among Yedidia women; more often than not, a chain of flowers rests in her hair. She chooses to go barefoot, so that she can feel the grass, the moss, the earth, and the stones beneath her feet.

The only possession which she carries is a small harp; a slow strum accompanies a soft and gentle song. She also has with her a pet: a milshh: a small, eyeless animal, about two feet long, with brilliant golden fur that is long and soft, two large, pointed ears, eight short, flexible legs ending in large paws, and a shiny black nose which is always sniffing inquisitively. It is both shy and curious, and it is very warm and affectionate; it is usually very calm and sedate, but often becomes very excited when it smells someone familiar.

A quote:

Fair is the sunlight;
Fairer still the moonlight:
Fairest of all, is the light of thy face.

Jec

The Jec life is filled with faith, humility, and simplicity. They live in small rural villages, where farmland — pastures, fields, orchards and vineyards, the village commons — outlies a few houses, some artisan’s shops, and a simple church.

They are peasants very much like those chosen to be apostles, and the carpenter who chose them. Farmers, blacksmiths, cobblers — clothed in rough, plainly colored robes, they are the sort of people one could easily overlook in the search for the spectacular. It is calloused hands and dirty fingernails that are lifted up to God in worship, and that continue to worship by placing a yoke on a pair of oxen, gathering firewood, peeling carrots and potatoes, or threshing wheat. There are many who are given great wisdom and knowledge, a faith to move mountains, or who speak in the tongues of men and angels, but they do not bear an otherworldly air or a strange electricity; they appear as men and women like any other, usually harvesting barley or carving wood.

Their thought is expressed in parables, little stories, and proverbs, the first and foremost of which are “Love Yahweh your God with all of your heart, and all of your soul, and all of your mind, and all of your might,” and “Love your neighbor as yourself.” There is a great sense of community and continuity, carrying the torch passed down by the saints who walked before.

They do not really travel; most are born, live, and die within a few miles of a single point. They do not look down on wayfarers who voyage far and wide to see the height of mountains and the vastness of seas, and enjoy the richness of the visible and invisible artifacts of the variety of cultures, but they pay a lot of attention to what is easy to pass by without noticing. They know their culture, their village, and its people very well.

Jec culture is a culture of the very small. They see the great in the small; in the Law of Love is seen all of virtue and right action; in a tiny shoot pushing out of the ground they see an immense oak whose branches will someday provide shade; in a simple gift, they see the love that gave it. They are fond of the words, “He who is faithful in little is also faithful in much.” Piety is given expression in the tiny details of everyday life, to which careful attention is devoted. They search to love God by seeing to the needs of whoever they are with.

Gift giving occupies an important cultural position; each gift serves as a little symbol, a little morsel, of love. The gifts are very simple — poverty does not permit the spectacular — but are given generously. A flower, an apple, a song, a blessing, a handshake, a prayer, a poem, a cup of cold water wood carved into a statue or a whistle, an oddly shaped pebble, a skin of wine, a walk, a story, a patterned candle — all of these are given.

Sight, sound, touch, smell, taste — there is nothing really special about their use of senses. They notice and enjoy little details; there is not much more to say.

The language has simple rules and few words; it is one of the easiest to learn, and bears well the load of talking about everyday matters, about personality and friendship, and about God.

When two Jec meet, one is usually coming to visit the other, and something of this notion of visit and welcome is embodied in the greeting. The visitor comes with one arm outstretched and hand open, saying, “I give you my love.” The host clasps the outstretched hand, bowing slightly, and says, “And I return to you mine.” These actions are accompanied by a gentle smile.

They are fairly short, with tan skin, brown eyes, and hair that is usually brown (and sometimes black or sandy blonde).

Their emotions are the emotions of being human, the common points of feeling shared across all culture. They know at least something of laughter and peace and passion and tears and awe; if there is one point that runs strong, it is a sense of tradition, community, continuity, and place; they have a sense of unique importance and a part in the great plan (two concepts which are not really separate in their thought).

Jec worship services are simple, without any real distinguishing remarks — no bells and smells, just a week by week liturgical service presenting the Gospel message and embodying worship. The opening words of each service are, “Hear, O Israel, Yahweh your God is one. You shall love Yahweh your God with all of your heart, and with all of your soul, and with all of your mind, and with all of your might. You shall love your neighbor as yourself. Love one another.”

The Jec homeland is named ‘Tev’.

Shal

The language is soft, gentle, simple, and calm. It is spoken slowly, as if it were a lullaby; it has few words: simple, little words with rich and profound connotations; ‘Way’, ‘Tao’, and ‘Word’ are like the nouns which are used.

Even the verbs are rarely verbs which tell of action. Rather, they describe that which is; ‘be’, ‘abide in’ ’embody’, ‘love’, ‘nourish’, ‘support’, ‘is the friend of’, ‘know’, ‘receive’, ‘is from’, ‘resemble’, ‘live’, are the essential words which a child would learn as one of our children would learn words such as ‘walk’, ‘talk’, ‘eat’. Just as our language has different words — ‘walk’, ‘run’, ‘jog’, ‘sprint’, ‘mosey’, ‘trot’, for example — which tell of the action of moving by the us of legs, so their language has at least a few different words to tell of being, or understanding, or abiding, or loving. The way of speaking sometimes does not even need verbs; there are more adjectives than adverbs.

The genius of the language is embodied in a flowing prose which is the purest poetry; words with the simplicity of a child. It does not have abruptly ending sentences, but rather slides somewhat like Hebrew; one thought gives form to the next. It has something like the feel of the prologue to John’s account of the Gospel, or his first letter; it has something like the feel of a Gregorian chant; there is nothing abrupt in their speech or music. They speak, but even more, they are silent; there is a communion.

The understanding is one which see beyond, which looks at the surface and sees into the depths. They stand dazzled by the glory of the starry vault, and worship the awesome Creator who called them into being; they look at a friend’s face and see the person behind.

Their culture is a place of perfect order. It is ordered by things being placed rightly; by God worshiped by man, the spiritual ahead of the physical, being beyond doing.

It is of this that God is known in all of his majesty, that spirituality becomes rich and profound, that there is a right state of being. This brings the lesser things to flourish. Men shine as they reflect the glory of God. That which is physical is enjoyed immensely — the warmth and softness of a friend’s touch, the sweetness of a freshly picked orange, the fragrance of a garden of flowers, the sound of a bird’s song, the colors of a sunset — all of these things are received gratefully. Being, they do; they tend the garden, and create.

The order flows from resting in the Spirit and from love; there is no one who thinks of order. The truthfulness knows nothing of oaths; the order knows nothing of rules, nor even of honor and morality.

The culture is best understood, not by looking at men, but by looking at God. God gives generously, and they receive and rest in his love.

There are many people in modern society who, when waiting in an office or at a traffic light, become agitated and begin to fidget; they are hollowed out by an excess of doing. The Shal are innocent of such hurry. They act, but it is a doing which flows from being.

Food, wine, music, incense, touch, silence, storytelling, dance, drama, puppetry — it is not often that they all get together to have a celebration (they prize greatly time spent alone with one person, and then extended families and tightly knit communities).

Shal culture does not exactly have greetings as such; their way of thought works differently.

To say ‘hello’ or ‘goodbye’ is an action of an instant, in two senses. In one sense, it lasts for an instant; no one says ‘hello’ twenty times or shakes hands for five minutes. In the other sense, it marks an instant, the instant where absence becomes presence or presence becomes absence.

The Shal do not really think in terms of instants; time is measured and perceived — or, rather, not measured and not perceived — by moments. A friend is present, and he is enjoyed, and then he is absent, and then there is solitude. In the place of a greeting, the Shal have a presence. With the Shal, you never get the feeling that you are alone and there is another person nearby who is also alone; you never get the feeling that there is a close group of friends nearby and they are inside and you are outside. If a Shal is nearby, he is present; indeed, the Shal have a very present touch.

Life, to the Shal, is full of moments. There is a meal with friends, and then there is reflection in solitude, and then there is a beautiful song, and then there is time with a friend, and then there is prayer, and then there is sleep, and then there is work tending to the trees… There is not interruption or haste; a moment lasts as long as it is appropriate for a moment to last.

Their moments of community are profound; their moments of solitude are even more profound. ‘Withdrawing’ is what they call it; it is a time of stillness, and an expression of a love so profound that all other loves appear to be hate. It is a time of finding a secret place, and then withdrawing — from family, friends, and loved ones, from music and the beauty of nature, from cherished activities, from sensation — into the heart of the Father. It is a time of — it is hard to say what. Of being loved, and of loving. Of growing still, and becoming. Of being set in a right state, and realigned in accordance with the ultimate reality. Of purity from the Origin. Of being made who one is to be. Of communion and worship. Of imago dei filled with the light of Deus. Of being pulled out of time and knowing something of the Eternal.

This withdrawing fills them with an abundant love for other people, and gives them a renewed appreciation for nature and music; it fills them with silence, and fills their words and song.

Their perception of the world is quintessentially tactile. Sight, hearing, and smell all work at a distance; touch perceives what is immediately present. The eyes, ears, nose, and tongue are all organs of sense at one place on the body — more sensitive in some places and less in others, to be sure — and feels all of what is immediately present. Touch provides the physical side of the presence which is so greatly valued.

The emotional side of the culture is filled by peace, in which is embedded joy and contentment. It does not change very much or very quickly — though it encompasses affection, or appreciation of beauty, or a special serenity, or absorption in thought.

Their appearances have the peculiar property of not seeming to be any particular age. If you look, age is not very difficult to judge, but somehow the thought doesn’t come up. They have a rounded shape, soft eyes, and warm, soft skin.

Shal worship services are different from the others. They are characterized, not by the presence of words, but by the presence of a profound and penetrating silence where God is imminent. There are a few words, but they are not where the essence lies.

The Shal homeland is named ‘Liss’.

Janra

The Janra, unlike any of the other cultures, have no homeland; they voyage among the other lands, where they are generally well-liked and warmly received. Their wayfaring is at once literal and symbolic: literal in the sense that they know that they are passing through this earthly country for a better one. They enjoy all of the lands that they visit — they have an informal character, and always seem to be at home — but they know that none of them is really home.

It must be said that they know how to move. They can walk, skip, and run, of course, but that is only the beginning. Trees, buildings, and cliffs are climbed like ladders. Come oceans, rivers, and lakes, they will happily swim. Be it lightly skipping atop a thin wall, or jumping out of a window to grab a tree branch and swing down, or running at top speed through the twisty passages of the Southern mines and caves, they make acrobatics seem another form of walking. Somehow, even flipping through a window or somersaulting under a table, they have an extraordinary knack for barely missing collisions with hard objects; the Urvanovestilli are still debating whether this is the result of skill or luck.

The dances of the Urvanovestilli have a marvelous complexity, and those of the Yedidia are known for their flowing grace, but there is still nothing like the spinning energy of the Janra. The Janra are very adaptible, pulling bits and pieces from other cultures and setting them together in vital new combinations. In some of the dances can be seen bits and pieces — moves of strength that look like Tuz wrestling, or complexity from the Urvanovestilli — and the result is nothing short of breathtaking.

In their adaptibility, they usually speak at least a few words of each language, and usually borrow whatever form of greeting is common in the land they are visiting. They are familiar with the household objects (often enough to use them in new ways). This, combined with a flair for practical jokes, is occasionally enough to annoy the town guards, but (more often than not) their antics leave people laughing, sometimes to the point of tears.

The Janra have a remarkable talent for not remaking God in their image. Their description of Jesus is anything but boring and respectable — a firebrand with a phenomenal knack for offending religious leaders, in the habit of telling respectable pillars of society things such as, “The prostitutes and tax collectors are entering the Kingdom of Heaven ahead of you.” — and they are known for an honesty that can be singularly blunt. They know that he passed over scribes and lawyers to call, as disciples, a motley crew of fishermen, tax collectors, and other peasants — one terrorist thrown in to make matters interesting. They are, however, just as cautious not to water him into only being a social reformer who had nothing to say about sexual purity.

For all of their sharpness, for all of their ability to bring forth the most embarrassing Scriptural teaching at the worst possible moment, it must also be said that the Janra have hearts of pure gold. Love and compassion are constantly in their thought and action; they are the first to share their food with a beggar, say hello to the person who is alone, or ask, “Are you hurting?” The accusations brought against them are accusations of having too many quirks, not of being unloving.

Their language is of a force that is not easily translated into writing; of course it has nouns, verbs, adjectives, adverbs, etc. and respects masculine and feminine, but intonation, speed, vocal tension, and other factors tell at least as much; they carry connotation and sentiment, express the level of clarity of understanding the speaker believes he has, and many more things. There are also a number of verbal tics, on the order of two or three dozen (‘Eh?’ is, however, not included, and apparently perceived to be a mark of general silliness); in a sense, they don’t do anything, but in a sense, they add a very nice pepper to the speech.

Janra thought involves a kind of sideways logic, which is part of why their ways of speaking are difficult to describe. They take little bits and pieces from different places, and put them together in unexpected ways, making connections that can be very surprising. They are very good at reading between the lines, and sometimes perceive things which were not intentionally meant to be communicated. Sometimes they borrow manners of speech from other people — conversation, structured argument, metered verse, stories, parables, and so on — but their usual way of speaking has all sorts of sideways jumps and turns, with segues that can be rather odd, and often leaves gaps; these gaps are not a matter of sloppiness, but rather something like a joke or riddle where the hole is intentionally left to be filled in by the listener.

“When it comes to games, never try to understand the Janra mind.”

-Oeildubeau, Urvanovestilli philosopher and anthropologist

It is known that Janra sports usually last for at least half an hour, involve a ball, two or more teams, running and acrobatics, and animated discussion. Beyond that, neither the Urvanovestilli’s logic nor the Yedidia’s intuition are able to make head or tail of them. In general, the teams appear to have unequal numbers of players; the players often switch teams in the course of play; teams are created and dissolved; the nature of the activities makes sudden and radical changes; there is no visible winning or losing. There are occasionally times in the course of play when some intelligible goal appears to be being approached… but then, all players seem to be approaching it in a rather erratic manner (when asked why he didn’t do thus and such simple thing and achieve the approached goal by an inexperienced anthropologist, one of the Janra said, “Technically, that would work, but that would be a very boring way to do it,” and then bolted back into play: the extent to which game play is comprehensible heightens its incomprehensibility). Late in life, Oeildubeau hinted at having suspicions that, if the Janra believe that they are being watched, they will spontaneously stop whatever sport they are playing, and instead begin a series of activities expressly designed to give any observer a headache.

Janra come in all shapes, sizes, and colors, showing bits and pieces of other races; they tend to be of moderate to tall height and a lithe build. Most are fairly light skinned (although a few are rather dark); a fair number of them have skin spotted with freckles. They have every imaginable color of hair (black, brown, blonde, grey, white, red, tweed, shaven head, etc). and eyes (brown, blue, hazel, grey, amber, purple, etc). They wear loose clothing in a variety of colors, usually quite vivid; red, purple, and green are the most common of solid colors, and patches or stripes of some pattern or the whole rainbow appear not infrequently. Therefore, Al is a pud.

Their sensation of the world is primarily visual, and in a way patterned after their thought; visualizing and visual problem solving comes very naturally to them. They see, as well as beauty, a world to interact with, and parts to rearrange and make something new. Sound and touch serve largely to complement and extend visual image; taste and smell are enjoyed, but do not play a terribly large role. The other side of the coin (to problem solving) is observing and enjoying, which is also very much a part of culture.

Their emotional life has several sides. They carry with them, in their emotions, a little bit of every place and people they visit — the passion and control of the Urvanovestilli, the peace of the Shal, the festivities and music of the Yedidia, the respect of the Nor’krin, the enjoyment of exercise of the Tuz, the common factor of the Jec. Perhaps the most prominent side of all is laughter. Janra are immeasurably fond of banter and practical jokes, and have an uncanny knack for guessing who is ticklish. There is an element of what is carefree, spontaneous, and given to pure enjoyment of simple pleasures; there is also a large element of being immersed in sidethink, and they enjoy greatly the flash of insight when everything fits together. They are curious and enjoy discovery.

There is another side to this emotion which seems paradoxical, but fits perfectly. There is a difference between childlike and childish, and not a trace of childishness is to be found among them. They enter the Kingdom of Heaven as little children — in particular, like one little boy who stood up before crowds of thousands and asked, “Why is the Emperor naked?” Of all the skills people learn as a part of growing up, they know perhaps least of all closing their eyes and using intelligence as a tool to make oneself stupid. They are moved by what goes unnoticed, smiling at the beauty in a single blade of grass, and weeping at the death of a beggar who, homeless, friendless, handicapped and burned, explained that he was unable to drop a knife taped to his defunct hand for self-defense, but was still shot and killed outside of the White House by men entrusted with the responsibility of protecting innocent life.

There are two things to said about Janra worship. The first is that they adapt and participate in whatever is the local manner of worship (as do traveling Urvanovestilli and other wayfarers) — in that regard, they make no distinction between themselves and the peoples that they visit. The second — and this does not stem from any perceived defect in the other forms of worship, but from who they are — is that they hold their own worship services.

These services do not occur at a fixed time and place (though they occur more frequently when Janra are on the road between different locations), but at random intervals and locations, spontaneously. Anyone and everyone is welcome, and children and sometimes adults of other races are usually present.

They are a warm and informal occasions, where anyone can take the lead, and a great many activities are recognized as worship; the Janra have a particularly strong emphasis on the priesthood of the believer and the sacredness of everyday life. People sit in a big circle, and people or groups of people come to the center to present or lead as they wish.

There is no canonical list of activities that are performed at these services, but the following are common.

* Songs. The Janra sing their own songs (often improvised) or those of other peoples; those of the Yedidia are especially treasured. While singing, the people are sometimes still, sometimes swaying, sometimes clapping, and sometimes dancing with their arms.
* Prayer. One person will lead a prayer, or people will pray popcorn style, or…
* Sermons. A theologian or philosopher will preach a sermon.
* Sharing. Someone will share an insight or experience from personal life.
* Dance. The whole assembly will dance, sometimes in a long, snaking line.
* A joke is told. The Janra are fond of laughter.
* Drama. One of a few people will present a dramatic presentation, play, or skit.
* Group hug, usually in whatever is the common greeting of the land.
* Ticklefest. “Blessed are the ticklish, for the touch of a friend will fill them with laughter.”
* Silence. This is treasured.
* Reading from the Scriptures.
* Reading or recitation of poetry.
* Storytelling.
* Juggling and similar activities.
* Acrobatics.
* Instrumental music.
* Non sequiturs.
* Miming.
* Mad libs.
* Impressions and impersonations of various and sundry people.
* Janra-ball. This occurs in a modified form such that members of other races, while still not understanding anything, are capable of participating. (Nobody gets a headache.)
* Eucharist. This is the most solemn and important moment, and occurs exactly once in a service — at the end.
* None of the above. This category is especially appreciated.

Janra character: Nimbus

Nimbus is fairly short and wiry; he has light, almost white blonde hair, deep, intense blue eyes which sparkle and blaze, and a rich, laughing smile. He wears a loose, shimmering two-legged robe of midnight blue, from the folds of which he seems to be able to procure innumerable items of Urvanovestilli make (for example: goggles (waterproof), telescope, silk rope and grappling hook with spring-loaded launcher, climbing/rapelling harness and gear/self-contained, spring-loaded belay), lantern, tool kit (large blade, precision blade, compass, wire saw, corkscrew, ruler, reamer, chisel, pliers, scissors, needle, punch, protractor, file, and sharpening stone), paper pad, mechanical pencil, supply kit (string, pencil lead, chalk, flask of oil, wire, miscellaneous device components (gears, springs, shafts, etc.), cloth), meal kit, tinderbox, mechanical puzzle, mirror, whistle…).

During childhood, he spent a lot of time in the land of the Urvanovestilli, and began to take an interest in tinkering. He has very much his own way of tinkering, from an Urvanovestilli perspective; he is fond of all manner of kludges. The resulting devices have caused his Urvanovestilli mentors to conclude that he is mad (the truth of the matter being that he is not mad, but produces and modifies contraptions in such a manner as to drive any honest Urvanovestilli tinkerer mad). When the city unveiled a new fountain in the public square, he added a pyrotechnic spark; when, in a public ceremony, the mayor celebrated his wife’s birthday by presenting a specially commissioned music box, the tune somehow changed from “Happy birthday to you” to “The old grey mare ain’t what she used to be.”

He does, however, possess a sense of what is and is not appropriate; his practical jokes never take on a mean or spiteful character, and he does possess a strong degree of contrainte. He does appreciate the variety of cultures he visits, and enjoys Urvanovestilli philosophical and theological discussions.

He is, in short, as Janra as any — left-handed and colorful, warm and compassionate, and a heart of solid gold.

A quote: “What? You think _I_ would do something like that? I’m hurt.” (generally accompanied by a wide grin)

All

“Not all flesh is the same: men have one kind of flesh, and beasts have another kind of flesh, fish have another, and birds another still. There are also celestial bodies, and terrestrial bodies; the glory of the celestial is one, and the glory of the terrestrial is another. The sun has one glory, and the moon another, and the stars still another; star differs from star in glory.”

I Cor. 15:39-41

“God does not create two blades of grass alike, let alone two saints, two angels, or two nations.”

C.S. Lewis, _That_Hideous_Strength_

This world is an exploration of good, a set of musings about cultures not fallen. The variety of cultures exists because of the nature of good.*

Matthew, Mark, Luke, and John all tell the same Gospel, the same message of Jesus Christ, Son of God and Son of Man, crucified for the forgiveness of sins and raised from the dead.

They each, however, present this one Gospel with a distinct flavor; it is with a great deal of wisdom and respect for this one Gospel message that Christian tradition has vigorously resisted attempts to reduce the four books to one single, homogenized account. Matthew emphasizes the Kingdom of Heaven and peace; Mark emphasizes action; Luke provides a physician’s account of healing and sensitivity towards the despised; John provides a poetic and mystical account of love and intimacy. It is to faithfully represent this one Gospel that the Spirit inspired the writing of multiple accounts.

Faithfulness to a God of color and vibrancy means anything but a dull, monotonous cookie cut-out series of identical believers; just as a person is most faithfully represented, not by multiple copies of one photograph, but by many different photographs from many different angles, so images of God may faithfully reflect him by being different from each other.

This is why there are different cultures, each with its own emphasis on philosophy and way of life. (Within these cultures, though I have far from described them, should be many different sub-cultures, communities, and individuals. There is a masculine and a feminine side to each culture — or, more properly, each culture recognizes the importance of men who are masculine and women who are feminine). The differences, however, are differences of emphasis, just as the previous analogy spoke of different photographs for the sake of faithfully representing one entity.

It is in this same substance that people of other cultures look at each other and immediately see human beings; the differences are a source of heightened enjoyment between brothers and sisters. It is in this same substance that they love God with their whole being, and love their neighbors as themselves. That there is one God, the Father, the Almighty, Maker of Heaven and earth, of all that is, visible and invisible, that God is holy, possessing all authority and all wisdom, that there is one Lord, Jesus Christ, God from God, Light from Light, Love from Love, the Word made flesh, perfect God and perfect man, crucified for the forgiveness of sins and raised from the dead to be the eldest of many brothers and sisters, that there is the Holy Spirit, a fire of love and energy shooting between the Father and the Son, the new structure of obedience, that the fear of the Eternal is the beginning of wisdom, that God created the sky, the earth, the seas, the plants, the animals, and saw that it was good, and then created man in his image, and saw that it was very good, that the order of the universe is spiritual as well as physical, that God loves man and has given him the Law of Love, that man has as facets cultas and culturas, individual and community, that he created them male and female, faith, hope, love, joy, peace, patience, kindness, gentleness, goodness, faithfulness, self-control — things such as these are the reality unequivocally confirmed by all men. Cultural differences provide richness and variety that enhances understanding between brothers and sisters who love one another.

When a character is developed, with a cultural and personal flavor, do not overlook that which is to be common across all cultures and people, the same identity which holds culture and personal uniqueness.

One brief note, in the interest of clarity to avoid unnecessarily offending people: I am a white, male American who has lived in South-East Asia and Western Europe. I find cultures to be objects of great beauty, but make no pretense to be well-versed in all of them, nor to have included each of them in this world. The absence of some cultures is not meant as a statement of “My culture exists because of Creation and your culture exists because of the Fall;” I tried to envision a world not fallen, and began to create it with a background that certainly includes my theological knowledge, but also includes my cultural background and my own personality. If some members of other cultures would like to make a similar creation based on their knowledge, go for it; if you send it to me, I’ll enjoy reading it. I have not, however, myself gone out of my way to include other cultures; I am not ashamed of this. I am grateful to God for the personal and cultural fingerprints that I have left on this creation, and hope that other people, other images of God to whom it is given a slightly different manner of reflecting God’s glory, have been able to read it in an atmosphere of mutual respect.

* Careful readers will have noticed some things — ergo, meat eating, rebuke, the Cross (a symbol of redemption from sin), which do not correspond to Eden. The cultures exist, not always as what sinless cultures might have been in Eden, but sometimes what sinless Christian culture might be today, were such a thing possible. To state some things more precisely: it is a world in which physical evil exists, but not moral evil. I would request that the reader overlook the indirect marks of sin, as the cultures were designed around other concerns primarily.

Author C.J.S. HaywardPosted on January 6, 2016March 6, 2020Categories The Minstrel's SongTags Author's Picks, Christian, Creative Works, Fantasy, Fiction, Games, Literature, Medieval, Wisdom Literature

A Detailed Mathematical Model

This model represents a mathematician’s second attempt at making a mathematical model, and as such is very detailed, complex, and at times hard to keep track of. It is being kept on the web primarily as a courtesy to people who are already using it. If you are not a heavy gamer, and are not used to complex mathematical models, I strongly suggest that you use this simpler model. This document may still be useful, as a wealth of detail about mechanical devices and other creations, but newcomers are warned that using this as an actual model for game play may be difficult.

Section I: General model

Section I A: Getting Started

The parts of this document are as follows:

Another document, “From zero”, introduces the concept of role play and deals with all of the non-numerical parts of getting started; this document tells how to deal with numbers and dice.

For basic introduction and getting the feel for the model:

Section I B attempts to explain some of the basic concepts. Section IV develops a sample character sheet, a sheet used to store basic information useful to play; it demonstrates what a player goes through in order to set things up. Section II F gives some numbers to use as reference points, for questions like “What should be the difficulty for thus-and-such?” Section III gives a quick key to abbreviations used throughout the work.

For developping a character sheet:

Section II A tells how to generate a character’s attributes — numerical ratings that tell how talented a character is in various areas — and section II B tells how to adjust them for age, gender, and race. Section II D gives the basic list of skills and tells how they are to be adjusted by attributes. Section II H gives starting experience, and section II G tells how much experience it takes to raise a skill to a certain level.

For modelling play:

Section II I tells how, when a character attempts an action, to roll dice to decide whether the character, with skill A, succeeds at an action with difficulty B. Section II J deals with combat and damage. Section II K deals with random encounters of animals and people, and describes what animals are in the world. Section II L deals with equipment.

Optional rules and Other:

There are several optional rules which may be used to enhance play and give it more detail. Section I C is the first such section, dealing with skills ratings. Section II C gives miscellaneous numbers about the races. Section II E gives numbers referenced in II C. Section II M gives rules about the time taken for various actions, and performing actions simultaneously. Section V comments on the model.

Section I B: The Basic Idea

This is essentially a skill-based model, a modified version of another model to use dice. It requires the use of two six-sided dice of different colors — for the sake of simplicity, the two dice will be referrered to as r (red) and b (blue), and read as producing numbers ranging from 1 to 6. For example, 6*r+b would be read as ten times the number on the red die, plus the number on the blue die, which would in effect produce a random number from 7 to 42. It is, while not necessary, helpful in some cases to have two ten-sided dice.

In general for skills, attributes, ratings, etc., a 0 is average, and the number (positive or negative) tells how far above or below average that creature is. The scale is exponential; 10 points correspond to doubling/halving. So someone with a strength of 20 and a dexterity of -10 would have a strength of 2*2=4 times average, while someone with a dexterity of -10 would be half as dexterous as the average person. The game generally uses the attributes in the form given — essentially, how to adjust an average ability — and doesn’t really deal with an absolute scale.

A character’s skill will have an av (adjusted value), equal to the bs (base skill), minus the skill’s dl (difficulty of learning), plus the character’s al (ability to learn), plus the gaa (governing attributes addend). When the character attempts an action, the skill’s difficulty will be subtracted from the av, and then dice will be rolled to see if the attempt was successful.

If an action is being taken against another character (for example, haggling), that person’s av is the difficulty.

Section I C: Additional Rules

Some skills are related to each other by an ld (learning difference). If skill X and skill Y are related by an ld of 5, then a character’s bs (exclusive of experience) in skill x is at least the number five less than his bs in skill Y. So a character who had a bs of 15 in skill X would have a minimum bs of 10 in skill Y. The ld’s are additive (if X and Y have ld 5 and Y and Z have ld 10, X and Z have ld 15), but explicitly listed differences supercede the values that are calculated from additivity. If there are two or more ld’s contributing point values to a specific skill, and/or a nonzero untrained base, the total is not the sum of the point values. It is the maximum.

Learning may take place under a tutor who has a skill of at least the skill level that the character is training to; in that case, the learning is at half price. The experience given starting characters takes this tutelage into account.

Section II: Charts

Section II A: Attributes

Several random numbers generated as r – b: the number on the red die, less the number on the blue die.

These values are numbered n1 through n36.

The attributes are read roughly as how far above or below the average they are: a +10 would be a fair amount above average (twice the average), while -10 would be moderately below average (half the average), with zero being average. The maximum possible is 25, and the minimum -25.

Here are the calculated attributes:

ag (Agility) n1+n2+n3+n4+n5 al (Ability to Learn) n1+n6+n7+n8+n9 ch (Charisma) n1+n6+n10+n11+n12 co (Constitution) n13+n14+n15+n16+n17 de (Dexterity) n1+n2+n3+n18+n19 in (Intelligence) n1+n6+n7+n20+n21 kn (Knowledge) n1+n6+n7+n22+n23 me (Memory) n1+n6+n7+n24+n25 pe (Perception) n1+n6+n26+n27+n28 sp (Speed) n1+n2+n29+n30+n31 st (Strength) n13+n14+n32+n33+n34 wi (Wisdom) n1+n6+n7+n35+n36

Section II B: Attribute Adjustments

All adjustments are addends: they are added to a character’s base attribute. All adjustments are 0 unless otherwise specified.

Attribute: ag al ch co de in kn me pe sp st wi

Race: Nor’krin 0 0 0 0 0 0 3 5 0 0 5 0 Tuz 0 0 0 5 0 0 0 0 0 0 10 0 Urvanovestilli 0 0 2 0 5 5 2 3 0 0 -10 0 Yedidia 0 0 5 0 0 3 0 0 10 0 0 0 Jec 0 0 0 0 0 0 0 0 0 0 0 0 Shal 0 0 0 0 0 2 0 0 0 -5 0 5 Janra 20 0 5 0 0 4 0 0 2 5 5 0

Gender: Male 0 0 0 0 0 0 0 0 0 0 5 0 Female 0 0 0 0 2 0 0 0 5 0 -5 0

Age: Child 5 10 2 10 0 -8 5 0 10 10 -4 -10 Young Adult 5 5 0 5 5 0 -4 0 5 5 5 0 Middle Aged 0 0 0 0 0 0 0 0 0 0 0 3 Old -4 -4 0 -4 -4 -3 5 -3 -4 -4 -4 5 Extremely Old -10 -10 0 -10 -10 -5 5 -8 -10 -10 -10 10

Section II C: Racial Non-Attribute Statistics.

A character’s actual lifespan is calculated by multiplying the racial base by his constitution (constitution not adjusted for race, gender, or age), except for the border between child and young adult, which is not adjusted. For example, a Janra with a non-adjusted log of constitution of .8 would become a young adult at 16, middle aged at 41, old at 73, and extremely old at 89. A character will die of old age at an age of his maximum adjusted lifespan times the square root of x1, where x1 is uniformly distributed over [0,1].

Age: Child Young Adult Middle Aged Old Extremely Old Nor'krin 0-15 16-30 31-60 61-90 91-120 Tuz 0-15 16-25 26-40 41-50 51-60 Urvanovestilli 0-30 31-100 101-300 301-400 401-500 Yedidia 0-20 21-50 51-120 121-160 161-200 Jec 0-15 16-30 31-60 61-90 91-120 Shal 0-50 51-200 201-600 601-800 801-1000 Janra 0-15 16-50 51-90 91-110 111-120

Speed of movement is given in both miles per hour and feet per second. A character’s speed of movement is equal to the racial base multiplied by his speed, adjusted for age and gender but not race. Females suffer a 10% speed penalty.

Speed: mph: Walk Jog Sprint fps: Walk Jog Sprint Nor'krin 2 4 14 2 5 21 Tuz 1 2 8 2 3 12 Urvanovestilli 3 5 20 4 7 29 Yedidia 2 3 12 2 4 18 Jec 2 4 14 2 5 21 Shal 1 2 6 1 2 9 Janra 5 7 30 7 11 44

Adult height is normally distributed with mean m and standard deviation s.

Height: Male: m s Female: m s Nor'krin 6'6" 3" 5'8" 3" Tuz 4'6" 2" 4'3" 2" Urvanovestilli 5'2" 1.5" 4'8" 1.5" Yedidia 5'4" 2.5" 4'6" 2" Jec 5'6" 2.5" 5'2" 2" Shal 5'6" 2" 5'2" 1.5" Janra 6'0" 3" 5'6" 3"

As is adult weight:

Weight: Male: m s Female: m s Nor'krin 200# 29# 150# 25# Tuz 200# 28# 150# 22# Urvanovestilli 100# 9# 70# 7# Yedidia 150# 22# 100# 14# Jec 130# 18# 110# 13# Shal 145# 16# 125# 11# Janra 150# 23# 130# 22#

Section II D: Skills

Here is a listing of skills/areas of knowledge/abilities. It is meant to be illustrative rather than exclusive. (Partially borrowed from AD&D)

Following most skills are: untrained base (general, and then with values for specific races following, separated by commas if need be: (N)or’krin, (T)uz, (U)rvanovestilli, (Y)edidia, Je(C), (S)hal, and (J)anra); dl; base time (s=seconds, m=minutes, h=hours, d=days; w=weeks; y=years. A hyphen (‘-‘) for untrained base means that an untrained character is incapable of attempting that skill. A trailing c means that an action is continuous and must be checked with that frequency — for example, moving silently); gaa elements.

An untrained attribute of 0 does not mean that a character is incapable of performing that action. It means that he has no special training above what is common.

The gaa element is the number of times that an attribute is to be added. For example, st 2, co 1 would mean that the gaa is twice the character’s strength plus his constitution.

(Other comments may follow as appropriate.)

Acquisition, 0, J 10; 0; 1d; ch 1, pe 1
Acrobatics/Tumbling 0, Y 10, J 20; 0; 2 s; ag 1, st 1
Acting 0; 0; 30 m; ch 1
Ambidexterity costs 5 points
Animal Handling 0, Y 20, C 10; 0; 5 m; ch 1
Animal Lore 0, Y 20; 0; 1 m; kn 1
Animal Training 0, Y 10; 0; 3 w; –
Anatomy 0, U 10, Y 10; 0; 1 m; kn 1
Anthropology -, U 10; 0; 1 m; in 1, kn 1, me 1
Appraisal 10, U 20; 0; 1 m; pe 1
Artistic Skill (Specific Medium) 0; 0; 1 d; in 1
Attack (Specific Weapon) 0, N Axe 10, N Knife 10, N Longbow 20, T Crossbow 10, T Dagger 20, J Dagger 10; 0; Axe 2 s, Crossbow 30 s, Dagger (Hand to Hand) 2 s, Fist 1 s, Halberd 8 s, Lance 15 s, Longbow 5 s, Longsword 5 s, Mace 7 s, Rapier 3 s, Shortsword 3 s, Two-Handed Sword 10 s; Hand to Hand de 1, sp 1, st 1 (Lance strength of mount), Missle de 1, sp 1 — Note: Hand to Hand and Missle are each generalizations of attack; if a character wishes to generalize to all weapons, the cost is dl 15 instead of 10.
Balance 0, J 20; 0; 1 s; ag 1
Biology 0, U 10; 0; in 1; 1 m; kn 1, me 1
Blacksmith 0; 0; 1 h; de 1
Blind Action 0, Y 10, S 20, J 10; 0; pe 1 — if a check is made for blind action, an action may be taken blind at twice the normal difficulty.
Bowyer/Fletcher 0; 0; 1 d; de 1
Brewing 0; 0; 1 w; –
Building 0; 0; 5 w; de 1
Carving 0; 0; 30 m; de 1
Carpentry 0; 0; 1 w; de 1
Catch 0; 0; 1 s; de 1
Ceremonies 0, U 10; 0; 1 h; kn 1
Charioteering 0; 0; 5mc; ag 1
Chemistry 0, U 10, Y 10; 0; 30 m; in 1, kn 1, me 1
Climbing 0, J 10; 0; 1 m(c); ag 1, st 1 — this must be checked every 20 feet.
Clockwork Device Craftsmanship/Engineering 0, U 20; 0; 1 d; de 1, in 1
Cobbling 0; 0; 1 h; de 1
Cooking 0; 0; 1 h; –
Cold Tolerance 0, N 20, C 10, J 10; 0; 1 wc; co 1
Cultures (specific culture) 0, U 5, J 10; 0; 1 m; kn 1
Dancing 0, U 10, Y 20, J 15; 0; 5 mc; ag 1
Dodge 0, Y 10, J 10; 0; 1 s; ag 1, sp 1 — if a character attempts to dodge in the middle of an action, that action is lost. Dodging may, of course, be executed concurrently with other actions with both actions at double difficulty. The difficulty of hitting a dodging creature is the difficulty of normally hitting the creature plus the creature’s dodge value.
Doublejointedness costs 5
Endurance 0, N 20, T 10, J 10; 0; 15mc; st 1, co 1 — if a character fails an endurance check after fifteen minutes of vigorous activity, he is exhausted and will have all actions at double difficulty until he has rested (not sleep necessarily — sitting or other inactivity) for twice the duration of the exercise. If a second endurance check is failed, all actions are at four times normal difficulty until aforementioned rest time is taken; if a third check is failed, the character falls asleep and sleeps for five times the duration of activity.
Engineering 0, U 10; 0; 1 h; in 1
Etiquette 0, U 10; 0; 1 m; kn 1
Farmer 0, C 20; 0; 1 y; kn 1
Fencing (specific weapon) 0, U rapier or possibly other weapon 20; 5; as per attack/parry (dodge); as per attack/parry (dodge)
Fire-Building 0; 0; 15 m; de 1
Fisher 0; 0; 1 h; pe 1
Gambling 0, U 10, Y 10; 0; 5 m; pe 1
Gardening 0, Y 20; 0; 5 w; –
Gem Cutting 0; 0; 1 h; de 1
Geography 0, U 10, J 10; 0; 1 m; kn 1
Guess Actions — guess from looking at a person what he will do next. 0, U 10, Y 20; 0; 2 s; pe 1
Haggling 0; 0; 5 m; ch 1, pe 1
Hear Noises — hear almost silent noises. 0, Y 20; 0; 1 m; pe 1
Heat Tolerance 0, T 20, Y 10, S 20, J 10; 0; 1 w; co 1
Heraldry 0, U 10; 0; 1 m; kn 1
Herbalism 0, U 10, Y 15; 0; 15 m; kn 1
Hide 0, Y 10, J 10; 0; 10 s; ag 1, pe 1
History 0, U 10, J 5; 0; 5 m; kn 1
Hunting 0, N 20, T 20, Y 10; 10; 1 h; pe 1
Illusionism 0; 0; 1 m; de 1
Improvisation (Musical) 0, Y 20, J 10; 0; 5mc; in 1
Incense Making 0, Y 10; 0; 1d; –
Janra-Ball — incomprehensible to members of other races. -, J 20; 0; 10 mc; ag 1, al 1, de 1, in 1, me 1, pe 1, sp 1, st 1
Jewelry Work 0; 0; 1 d; de 1
Juggling -; 0; 1 mc; de 1
Jumping 0, J 10; 0; 2 s; ag 1, st 1
Jury-Rigging 0, J 10; 0; 5 m; in 1
Keen Eyesight 0, U 20, Y 10; 0; 5 s; pe 1
Languages (Specific Language(s)) 0, J 5; 0, U 10, C -10; 1 mc; kn 1 — of course, the language(s) the character grew up speaking are free with a native proficiency.
Leadership 0, U 10; 0; 1 d; ch 1
Leather Working 0; 0; 1 h; de 1
Literature 10, U 20; 0; 15 m; kn 1
Mapmaking -; 0; 1 d; kn 1
Massage 0, Y 10, S 20; 0; 10 mc; de 1
Mathematics -, U 20; 0; 15 m; in 2
Mediation 0; 0; 1 h; ch 1, in 1, pe 1
Medicine 0, U 10, Y 10, J 10; 0; 10 m; kn 1
Mining 0; 0; 1 d; –
Move Silently 0, Y 10, S 10, J 10; 0; 1 mc; ag 1, pe 1
Musical Composition 0, Y 10; 0; 1h; in 1
Musical Instrument (Specific Instrument) 0, U 10 (one specific), Y 10 (one specific); 0; 5mc; de 1
Navigation 0; 0; 1 d; pe 1
Open Locks -; 0; 5 m; de 1, pe 1
Persuasion 0; 0; 30 m; ch 1, in 1
Philosophy 0, U 20; 0; 10 m; in 1, kn 1
Physics -, U 10; 0; 10 m; in 1
Poetry Composition 0; 0; 1 h; in 1
Pole Vault 0, J 10; 0; 10 s; ag 1
Pottery Making 0; 0; 10 m; de 1
Public Speaking 0, U 10, J 10; 0; 30 m; in 1, ch 1
Pyrotechnics -, U 10; 0; 1 h; in 1
Reading/Writing -, U 20; -10; 10 mc; in 1
Read Emotion 0, Y 10 (+5 to both Yedidia and non-Yedidia females); 0; 15 s; pe 1
Repair 0, U 10; 0; 30 m; in 1
Riding (Specific Animal) 0, U Horse 20, Y All 20; 0; 10 mc; ag 1
Rope Use 0; 0; 20 s; de 1
Sailing 0; 0; 1 d; –
Search 0; 0; 5 m; pe 1
Shouting — shout loudly and prolongedly without tiring vocal chords. 0, T 10; 0; 5 mc; –
Singing 10, Y 30; 0; 10 mc; ch 1
Smell Creature — smell what creatures are around and have passed by. 0, Y 10; 0; 10 s; pe 1
Sports 0, T 10, J 10; 0; 30 m; ag 1, st 1
Stonemasonry 0; 0; 1 d; –
Storytelling 0; 0; 1 h; ch 1, in 1
Strategy Games 0; 0; 1 h; in 1
Swimming 0, Y 10, S 10, J 20; 0; 15 mc; ag 1, st 1
Symbolic Lore 0, N 20, U 10, C 20; 0; 1 m; kn 1
Tactics 0, U 10; 0; 1; 10 m; in 1, pe 1
Tailoring 0; 10 1 d; de 1
Technology Identification 0, U 20, J 10; 0; 1m; in 1, kn 1
Technology Use 0, U 20, J 10; 0; 1 m; in 1, kn 1
Theology 10, U 20; 0; 10 m; in 1, kn 1
Throw 0; 0; 3 s; de 1
Tightrope Walking 0, J 20; 0; 10 sc; ag 1, sp 1
Tracking 0, T 10, Y 20; 0; 5 mc; pe 1
Trivia 0, U 20, J 20; 0; 1 m; kn 1
Ventriloquism -; 0; 15 sc; –
Weather Sense 0, Y 10; 0; 5 s; pe 1
Weaving 0; 0; 1 h; de 1
Wilderness Survival 0, N 20, T 15, Y 20, J 10; 0; 1 dc; pe 1
Withdrawing/Meditation -, S 20; 1; 1 h; wi 1
Woodlore 0, Y 20, S 10; 0; 1 m; kn 1, wi 1
Wrestling 0, T 20, J 10; 0; 1 mc; ag 1, sp 1, st 1 — a wrestling match can have three states — neutral, one character has advantage, one character has pinned. It starts out neutral, and each minute it goes one increment in favor of the character who wins the check.

Section II E: Learning Differences

Learning differences are an optional rule which players may take advantage of to gain higher skills. Calculating every possible attribute is not necessary; players may simply use what they choose to look for and find in order to gain higher effective skills.

Below are lds for skills, in dictionary order. Unlisted pairs of skills have no ld except as possibly calculable through chains.

The format is skill, skill, ld.

Acquisition, Persuasion, 15
Acrobatics/Tumbling, Balance, 10
Acrobatics/Tumbling, Climbing, 25
Acrobatics/Tumbling, Dancing, 10
Acrobatics/Tumbling, Dodge, 10
Acrobatics/Tumbling, Fencing, 10
Acrobatics/Tumbling, Jumping, 10
Acrobatics/Tumbling, Move Silently, 25
Acrobatics/Tumbling, Pole Vault, 10
Acrobatics/Tumbling, Riding, 15
Acrobatics/Tumbling, Swimming, 15
Acrobatics/Tumbling, Tightrope Walking, 10
Acrobatics/Tumbling, Wrestling, 10
Acting, Public Speaking, 10
Acting, Storytelling, 5
Anatomy, Massage, 15
Anatomy, Medicine, 10
Animal Handling, Animal Training, 15
Animal Lore, Wood Lore, 10
Anthropology, Cultures, 10
Attack, Attack (other weapon which is also hand-to-hand/also missle), 10
Attack, Balance, 10
Attack, Dancing, 10
Attack, Hunting, 15
Attack, Riding, 15
Attack, Tightrope Walking, 10
Attack, Wrestling 10
Balance, Charioteering, 10
Balance, Climbing, 15
Balance, Dancing, 15
Balance, Pole Vault, 15
Balance, Riding, 10
Balance, Tightrope Walking, 5
Balance, Wrestling, 15
Biology, Herbalism, 15
Biology, Medicine, 10
Blind Action, Hear Noises, 10
Bowyer/Fletcher, Carving, 15
Bowyer/Fletcher, Carpentry, 15
Building, Carpentry, 10
Building, Masonry, 10
Carving, Carpentry, 15
Catch, Juggling, 25
Ceremonies, Heraldry, 15
Chemistry, Herbalism, 10
Chemistry, Pyrotechnics, 10
Climbing, Dancing, 15
Clockwork Device Craftsmanship, Engineering, 10
Cultures, Languages, 35
Dancing, Dodge, 10
Dancing, Fencing, 10
Dodge, Wrestling 10
Engineering, Mathematics, 10
Etiquette, Heraldry, 15
Fencing, Balance, 10
Fencing, Riding, 15
Fencing, Tightrope Walking, 10
Fencing, Wrestling, 10
Fisher, Hunting, 25
Gambling, Guess Actions 10
Gambling, Strategy Games, 15
Gem Cutting, Jewelry Making, 15
Guess Actions, Haggling, 15
Guess Actions, Read Emotion, 5
Herbalism, Incense Making, 10
Herbalism, Medicine, 10
Hide, Hunting, 15
History, Literature, 15
History, Trivia, 10
Hunting, Move Silently, 15
Hunting, Tracking, 10
Hunting, Wilderness Survival, 15
Improvisation, Musical Composition, 10
Juggling, Throw, 25
Jury-Rigging, Repair, 15
Keen Eyesight, Search, 10
Map Making, Navigation, 15
Massage, Medicine, 15
Philosophy, Theology, 10
Public Speaking, Storytelling, 10
Search, Tracking, 10
Strategy Games, Tactics, 10
Tailoring, Weaving, 15

Section II F: Skill Levels and Sample Difficulties

An unadjusted skill is as follows:

Untrained: 0
Just beginning: 10
Dabbler: 20
Moderately skilled: 30
Proficient: 40
Expert: 50
Virtuoso: 60
Exceptional: 70
World Class: 80
Greatest Alive: 90
Greatest of All Time: 100

The following are examples of actions of specific difficulties for archery, hiding, languages, rope walking, and wilderness survival. They are intended to serve as a guide to setting general difficulties for actions. Common sense should be used to apply to other skills; throwing, for example, will not have anywhere near the range and accuracy of archery.

Very easy: -40
Archery: shooting a barrel 20 feet away.
Hiding: hiding in a darkened storeroom full of miscellaneous garbage, while clad in black.
Languages: “Hello.” Greetings, numbers, etc. Extremely thick accent.
Rope walking: walking across a plank a foot wide.
Wilderness survival: surviving in a Yedidia orchard.

Easy: -20
Archery: shooting a barrel 20 yards away.
Hiding: hiding in a darkened forest, while clad in black/brown/green.
Languages: “Where is the bathroom?” Basic phrases (phrase book style). Accent that can be moderately easily understood by someone used to dealing with foreigners.
Rope walking: walking across a plank half a foot wide.
Wilderness survival: surviving in a Yedidia forest, where fruitful trees and water are reasonably easy to come by, but there are no hostile inhabitants.

Moderate: 0
Archery: shooting an unsuspecting boar 20 yards away.
Hiding: hiding in a forest in normal daylight, while clad in black/brown/green.
Languages: “I don’t want this one. I want that one.” Short sentences using very simple vocabulary. Normal accent which does not hinder comprehension.
Rope walking: walking across a plank three inches wide.
Wilderness survival: surviving in a Jec forest, where there is nothing hostile, but food and water are not so easy to come by, and the forest may get cold at night.

Difficult: 40
Archery: shooting a running boar 20 feet away.
Hiding: hiding in a forest at dusk, while clad in clothing that does not blend in.
Languages: “I’m glad to hear that you’re feeling better. Do you have any idea how the snake got into your house?” Slightly slowed normal sentences using words that would be in the vocabulary of a child. Accent which only shows itself occasionally, or is generally present but faint.
Rope Walking: walking across a tight rope.
Wilderness survival: surviving on the border of the Tuz forest, where the creatures are potentially hostile.

Very Difficult: 80
Archery: shooting a running boar 20 yards away.
Hiding: hiding in a forest in full daylight, while clad in clothing that does not blend in.
Languages: Free, accentless conversation as a native speaker would, using an adult’s vocabulary.
Rope walking: walking across a slack rope.
Wilderness survival: surviving in the heart of the Tuz forest, where creatures tend to be hostile and tough.

Extremely Difficult: 120
Archery: shooting a flying bird 20 yards away.
Hiding: hiding in a low cut field or a bare room, fully lit, wearing clothing that does not blend in. Concealing yourself where there aren’t any obvious hiding places.
Languages: Technical discussions using complex sentence structure, unusual grammatical features, and vocabulary that most adults wouldn’t know. Conversing with some Urvanovestilli philosophers.
Rope walking: sprinting across a tight rope.
Wilderness survival: Surviving in the Ice Peaks in the middle of winter, where the temperature is frigid and wild animals and other food is almost impossible to find.

Section II G: Experience Gains

The basic unit of adventure is the quest. Upon completion of a quest, each character will receive 2 experience points, adjusted as follows (minimum of 0) for role playing, skill use/adventuring competence/party helpfulness, and moral virtue:

Exceptionally poor: -2 Poor: -1 Normal: 0 Good: +1 Exceptionally good: +2

A bonus of 1 point is awarded for an action that solves a substantial part of the quest.

So a character who had role played well, used his skills clumsily, and had shown exceptional heroism and virtue would receive 2 + 1 – 1 + 2 = 4 ep for the quest.

(No animal may gain experience.)

Experience may be devoted to some small subfield of a specific skill: specialization. Learning a specialization costs half as much (has half the ldf (learning difficulty factor)) as/of learning the whole skill. Learning the rest of a skill, up to an area less than or equal to the level of specialization, costs half as much as learning from scratch. There are also generalizations of skill (for example, languages as a generalization of a specific language, or musical instruments as a generalization of a specific instrument), which have twice the ldf of the specific skill. A generalization of a skill already learned would cost half as much as learning the generalization from scratch, IE exactly as much as the skill cost. (This applies, of course, only to as many ep as were placed in the specific skill beforehand). A generalization must be a specific and closely related group of skills; a “combat skills” generalization which included anatomy, archery, dodge, horseback riding, and longsword would be inappropriate.

Experience points may be used to increase skills as follows: a current skill’s base skill’s exponent is looked up (see section II I). To raise a skill to a new level: look up the exponent of the desired new base skill. The experience point cost is the difference. For example, let’s say that a character has a current skill bs of 34 and 2 ep. The exponent of 34 is 11. He adds the 2 experience points, bringing the exponent to 13. The log of 13 is 37, so he has a new skill bs of 37. (It would have cost him 1 point to make the same increase for a specialization, or 4 points to do so for a generalization.)

Section II H: Starting experience

Initial experience is devoted with the character’s al adjusted for everything but age.

Age: Child Young Adult Middle Aged Old Extremely Old Points: 20 30 40 50 60

Here are starting experience allocations for the 10 roles outlined in the general description. 10 ep will be distributed; multiply by 2 for a child, 3 for a young adult, 4 for a middle aged person, 5 for someone who is old, and 6 for someone who is extremely old. If there is/are one or two races given for a role, the experience allocation assumes the untrained bases for that race(s). (A character may have experience devoted any way that is desired; this is an example.) Most starting characters will be young adults.Acrobatic Scout: Hear Noise 1.5, Hide 2, Move Silently 2, Open Locks 2, Rope Use .5, Search 2.

Archer: Archery 10.

Bard: Geography 1.5, Hero’s Tales 1, Mediation .5, Musical Instrument 2, Persuasion 2, Singing 1, Storytelling 1, Trivia 1.

Hunter: Attack (one missle weapon) 2, Hunting 5, Tracking 2, Woodlore 1.

Interpreter: Acquisition 1, Etiquette 1, Haggling 1, Languages 6, Persuasion 1.

Jack-of-All-Trades: Attack .4, Blind Action .4, Climb .4, Dodge .4, Endurance .4, Fire-Building .4, Guess Actions .4, Haggling .4, Hide .4, Hunting .4, Jump .4, Jury-Rig or Repair .4, Languages 2.4, Move Silently .4, Open Locks .4, Rope Handling .4, Search .4, Smell Creature .4, Tracking .4, Wilderness Survival .4.

MacGyver Chemistry 1, Engineering 1, Hide 1, Jury-Rig 5, Move Silently 1, Search 1.

Perceiver Blind Action 1, Guess Actions 3, Hear Noises 1, Keen Eyesight 1, Read Emotion 1, Search 1, Smell Creature 1, Tracking 1, Weather Sense 1.

Scholar Geography 3, History 3, Languages 3, Literature 1.

Wayfarer Acquisition .3, Attack (one weapon) .2, Blind Action .2, Climb .2, Dodge .2, Endurance .2, Etiquette .3, Fire-Building .2, Geography .5, Guess Actions .2, Haggling .4, Hero’s Tales .3, Hide .2, Hunting .2, Jump .2, Jury-Rig or Repair .2, Languages 2.4, Mediation .1, Move Silently .2, Musical Instrument .3, Open Locks .2, Persuasion 1, Rope Handling .2, Search .2, Singing .3, Smell Creature .2, Storytelling .2, Tracking .2, Trivia .3, Wilderness Survival .2.

Woodsman Animal Handling 1, Animal Training 1, Hunting 1, Tracking 1, Wilderness Survival 1, Woodlore 5.

Section II I: Dice and Basic Tables

The first table given will be the exponential table. The left column gives the (approximate) log of the right, and the right column gives the exponent of the left.

- 0

-50 .03 -49 .03 -48 .04 -47 .04 -46 .04 -45 .04 -44 .05 -43 .05 -42 .05 -41 .06 -40 .06 -39 .07 -38 .07 -37 .08 -36 .08 -35 .09 -34 .09 -33 .10 -32 .11 -31 .12 -30 .13 -29 .13 -28 .14 -27 .15 -26 .16 -25 .18 -24 .19 -23 .20 -22 .22 -21 .23 -20 .25 -19 .27 -18 .29 -17 .31 -16 .33 -15 .35 -14 .38 -13 .41 -12 .44 -11 .47 -10 .50 -9 .54 -8 .57 -7 .62 -6 .66 -5 .71 -4 .76 -3 .81 -2 .87 -1 .93 0 1.0 1 1.1 2 1.1 3 1.2 4 1.3 5 1.4 6 1.5 7 1.6 8 1.7 9 1.9 10 2.0 11 2.1 12 2.3 13 2.5 14 2.6 15 2.8 16 3.0 17 3.2 18 3.5 19 3.7 20 4.0 21 4.3 22 4.6 23 4.9 24 5.3 25 5.7 26 6.1 27 6.5 28 7.0 29 7.5 30 8.0 31 8.6 32 9.2 33 9.8 34 11 35 11 36 12 37 13 38 14 39 15 40 16 41 17 42 18 43 20 44 21 45 23 46 24 47 26 48 28 49 30 50 32 51 34 52 37 53 39 54 42 55 45 56 49 57 52 58 56 59 60 60 64 61 69 62 74 63 79 64 84 65 91 66 97 67 104 68 111 69 119 70 128 71 137 72 147 73 158 74 169 75 181 76 194 77 208 78 223 79 239 80 256 81 274 82 294 83 315 84 338 85 362 86 388 87 416 88 446 89 448 90 512 91 549 92 588 93 630 94 676 95 724 96 776 97 832 98 891 99 955 100 1024 101 1097 102 1176 103 1261 104 1351 105 1448 106 1552 107 1663 108 1783 109 1911 110 2048 111 2195 112 2353 113 2521 114 2702 115 2896 116 3104 117 3327 118 3566 119 3822 120 4096 121 4390 122 4705 123 5043 124 5405 125 5793 126 6208 127 6654 128 7132 129 7643 130 8192 131 8780 132 9410 133 10,086 134 10,809 135 11,585 136 12,417 137 13,308 138 14,263 139 15,287 140 16,384 141 17,560 142 18,820 143 20,171 144 21,619 145 23,170 146 24,834 147 26,616 148 28,526 149 30,573 150 32,768

Here is the basic check table. When a character attempts an action, the success index is calculated as the difficulty subtracted from his av, and the two dice (red and blue) are rolled. The check value is (6*r)+b: six times the number on the red die, plus the value on the blue die. The following table gives the minimum value this result must have for the character to succeed at the attempt.

For example, if a character with an av of 57 attempts a skill of difficulty 23, he has a success index of 34. The red die yields a 1 and the blue die yields a 6, so the check value is (6*1)+6 = 12, which by the table requires a minimum success index of 25. His success index is greater than or equal to what it needed to be, so he succeeds at the check.

Check Value Success Index 7 Roll again, with success index 61 higher. 8 45 9 37 10 32 11 28 12 25 13 22 14 19 15 17 16 15 17 13 18 11 19 9 20 7 21 6 22 4 23 2 24 1 25 -1 26 -2 27 -4 28 -6 29 -7 30 -9 31 -11 32 -13 33 -15 34 -17 35 -19 36 -22 37 -25 38 -28 39 -32 40 -37 41 -45 42 Roll again, with success index 61 lower

Section II J: Combat

All characters* have a maximum health value of co+st+ag+an, where an is one half the character’s adjusted anatomy skill, rounded down. Skills and attributes of an injured creature function at a penalty equal to the difference between their maximum health value and their current health value. So, for example, an animal with a maximum health value of 55 and a current health value of 31 has skills functioning at a penalty of 24 points.

All creatures take damage as follows: the damage is looked up on the log/exponent table, and its exponent (the value that occurs to the right of the damage) is looked up. The same is done for the creature’s current health value. The exponent of the damage is subtracted from the exponent of the current health value. If the value is zero or less, the creature loses consciousness or dies at the game master’s discretion. If the value is more than zero, its log is taken and becomes the creature’s new health value (rounded up).

So, for example, if the animal mentioned with a current health value of 24 points takes an 8 point damage wound, the exponent of 24 is 5.3, and the exponent of 8 is 1.7. They are subtracted to yield 3.6; the log of 3.6 is 18, so the creature’s new health value is 18.

Damage* for a successful attack is inflicted at a value of r+st+wa+de+an+po, where r is the value show by rolling the red die, wa is the weapon addend of the weapon, and po is the poison value of the poison (if any) or other special attack. (Damage for a successful backstab, catching the target unaware, is r+st+wa+de+(2*an)+po.) If a creature is injured in the course of taking an action, it may complete the action at skill and attribute values for when the action was begun, and the injury will take effect on skills and attributes when the action is completed.

An injured creature will regenerate at a rate of -50+(2*co)+st+ms per day, where ms is the medical skill of the creature or other caretaker. The regeneration works as the exact opposite of a wound.

An unarmed character has a wa of -10.

* A creature which has no anatomy skill does not receive agility or anatomy adjustments to health value, or anatomy or dexterity adjustments to damage.

Section II K: Animals and Random Encounters

With many of the rolls, the number is a random number 1-10 or 1-100. Common sense should tell which is appropriate where. If 10-sided dice are not available, 1-10 can be generated with red and blue as will be given below; 1-100 can be generated using 1-10’s for each digit, or as below with an additional die, yellow (‘y’):

1-10: roll (6*r)+b-6:

1-10: read as is. 11-20: subtract 10. 21-30: subtract 20. 31-36: reroll.

1-100: roll (36*r)+(6*y)+b-42:

1-100: read as is. 101-200: subtract 100. 201-216: reroll.

In many cases, one of the possibilities indicated is “special”. Special means that either

1: the game master should decide something special, which is preferable, or 2: if the game master can’t or doesn’t want to, he should reroll for another outcome.

Roll for whether an encounter occurs, and what kind:

N T U Y J S Encounter occurs 1 1-5 1-3 1-5 1-2 1-4 Encounter is 1 animal animal animal animal animal animal 2 animal animal animal animal animal animal 3 animal animal animal animal animal animal 4 animal animal animal animal animal person 5 animal animal animal person animal person 6 animal person person person animal person 7 person person person person person person 8 geographical feature geographical feature 9 weather weather weather weather weather weather 10 special special special special special special

Percentile Roll Chart for Random Animal Encounter (N designates the Nor’krin land, and so on):

N T U Y J S 1: Acid Slime Mold 1 2: Acid Spitter 2 3: Anteater 3 1-2 1-2 103 4: Bear 4-5 1 5: Behemoth 6 6: Boar 7 3-5 3 2-3 7: Bulette 8 6 8: Caribou 1-10 4-5 9: Carnivorous Log 9 10: Carnivorous Tree 10 11: Cobra 11 12: Colorspray 4-6 6 4-7 13: Crocodile 12-13 14: Cuddler 7 7-11 7 8-11 15: Deer 11-15 14 8-12 12-13 8-17 16: Dog 15 13 14 18 17: Duck 14 15-16 19-28 12-14 18: Fog Thing 16-17 19: Furred Serpent 18 15-16 17-18 29-30 15-16 20: Garter Snake 17 19-20 31 17 21: Giant Aphid 19 22: Giant Firefly 20 21-22 23: Giant Land Lobster 21 24: Giant Scorpion 22-23 25: Giant Viper 24 26: Giant Walking Stick 25 27: Giant Wasp 26 28: Giant Webthrower 27 29: Glower 23-25 18-20 30: Gorilla 28 26 21 31: Griffon 29 18 32 32: Hawk 30 19 27 33-34 33: Hedgehog 31 20-21 28-29 35 22-24 34: Hnakra 32 35: Horse 16-25 33-34 22-24 30-31 36-37 36: Hoverfeather 35 25-26 32 38 25 37: Hummingbird 27 33 39 26 38: Iceflyer 26-39 39: Icestriker 40-49 40: Ironram 50 36-37 28 41: Jewel Serpent 38 29 42: Jumpcling 30 34-35 27-30 43: Jumper 39-40 31 36 40 31 44: Kriit 51-41 41 32 41 45: Land Octopus 42 37 32-33 46: Lavishnatim 43 33 38-39 34 47: Leviathan 44 48: Mile Long Snake 45 42 49: Milshh 34 40-42 35-38 50: Mimic 35 43-46 43-44 39-42 51: Miroir 36-37 47 43 52: Mishraim 46-47 48 45-46 44-47 53: Monkey 38 49 47 48-49 54: Mouse 39 50 48-52 50 55: Muckdweller 48-49 56: Obstructor 50 57: Ostrich 51 40 53-55 58: Owl 52 41 51 56-58 59: Panther 53 60: Parrot 42 52 59-60 51-55 61: Platypus 43 53 60-61 62: Poison Quilled Porcupine 54-55 63: Porcupine 56 44 54-55 61-62 64: Prairie Dog 45 56 63 65: Rabbit 55-74 46-55 57 64-73 56-59 66: Ram 57-58 56-57 58 76-78 67: Ricochet 59 58 59 79 68: Roc 60 69: Rock Crusher 61 70: Rock Thrower 62 71: Rodent of Unusual Size 63-64 59 80 72: Sand Trapper 65 73: Sea Serpent 66 74: Shocker 67 75: Skunk 60-63 60 81 60 76: Sloth 61 61-70 77: Soft Rolling Stone 64-65 62 82-83 71-74 78: Sparrow 66 63 84 75-77 79: Spinstar 68 67 64 78 80: Stegosaurus 69-70 81: Stinging Insect 70-71 82: Stoneshell 72 65 83: Strider 73 68-71 66 84: Swamp Thing 74 85: Tail Spikethrower 75 86: Tar Baby 76 87: Terrask 77 88: Thousand Legged Roller 78 72-76 67 85 79-80 89: Ticklebug 68-72 81 90: Torpor Beast 79-80 91: Translucent Frog 81 77-79 73-74 86 82-83 92: Trin 82 80 75 87 84 93: Turtle 83-84 81 76 88-90 85-88 94: Tyrannosaurus Rex 85 95: Warm Fuzzy 82-83 77-80 91 89-92 96: Water Sprite 81 97: Wind Hummer 86 84-85 98: Wolf 75-84 87-88 86 82-83 92 99: Wyvern 89-90 87 93 100: Game Master's Creation 85-88 91 88 84-85 94 93-94 101: Nor'krin Encounter 92 89-90 86-87 95 95 102: Tuz Encounter 89-90 91-91 88-89 96 96 103: Urvanovestilli Encounter 91-92 93 90-92 97 97 104: Yedidia Encounter 93-94 94 92-93 98 98 105: Jec Encounter 95-96 95 94-95 93-95 99 106: Shal Encounter 97-98 96 96-97 96-97 99 107: Encounter, Doubled Attributes 99-100 97-100 98-100 98-100 100 100

Animal behavior at an encounter is as follows; a number generated in the range of 1-10 tells how it behaves (‘special’ indicating that the game master should either create a special behavior on the part of the animal, or else simply reroll):

# Feisty Herbivore Pet Predator Small Predator 1: attack attack attack attack attack 2: attack attack curious attack curious 3: attack curious curious attack flee 4: attack flee flee curious flee 5: attack flee flee flee flee 6: curious friendly friendly friendly flee 7: flee ignore friendly sneak attack friendly 8: ignore ignore friendly sneak attack sneak attack 9: sneak attack ignore friendly sneak attack sneak attack 10: special special special special special

Animal age and sex are rolled separately: 1-2 child, 3-6 young, 7-8 middle aged, 9 old, 10 very old; 1-5 male, 6-10 female.

Animal Descriptions

All animals have the following skills: attack 30 (1 s; de 1, sp 1, st 1), blind action 20, dodge 30, hear noises 20, hide 30, move silently 30, and smell creature 20. All predators and small predators can hunt 30, smell creature 30, track 30. Name, attributes, behavior type (feisty, herbivore, pet, predator, small predator), descriptions, comments, and special abilities follow.

Constitution, in some cases, may not indicate exceptional health on the part of the creature, but rather some sort of natural armor.

The attributes are (no is number appearing, a * next to po represents a nonpoisonous special attack):

1: Acid Slime Mold no po wa ag co de pe sp st 1 20* 0 20 10 10 10 20 10 Predator, 4-8' long, not injured by cutting or bludgeoning. Special damage is acid. (It looks like a pale green blob)

2: Acid Spitter no po wa ag co de pe sp st 1 20* 0 20 20 20 10 10 30 Predator. 5′ high. This creature has a thick torso and head on four stumpy legs, and a tough black hide. Its special damage is acid.

3: Anteater no po wa ag co de pe sp st 1 0 0 10 10 10 10 10 0 Herbivore. As in real life.

4: Bear no po wa ag co de pe sp st 1 0 0 20 30 10 -10 0 40 Feisty. Grizzly in the Tuz land, polar in Nor’krin land, black elsewhere.

5: Behemoth no po wa ag co de pe sp st 1 0 0 10 30 20 -10 -10 70 Herbivore. As in Job.

6: Boar no po wa ag co de pe sp st 1 0 0 20 10 10 10 10 25 Feisty. As in real life.

7: Bulette no po wa ag co de pe sp st 1 0 0 0 30 10 10 10 30 Predator. 8-10′ long. Land shark. A tough, sharklike creature that burrows through earth and has short, strong legs. The hide may be sold for 500 au.

8: Caribou no po wa ag co de pe sp st 30 0 0 10 10 10 10 10 30 Herbivore. As in real life.

9: Carnivorous Log no po wa ag co de pe sp st 1 0 0 10 20 10 0 10 30 Predator. An animal that looks like a large fallen log. When stepped on, large tentacles will shoot out and drag towards teeth and jaws.

10: Carnivorous Tree no po wa ag co de pe sp st 1 0 0 10 20 10 10 10 40 Predator. Like a carnivorous log, but uses branches instead of tentacles.

11: Cobra no po wa ag co de pe sp st 1 30 -10 10 10 10 10 30 -10 Predator. As in real life.

12: Colorspray no po wa ag co de pe sp st 1 0* -20 10 10 10 10 10 -10 Pet. A short, 2′ football shaped, multicolored creature with several orifices on its back. A very affectionate pet which will spray brightly colored paints on someone it likes.

13: Crocodile no po wa ag co de pe sp st 1 0 0 10 30 10 10 10 30 Predator. As in real life.

14: Cuddler no po wa ag co de pe sp st 1 0 -40 10 0 10 10 0 -20 Pet. A soft, 1′ black, furred, round creature that cuddles like a Shal and will occasionally squirt water.

15: Deer no po wa ag co de pe sp st 1 0 0 30 10 10 20 10 20 Herbivore. As in real life.

16: Dog no po wa ag co de pe sp st 10 0 0 10 10 10 10 10 20 Predator. As in real life.

17: Duck no po wa ag co de pe sp st 5 0 -20 10 10 10 10 10 -20 Herbivore. As in real life.

18: Fog-Thing no po wa ag co de pe sp st 1 0 0 20 10 10 10 10 40 Predator. a 10′ tall beast which emits dense fog, obscuring vision in its vicinity.

19: Furred Serpent no po wa ag co de pe sp st 1 0 0 10 10 10 10 10 0 Pet. 2-20′ long, with soft, sometimes brown fur.

20: Garder Snake no po wa ag co de pe sp st 1 0 0 10 10 10 10 10 -50 Pet. As in real life.

21: Giant Aphid no po wa ag co de pe sp st 1 0 0 10 30 10 10 10 30 Predator. 8′ tall if unearthed, in a depressed sand trap hidden by a thin camouflaged cover.

22: Giant Firefly no po wa ag co de pe sp st 20 0 -30 10 10 10 10 10 0 Herbivore. 4′ tall, Fly 5.

23: Giant Land Lobster no po wa ag co de pe sp st 1 0 0 10 50 10 0 -10 50 Feisty. 20-30′ long.

24: Giant Scorpion no po wa ag co de pe sp st 1 30 10 10 30 10 10 10 20 Feisty. 5′ long.

25: Giant Viper no po wa ag co de pe sp st 1 30 0 10 10 10 20 10 50 Predator. 50′-200′ long.

26: Giant Walking Stick no po wa ag co de pe sp st 1 20* 0 0 10 10 0 10 -10 Small Predator. 3′ long, 2′ tall. Poison does not cause damage, but hinders for one day as if damage had occurred.

27: Giant Wasp no po wa ag co de pe sp st 1 30 0 0 10 10 10 10 10 Feisty. 18″ long.

28: Giant Webthrower no po wa ag co de pe sp st 1 20* 0 10 20 10 20 20 25 Predator. A 10′ long spider; special attack is throwing webs which do not injure but impair physical action as if injury had occurred.

29: Glower no po wa ag co de pe sp st 1 0 0 10 10 10 20 10 20 Pet. A phosphorescent half sized bear.

30: Gorilla no po wa ag co de pe sp st 10 0 0 25 10 10 10 10 30 Herbivore. As in real life. Climb 10.

31: Griffon no po wa ag co de pe sp st 1 0 0 25 20 10 20 20 30 Predator. 8′ long. Half eagle (Fly 10), half lion, loves horsemeat.

32: Hawk no po wa ag co de pe sp st 1 0 -10 10 10 10 10 10 0 Small Predator. As in real life.

33: Hedgehog no po wa ag co de pe sp st 1 0 0 10 10 10 10 10 -10 Herbivore. As in real life.

34: Hnakra no po wa ag co de pe sp st 1 0 0 25 30 10 25 20 50 Predator. An aquatic creature (Swim 10), a great armored shark/sea serpent 50-100′ long. As in C.S. Lewis’s _Out_of_the_Silent_Planet_

35: Horse no po wa ag co de pe sp st 30 0 0 20 10 10 10 10 30 Herbivore. As in real life.

36: Hoverfeather no po wa ag co de pe sp st 1 0 -10 20 10 10 10 10 0 Herbivore. A 3′ ball of eyes and feathered wings (golden, black, brown, or white).

37: Hummingbird no po wa ag co de pe sp st 1 0 -10 30 10 20 25 40 -50 Herbivore. As in real life.

38: Iceflyer no po wa ag co de pe sp st 1 0 -10 10 10 10 10 10 0 Predator. A 6′ white arctic bird of prey (Fly 10).

39: Icestriker no po wa ag co de pe sp st 1 20* 0 10 10 25 20 10 10 Predator. A toothed, clawed 20′ acid spitting bird of prey (Fly 10).

40: Ironram no po wa ag co de pe sp st 1 0 0 0 20 10 0 10 40 Feisty. A 15′ long, piglike furred beast that rams with its bony head.

41: Jewel Serpent no po wa ag co de pe sp st 1 40 0 25 20 10 10 10 30 Predator. A red, 5-20′ serpent with an immense red jewel between its eyes which has a phosphorescent glow that lasts until an hour after its death. The gem is worth 5,000 gold, or 10,000 if it is still glowing.

42: Jumpcling no po wa ag co de pe sp st 2 0 0 10 20 20 30 10 -30 Pet. A 6″ beast with many paws that will jump and cling to a person.

43: Jumper no po wa ag co de pe sp st 20 0 -10 50 10 10 10 10 30 Herbivore. A 4′ long beam with two opposite feet that it jumps and bounces off with. (Jump 10)

44: Kriit no po wa ag co de pe sp st 1 20* 0 10 10 30 20 15 0 Predator. A 5′ tall, long-armed beast that spits acid from behind trees.

45: Land Octopus no po wa ag co de pe sp st 1 0* 0 10 10 10 10 10 20 Feisty. 8-20′ spread. Like an octopus, but squirts ink — can temporarily blind.

46: Lavishnatim no po wa ag co de pe sp st 1 0 -20 25 10 20 10 10 -10 Pet. An incredibly curious, 2′ rodentlike creature.

47: Leviathan no po wa ag co de pe sp st 1 40* 0 20 40 10 -10 10 80 Feisty. As in Job. Special attack is breathe fire.

48: Mile Long Snake no po wa ag co de pe sp st 1 0 0 10 10 10 10 10 80 Herbivore(-like). A 20′ high snake a mile long

49: Milshh no po wa ag co de pe sp st 1 0 -20 20 10 10 30 20 -20 Pet. A short, 18″, round, eyeless catlike creature with long, golden fur, and eight short legs ending in round paws.

50: Mimic no po wa ag co de pe sp st 1 0 -10 10 10 10 25 10 -20 Pet. A monkeylike creature that will follow and imitate a person.

51: Mirior no po wa ag co de pe sp st 1 0 -10 10 0 10 10 10 0 Herbivore. A humanoid form with mirrorlike skin.

52: Mishraim no po wa ag co de pe sp st 1 0 -10 10 10 10 0 10 30 Pet. Like a giant 5′ anteater, but with a shorter snout.

53: Monkey no po wa ag co de pe sp st 10 0 -30 20 10 20 10 10 -10 Herbivore. As in real life.

54: Mouse no po wa ag co de pe sp st 1 0 -10 10 10 10 10 10 -50 Herbivore. As in real life.

55: Muckdweller no po wa ag co de pe sp st 1 0 0 30 10 10 10 10 30 Predator. A black, tentacled, four legged beast that waits in the muck and then draws things down in order to drown and/or eat.

56: Obstructor no po wa ag co de pe sp st 1 0 0 30 20 20 20 0 50 Predator. A giant (20′) eight armed apelike creature which will use branches, rocks, etc. to form a barrier around prey before throwing rocks at it.

57: Ostrich no po wa ag co de pe sp st 1 0 0 -10 0 0 0 30 25 Herbivore. As in real life.

58: Owl no po wa ag co de pe sp st 1 0 -10 10 10 10 10 10 0 Small Predator. As in real life.

59: Panther no po wa ag co de pe sp st 1 0 0 30 10 20 30 10 30 Predator. Climb 5. As in real life.

60: Parrot no po wa ag co de pe sp st 1 0 -10 20 10 10 10 25 -30 Pet. Fly 5. As in real life.

61: Platypus no po wa ag co de pe sp st 1 0 0 10 10 10 10 10 -10 Herbivore. As in real life.

62: Poison Quilled Porcupine no po wa ag co de pe sp st 1 30 0 10 10 10 10 10 0 Herbivore. Like a real porcupine, but three feet long, and, if struck hand-to-hand without appropriate armor, will automatically hit attacker. (When it attacks, its attack does not do poison damage.)

63: Porcupine no po wa ag co de pe sp st 1 0 0 10 10 10 10 10 -20 Herbivore. As in real life.

64: Prairie Dog no po wa ag co de pe sp st 10 0 0 10 10 10 10 10 -15 Herbivore. As in real life.

65: Rabbit no po wa ag co de pe sp st 1 0 -10 20 10 10 20 25 -30 Herbivore. As in real life.

66: Ram no po wa ag co de pe sp st 1 0 0 10 10 10 10 10 20 Herbivore. As in real life.

67: Ricochet no po wa ag co de pe sp st 1 0 0 30 10 10 20 40 20 Herbivore. A fast, 12 legged (equally spaced) 1′ red-brown creature that quickly bounces off trees and everything else if threatened.

68: Roc no po wa ag co de pe sp st 1 0 -10 0 10 10 20 -20 70 Predator. 100′ tall. A giant bird of prey (Fly 10) that eats panthers.

69: Rock Crusher no po wa ag co de pe sp st 1 0 0 -10 30 0 0 -20 80 Herbivore(-like). A giant (40′) creature with stony skin that sits and eats rocks.

70: Rock Thrower no po wa ag co de pe sp st 1 0 0 10 10 20 20 10 20 Feisty. A beast with four legs alternated with four arms, throwing rocks.

71: Rodent of Unusual Size no po wa ag co de pe sp st 1 0 0 300 10 10 20 25 10 Predator. As in The Princess Bride.

72: Sand Trapper no po wa ag co de pe sp st 1 0 0 10 10 20 10 30 30 Predator. 10-15′ high. Lives in sand and shoots up a green tentacle to drag in prey.

73: Sea Serpent no po wa ag co de pe sp st 1 0 0 20 20 10 10 0 40 Herbivore(-like). 20-40′ long, swim 10.

74: Shocker no po wa ag co de pe sp st 1 40* 10 20 20 10 10 10 30 Predator. An immense (10′) deep green to blue lizard with slimy black tentacles that deliver a powerful electric shock, capable of throwing many creatures. Any creature hit by a shocker and taking over 10% damage will be disrupted in the action it was completing, drop what it was holding, and forget what it was doing/be momentarily disoriented. Thick clothing may function as armor against a shocker’s attack, as the electrical damage only takes place if electrical contact occurs.

75: Skunk no po wa ag co de pe sp st 1 0* -10 10 10 10 10 10 -20 Herbivore. As in real life. (Special attack, as in real life.)

76: Sloth no po wa ag co de pe sp st 1 0 -20 10 10 10 10 -20 -15 Pet. As in real life.

77: Soft Rolling Stone no po wa ag co de pe sp st 1 0 -30 0 20 0 -30 -10 -30 Pet. A rolling creature that looks like a round, mossy stone. Warm and friendly.

78: Sparrow no po wa ag co de pe sp st 20 0 -20 20 10 10 10 10 -50 Herbivore. As in real life (Fly 10).

79: Spinstar no po wa ag co de pe sp st 50 0 0 30 10 10 10 10 -30 Pet. A blue (tinged with red) 9″ land starfish which whitish feet at the end of each limb and a feeding orifice on one side. Moves by rolling.

80: Stegosaurus no po wa ag co de pe sp st 1 0 0 0 40 -20 -30 -10 50 Herbivore. As in real life.

81: Stinging Insect no po wa ag co de pe sp st 1000 30 -50 25 25 10 25 20 -30 Feisty. A swarm as in real life.

82: Stoneshell no po wa ag co de pe sp st 1 0 0 10 80 10 10 10 10 Herbivore. A creature with a stonehard shell, 10′ tall.

83: Strider no po wa ag co de pe sp st 1 0 0 25 25 10 10 30 20 Predator. 7′ tall. A predator which moves incredibly quickly (85 mph). It is jet black, has long, strong, thin legs, and will try to run prey into trees.

84: Swamp Thing no po wa ag co de pe sp st 1 0 0 20 10 10 10 10 50 Predator. A huge malodorous mass of beast. 20-50′

85: Tail Spikethrower no po wa ag co de pe sp st 1 20 0 10 20 20 10 10 30 Predator. 9′ long. Like a scorpion, but throws poisoned spikes.

86: Tar Baby no po wa ag co de pe sp st 1 0 -10 -30 30 10 10 0 10 Feisty. A black, tar-covered beast. Any weapon or limb which strikes it will stick and require an hour to free.

87: Terrask no po wa ag co de pe sp st 1 0 0 10 80 10 10 10 100 Feisty. An immense, dinosaurian creature (200′ tall), pale grey to black at different spots.

88: Thousand Legged Roller no po wa ag co de pe sp st 1 0 0 25 10 10 20 30 30 Herbivore. Great multi-colored 6′ ball covered with legs, by which it rolls.

89: Ticklebug no po wa ag co de pe sp st 1 0 0 10 10 30 30 10 -30 Pet. A little, 6″ furry creature (white, gold, tan, orange, calico, grey, brown, red, or black) with long whiskers, fond of touching other creatures very lightly.

90: Torpor Beast no po wa ag co de pe sp st 1 40* 0 10 10 10 10 10 10 Predator. A beast with four limbs and a spiked trunk — spikes inject a potent sleeping poison.

91: Translucent Frog no po wa ag co de pe sp st 1 0 -10 25 10 10 10 10 10 Herbivore. An animal such that you can see into its body to look at its inner workings.

92: Trin no po wa ag co de pe sp st 30 0 -20 30 10 10 10 10 -10 Herbivore. This beast is short, round, and flat, with tan fur.

93: Turtle no po wa ag co de pe sp st 1 0 0 -10 60 0 0 -30 10 Herbivore. As in real life.

94: Tyrannosaurus Rex no po wa ag co de pe sp st 1 0 0 -10 10 10 0 -10 60 Predator. As in real life.

95: Warm Fuzzy no po wa ag co de pe sp st 1 0 -30 10 10 10 30 0 -20 Pet. Same colors as a ticklebug, round, 8″, with very long, very soft fur. Can climb (Climb 2) very comfortably and snuggle for hours. Used like teddybears.

96: Water Sprite no po wa ag co de pe sp st 25 0 -20 50 10 10 10 10 -10 Herbivore. An extremely shy and beautiful form that comes out once a year to dance in the moonlight.

97: Wind Hummer no po wa ag co de pe sp st 1 30 0 50 10 10 10 20 -40 Feisty. 1′ tall. A quick, translucent (Dodge 50, Fly 40), stinging creature.

98: Wolf no po wa ag co de pe sp st 20 0 0 10 10 20 10 10 20 Predator. As in real life.

99: Wyvern no po wa ag co de pe sp st 1 30 0 20 20 10 10 10 25 Predator. A flying (10′, Fly 10), red-brown stinging reptilian predator.

100: Game Master’s Creation

Random Person Encounters:

In general, 1-10 people will be encountered. (Hermits will always be encountered alone.) Several factors/scales are given (race, profession, Myers-Briggs personality type, etc.); the GM need only generate as much information as he needs to get an idea of how to play it.

Random personal encounters are, in essence, an opportunity to role play social interaction, and should be played as such. While there are other possibilities, such as trading for equipment or information, the game master should focus on making the encounter an interaction with interesting people who will make play more interesting.

These tables are for encounters out in the wild — generally, parties of people who are mostly adventurers. Encounters in a city or village should be different.

Character race and roles N T U Y J S 1: Janra Acrobat 1 1 1 1 1 1 2: Janra Acrobatic Scout 2 2 2 2 2 2 3: Janra Actor 3 3 3 3 3 3 4: Janra Archer 4 4 4 4 4 4 5: Janra Bard 5 5 5 5 5 5 6: Janra Dancer 6 6 6 6 6 6 7: Janra Hermit 7 7 7 7 7 7 8: Janra Homemaker 8-12 8-12 8-12 8-12 8-12 8-12 9: Janra Hunter 13 13 13 13 13 13 10: Janra Idiot 14 14 14 14 14 14 11: Janra Interpreter 15 15 15 15 15 15 12: Janra Jack-of-all-Trades 16 16 16 16 16 16 13: Janra Juggler 17 17 17 17 17 17 14: Janra MacGyver 18 18 18 18 18 18 15: Janra Masseuse 19 19 19 19 19 19 16: Janra Perceiver 20 20 20 20 20 20 17: Janra Scholar 21 21 21 21 21 21 18: Janra Singer 22 22 22 22 22 22 19: Janra Storyteller 23 23 23 23 23 23 20: Janra Wayfarer 24 24 24 24 24 24 21: Janra Woodsman 25 25 25 25 25 25 22: Jec Archer 26 26 26 26 26 26 23: Jec Baker 27 24: Jec Bard 27 27 27 27 28 27 25: Jec Blacksmith 29 26: Jec Cobbler 30 27: Jec Farmer 31-35 28: Jec Fisherman 36-37 29: Jec Hermit 38 30: Jec Homemaker 39-48 31: Jec Hunter 28 28 28 28 49 28 32: Jec Idiot 50 33: Jec Merchant 51-52 34: Jec Sage 53 35: Jec Stonemason 54 36: Jec Storyteller 55 37: Jec Wayfarer 29 29 29 29 56 29 38: Jec Weaver 57 39: Jec Woodsman 30 30 30 30 58 30 40: Nor'krin Archer 31-33 31 31 31 59 31 41: Nor'krin Bard 34-36 32 32 32 60 32 42: Nor'krin Hermit 37 43: Nor'krin Homemaker 38-47 44: Nor'krin Hunter 48-50 33 33 33 61 33 45: Nor'krin Idiot 51 46: Nor'krin Wayfarer 52-53 34 34 34 62 34 47: Shal Bard 35 35 35 63 35 48: Shal Farmer 36 36-37 49: Shal Gardener 37 38-40 50: Shal Hermit 41 51: Shal Homemaker 38 42-51 52: Shal Idiot 52 53: Shal Masseuse 39 53 54: Shal Poet 54 55: Shal Sage 40 55-56 56: Shal Woodsman 54 36 36 41 64 57-59 57: Tuz Archer 55 37-39 37 42 65 60 58: Tuz Blacksmith 40-41 59: Tuz Hermit 42 60: Tuz Homemaker 43-52 61: Tuz Hunter 56 53-55 38 43 66 61 62: Tuz Idiot 56 63: Tuz Scout 57 57-58 38 43 66 61 64: Tuz Stonemason 59 65: Tuz Woodsman 58 60-62 40 48 68 63 66: Tuz Wrestler 63 67: Urvanovestilli Archer 59 64 41 49 69 64 68: Urvanovestilli Artist 42 69: Urvanovestilli Bard 60 65 43 50 70 65 70: Urvanovestilli Dancer 44 71: Urvanovestilli Dual Profession 61 66 45 51 71 66 (roll twice, ignoring non-Urvanovestilli rolls.) 72: Urvanovestilli Goldsmith 46 73: Urvanovestilli Hermit 47 74: Urvanovestilli Homemaker 48-57 75: Urvanovestilli Hunter 62 67 58 52 72 67 76: Urvanovestilli Idiot 59 77: Urvanovestilli Interpreter 63 68 60 53 73 68 78: Urvanovestilli Jack-of-all-Trades 64 69 61 54 74 69 79: Urvanovestilli Noble 62 80: Urvanovestilli Renaissance Man 65 70 63 55 75 70 81: Urvanovestilli Repairman 64 82: Urvanovestilli Scholar 66 71 65 56 76 71 83: Urvanovestilli Servant 66 84: Urvanovestilli Specialist 67 85: Urvanovestilli Wayfarer 67 72 68 57 77 72 86: Urvanovestilli Weaver 69 87: Yedidia Animal Handler 73 70 58-59 78 73 88: Yedidia Bard 68-69 74 71 60-61 79 74 89: Yedidia Herbalist 75 72 62-63 80 75-76 90: Yedidia Hermit 64 91: Yedidia Homemaker 73 65-74 77 92: Yedidia Hunter 70 76 74 75-76 81 78 93: Yedidia Idiot 77 94: Yedidia Jack-of-all-Trades 71 77 75 78 82 79 95: Yedidia Masseuse 76 79 80 96: Yedidia Perceiver 72 78 77 78 82 79 97: Yedidia Singer 78 82 82 98: Yedidia Woodsman 73 79 79 83-84 84 83-84 99: Roll once to determine race, then a second time to determine profession 74 80 80 85 85 85 100: Special 75-84 81-90 81-90 86-95 86-95 86-95 101: Nor'krin Encounter 91 91 96 96 95 102: Tuz Encounter 85-86 92-94 98 98 98 103: Urvanovestilli Encounter 87-91 91-94 98 98 98 104: Yedidia Encounter 92-93 95-97 95-97 99 99 105: Jec Encounter 94-99 98 98-99 99 100 106: Shal Encounter 100 99-100 100 100 100

Myers-Briggs Personality Type:
Shal: 1-3 Extrovert, 4-10 Introvert; Other: 1-7 Extrovert, 8-10 Introvert 1-6 Sensing, 7-10 INtuitive
Male: 1-6 Thinking, 7-10 Feeling; Female 1-4 Thinking, 5-10 Feeling. 1-5 Judging, 6-10 Perceiving

Handedness: Janra 01-75 left, 76-95 ambidexterous, 96-100 right; other 01-94 right, 95-99 left, 100 ambidexterous

Birth Order: 1-3 first, 4-6 middle, 7-9 last, 10 only

Section II L: Equipment, Devices, Chemicals, Herbs, and Money

In the monetary system, 1 gold sovereign (au) = 2 electrum sceptres (el) = 8 silver crowns (si) = 64 copper pennies (cu) = 256 iron tips (fe). Price is variable; a device could easily be sold for twice or half its listed cost here. All coins are of the same weight; 64 of them weigh a pound.

Adventuring equipment as a rule is scarce and difficult to acquire. The ad (acquirement difficulty) given for equipment is e (easy), m (moderate), d (difficult), vd (very difficult), and ed (extremely difficult). The races in whose homeland the items are easily found are designated by first initial (‘J’ denoting Jec rather than Janra, as the Janra have no homeland); items may be found in other lands, but at a difficulty one notch higher (so difficult becomes very difficult, etc.).

The following are illustrations of devices and equipment available. Other equipment in the same spirit (as described in the game master’s introduction, section IV) is encouraged with game master discretion. Each device is slightly different; they may well have modifications (such as a tiny hidden compartment). There should ideally be thousands of unique devices, of which the listed examples are but a tiny hint. Chemical prices, unless otherwise specified, are per fluid ounce, and herbs per ounce. Chemicals which temporarily affect attributes do *not* affect st and co contributions to health value.

Armor made not out of steel but out of special alloys may be found, at one notch higher ad and ten times the price, with all the protection but only half the penalties. When armor reduces damage by a fixed percentage, it should be read as the exponent of the damage which is reduced.

Animals (trained or otherwise friendly) may be acquired at a difficulty of the sum of the squares of their attributes, for half the ad if their behavior type is pet, ad for behavior type herbivore, twice the ad for behavior type small predator, three times the ad for behavior type predator, and four times the ad for behavior type feisty.

What is listed is specifically equipment which will be useful to adventurers. There are an infinitude of other objects which exist — clockwork devices which are built up to perform various tasks (such as play music or be a moving model of the solar system) much as a computer programmer assembles instructions to make a program; herbs which act as spices, or which, when drunk as a tea, have a mild narcotic effect (which herbs are carefully and temperately used, just like alcohol), or chemicals which, when mixed, turn a complex rainbow of scintillating colors — and they would take forever to list. Here is a simple example of what may be useful to adventurers, to give the game master a feel for the spirit of creation.

Devices and Equipment

Cost ad Name 5 au m Axe/Hatchet (wa 0) (N, T, U, Y, J, S) 3 au d Backpack (T, U, Y) 20 au d Belaying Device, automatic — a springloaded box with a harness at one end, a crank on the side, and which shoots out a grappling hook. This device catches a climber who falls, preventing injury, and allowing him to try again if he slips a grip (thereby effectively doubling climbing skill). (U) 4 au d Camouflage cloak — usually forest green, dark grey, or black, occasionally brown, these can lower the difficulty of hiding by one notch (T, U, Y, C) 8 au d Cat's Claw — an angled iron or steel clawed boot attachment and glove which is highly effective at attaching to climbing surfaces; someone wearing a Cat's Claw has a climbing skill increased by 10. (T, U) 50 au d Chain Mail: -20 to sharp damage suffered, and -5 to blunt damage; 5-st penalty to ag, de, sp; -20 to Move Silently. (U) (For instance, a character with st -5 would suffer a penalty of 10 to ag, de, sp). 500 au vd Chain Mail, "feather": -15 to sharp damage and -3 to blunt damage; -10 to Move Silently. (U) 5-20 au m Chest, Locked, Reinforced — size varies with price (T, U, J) 5 au d Cloth tape — 50 yards (U) 400 au vd Collapsible rowboat — skeleton of iron bars and joints, and oil skin surface, when taken apart and packed away, fit in a large back pack. (U) 3 au d Compass (U) 10 au m Crossbow (wa 0 Urvanovestilli, 10 Tuz; strength difficulty to load 0 Urvanovestilli, 10 Tuz) (T, U) 200 au vd Crossbow, Pump-Action — a pumping action loads the next bolt so that the time to load and shoot is 5s instead of 30s. (wa 0, loading requires action of strength difficulty 0) 400 au vd Crossbow, Spray — a cup on the front of the bowstring holds 20 bolts which, when fired, fan out in a spray. wa 10, and effectively increases firer's skill/accuracy by 10. (But cannot be gainfully used with a telescopic sight) 3 cu m Crossbow Bolt (T, U) 1 au d Crossbow Bolt, Exploding (+20 to wa) (U) 1 au d Crossbow Bolt, Harpoon — a fine wire or silk cord is coiled inside the shell, and an end can be attached to the crossbow or other anchor. 1 au d Crossbow Bolt, Poison Injecting (U) 5 au d Crowbar (T, U) 2 au m Dagger (wa 0 hand to hand, -10 thrown) (N, T, U, J) 80 au vd Dagger, Obsidian, Razor-edged (wa 5 hand to hand, -5 thrown) (U) 40 au vd Dagger, Poison Injecting (wa 0) (U) 60 au vd Directional mechanical listening device — a pair of binoculars for the ears. It has a sight and a hard parabolic surface with a tube which goes to the ears at the focus — incoming sound from the direction it faces is echoed into the tube and heard with exceptional sensitivity. 15 au d Earhorn — effectively doubles hear noises skill 2000 au ed Firestar — a longsword with a hollow, insulated handle and a network of veins inside the blade leading to a porous surface which will be covered in burning oil (po 20, hotter oil doing more damage possibly available upon searching). 25 au d Fishing Rod, collapsible (U) 6 au d Goggles, Waterproof (U) 2 au d Grappling Hook (T, U) 1 el d Gunpowder (U) 30 au d Halberd (wa 15) (T, U) 200 au d Hang Glider (U) 600 au vd Hang Glider, Collapsible — can collapse to backpack size and pop out at the push of a button (U) 60 au d Herbal/Chemical Medicine kit — medicines allow an injured character to heal faster. (Easy medical skill check to avoid causing damage (prevents healing that day), difficult medical skill check to double rate of healing) (U, Y) 3000 au vd Hot Air Baloon (U) 150 au d Hummer — a small device which emits a high and low pitched hum (inaudible to humans) which is 90% likely to repel wandering animals. (U) 1000 au vd Jack/Rabbit Tool — This device has two hardened steel prongs, each shaped like a flattened chisel, and a crank which, when turned, will slowly (over the course of a few minutes) cause the prongs to push apart with very powerful force (100 times the strength of the using character), sufficient to easily force most doors and chests open. (U) 10,000 au ed Juggernaut — a movable room and armored vehicle, capable of going over all sorts of terrain at the average jog speed for the party inside, which seats 4-8. A very good place to sleep in a Tuz forest. (U) 1 au e Knife (wa -3 hand to hand, -8 thrown) (N, T, U, Y, J, S) 120 au vd Ladder, Collapsible — expands at the push of a button, and can be collapsed to an object 18"x8"x4". (U) 40 au d Lance (wa 3) (T, U) 5 au e Lantern (T, U, J) 10 au d Lantern, parabolic mirror — beam of light comes out focused in one direction. (U) 10 au e Leather Vest: -7 to sharp damage, -3 to blunt damage, no penalties (N, T) 5 au d Lighter — like a cigarette lighter, but with a wick and oil instead of butane. (U) 30 au d Lock Picks (U) 10 au m Longbow (N, T, U) 1 si m Longbow Arrow (N, T, U) 10 au d Longsword (wa 10) (T, U) 5 au d Mace (wa 5) (T) 1000 au ed Manual of Skill (specific skill) — A Manual of Skill contains instructions and insights into one particular skill, so that after a month's usage a character will gain five experience points in that skill. Unless the game master explicitly specifies otherwise, all manuals of skill when found will be in extremely poor condition and will fall apart and be completely unusable after one character has used it once. (U) 80 au d Medical Kit — allows a character's medical skill to function in caring for the healing of another. (U) 10 au d Periscope (U) 2 au m Pickaxe (T, U, J) 100 au d Plate Armor, heavy: -30 to sharp damage, -20 to blunt damage, penalties 20-st to ag, de, sp; -20 to Move Silently. (T, U) 200 au vd Plate Armor, light: -15 to sharp damage, -10 to blunt damage, 5-st penalties to ag, de, sp; -20 to Move Silently. (U) 50 au vd Pneumatic-Powered Liquid Sprayer, glass coated inside. Some are powered by compressed gas cartridges; some are powered by pumping to build up pressure. (U) 15 au m Rapier (wa 5) (U) 500 au vd Reference Manual (specific skill) — A reference manual, when consulted, allows a character to make a skill check as if he had five ep more (adjusted for gaa but not al) after one hour's consultation in preparation for that specific check, and as if he had ten ep more after one day's consultation. 1 au d Robe, many-pocketed (U, Y, J) 1 au m Rope, 50' (N, T, U, Y, C) 50 50 au d Rope, 50', silk (much thinner, smaller, and stronger than a normal rope). (U) 350 au vd Self Contained Underwater Breathing Apparatus (U) 100 au vd Sewing Machine, portable (U) 10 au d Shield — its usage skill (block, works exactly like dodge) has dl .5. (T, U) 3 au m Slide Rule (U) 3 au d Snorkel (U) 2 d Soft cloth/leather boots/shoes — effectively increases wearer's move silently skill by 10. (U, Y, S) 10,000 au ed Spider Silk Robe: -30 sharp damage, -5 blunt damage; no associated penalties. (U) 30 au d Springboard — with running start, doubles jump skill. (U) 300 au vd Staff, Rocket Launching — launches rockets that explode in 5 yard r+50-damage fireball) (U) 50-200 au d Swiss Army Knife (U) 1 au vd Syringe (U) 10 au d Telescope, 10x magnification (U) 100 au 64 Telescope, 100x magnification (U) 500 au vd Telescope, zoom, 10-250x magnification (U) 50 au d Telescopic Crossbow sight — allows for a shot taking twice the time and prone to have accuracy increased by 50 if installed on Urvanovestilli crossbow and adjusted with a difficult clockwork device craftsmanship/engineering check. (U) 200 au vd Tent, framed — collapses to fit inside a moderately sized backpack. (U) 1 au e Tinderbox (N, T, U, Y, J, S) 20 au e Tool Kit (U) 50 au d Two-handed sword (wa 20) (T, U) 10 au m Watch (U) 1 au m Waterskin (N, T, U, Y, C, S) 15 au m Winter Clothing — lowers cold tolerance difficulties one notch. (N, U, C) 1 d Wire, steel, 5 yards 10 au d Wire Saw (U)

Non-Herbal Chemicals

500 au ed Adrenaline serum. One ounce of this hormone per hundred pounds of body weight will affect attributes with the following adjustments: ag+5, al+15, ch-10, de-5, kn-8, me-8, pe+8, sp+10, st+15, wi-15. At the time of being injected, the injectee must make one constitution check, of difficulty equal to ten times the number of ounces of adrenaline injected per hundred pounds of body weight. If this check is failed, then the hormone causes him to run in fear from any threat until it wears off. (Note that this reduces wisdom as quickly as it increases strength; a character with wisdom reduced to .1 or less is no longer under the control of the player.) Also, adrenaline causes an injured creature (as long as it's still alive) to function as if not injured. 100 au ed Anabolic steroids. One ounce of this, appropriately diluted and spread over a year with vigorous exercise, will increase strength by 2. (After the year, no further steroid use of that level will bring increase. Increased steroid use will act on the base strength, unadjusted by steroids). The *cube* of the number of ounces is subtracted from constitution. 1 au d Docility Drug (po 10) — this and other drugs take effect when the drug "damage" combined with actual damage brings an animal below zero health value (U) 5 au 64 Docility Drug (po 20) (U) 25 au vd Docility Drug (po 30) (U) 125 au 1024 Docility Drug (po 40) (U) 625 au ed Docility Drug (po 50) (U) 1 si d Glue (U) 1 au vd Glue, exceptional strength (if allowed to set, is usually stronger than the materials it has bonded together) (U) 8 au vd Nitric Acid — comes in a glass container (one of few substances it will not eat through), with a tiny eyedropper. (U) 2 au vd Compressed Gas Cartridge (U) 1 cu e Lantern Oil (T, U, J) 1 el d Lantern Oil, Extra Bright — when burnt in a lantern, can illuminate a room as brightly as daylight. (U) 1 au d Poison (po 10) (U) 5 au 64 Poison (po 20) (U) 25 au vd Poison (po 30) (U) 125 au 1024 Poison (po 40) (U) 625 au ed Poison (po 50) (U) 2 au d Roman Candle (U) 1 au d Sleeping Drug (po 10) — this and other drugs take effect when the drug "damage" combined with actual damage brings an animal below zero health value (U) 5 au 64 Sleeping Drug (po 20) (U) 25 au vd Sleeping Drug (po 30) (U) 125 au 1024 Sleeping Drug (po 40) (U) 625 au ed Sleeping Drug (po 50) (U) 1 au d Smoke Bomb (U) 10 au vd Thermite — a mixture of powdered rust and aluminum which will when ignited with a magnesium fuse (generally available wherever thermite is available), burn through nearly anything — steel, sand, asbestos...). (U)

Herbs and Herb Derivatives — some herb effects derived from the net.book on herbs. Herbs, in raw form, may be acquired using the herbalism or woodlore skills as well as acquisition, in which case they are obviously free.

1 sp m Aloe Vera — when rubbed over sunburnt skin, alleviates pain and causes healing to occur at four times the normal rate. 50 au ed Angel’s Hair — this herb, when dried, powdered, and mixed with water to make a viscous fluid, will, when drunk (one dose per day) reduce aging by 1/4. 1 sp m Coffee — one silver piece’s worth per hundred pounds body weight will bring adjust pe*1.1, sp*1.1, cube of silver piece’s worth per hundred pounds body weight will adjust de*.98, in*.98. Lasts one hour. (U) 1 au d Cofisa Tea — a tea with strong herbal extracts that focuses and intensifies nervous system impulses to the muscles. Adjusts st*1.1, cube adjusts pe*.98. Lasts 15 minutes. 4 au vd Desp — when an extract of this herb is injected, it causes the person to continue strenuous exercise for ten times the normal duration, after which he will fairly quickly fall asleep. 1 au d Docility Drug (po 10) — this and other drugs take effect when the drug “damage” combined with actual damage brings an animal below zero health value (Y) 4 au 64 Docility Drug (po 20) (Y) 16 au vd Docility Drug (po 30) (Y) 64 au 1024 Docility Drug (po 40) (Y) 256 au ed Docility Drug (po 50) (Y) 1 cu d Ficop — A liberal distribution of a paste made of this herb, held on with dressings, (one pound per square foot), will cause burns to heal at four times the normal rate. 1 au m Gentian Violet — this herbal extract, when applied to a bleeding wound, will cause it to rapidly slow, scabbing unless it is a major vessel. 1 au d Hallucinogenic Mushroom Extract — this and other drugs take effect when the drug “damage” combined with the actual damage brings an animal below zero health value. An animal in combat who hallucinates has a 50% chance of being scared off by hallucinations, and, if not scared, has a 50% chance of attacking hallucinations rather than threats (po 10) (Y) 4 au 64 Hallucinogenic Mushroom Extract (po 20) (Y) 16 au vd Hallucinogenic Mushroom Extract (po 30) (Y) 64 au 1024 Hallucinogenic Mushroom Extract (po 40) (Y) 256 au ed Hallucinogenic Mushroom Extract (po 50) (Y) 2 sp d Hedisc — when rubbed on scars daily (one ounce can cover one square inch of scar for one week), causes scars to heal fully within a month (Y) 50 au d Herbal Medicine Kit (Y) 5 au vd Heslriana — when made into a tea and drunk, this adjusts pe+5 noncumulatively for ten minutes. (Y) 1 el d Hofiu — anti-nauseant (Y) 20 au vd Kedlidi — diminishes by half the effect of alcohol (non-cumulatively). (Y) 1 sp d Locriat Tea — This includes a variety of teas which, a day after drinking, will begin to color the drinker’s skin (and, in some cases, hair); the colors will wear off with discontinuation after about a month to half a year (depending on how much has been consumed); possible resultant colors may be described as any color which may be obtained by rubbing a non-opaque dye onto a person’s skin. (Y) 2 au m Nesrit — When burned in a fire, the resulting smoke will leave an odd scent in the air which will repel insects and snakes for one hour (Y). 3 au d Plei Kr’t Sha — this herb, when taken orally, will in ten minutes cause a person for an hour to be aware of painful stimuli but not feel them as pain, and not to be nauseated by grotesque sights or thoughts; used frequently in surgery (Y) 1 au d Poison (po 10) (Y) 4 au 64 Poison (po 20) (Y) 16 au vd Poison (po 30) (Y) 64 au 1024 Poison (po 40) (Y) 256 au ed Poison (po 50) (Y) 1 au d Poison Antidote — Poison antidotes are specific to the plant, and/or creature from which the poison originated. There are three or four common poisons of each strength and several uncommon poisons of each strength (price and ad up by a factor of four) (po 10) (Y) 4 au 64 Poison Antidote (po 20) (Y) 16 au vd Poison Antidote (po 30) (Y) 64 au 1024 Poison Antidote (po 40) (Y) 256 au ed Poison Antidote (po 50) (Y) 1 au d Sleeping Drug (po 10) — this and other drugs take effect when the drug “damage” combined with actual damage brings an animal below zero health value (Y) 5 au 64 Sleeping Drug (po 20) (Y) 25 au vd Sleeping Drug (po 30) (Y) 125 au 1024 Sleeping Drug (po 40) (Y) 625 au ed Sleeping Drug (po 50) (Y) 2 au d Solvi — causes internal blood clots to dissolve (Y) 2 au m Stiv Tea — causes neurons in the eye to fire once per photon detected instead of once every seven, thereby causing a person to be dazzled in bright light, see in dim light as if it were bright, and see in very weak light (moonless starlight, indirect candlelight) as if it were dim. 5 au d Talinor Tea — adjusts in+2, pe-1, sp-1, wears off in one hour (U, Y)

Section II M: Speed and Simultaneity

This section is optional:

The exponent of a creature’s speed is looked up in the log/exponent table, and actions are shortened in duration by that divisor. For example, a creature of speed 10 has an exponent of 2, so he does things twice as fast (he takes half as long to do things).

Creatures may voluntarily speed up or slow down actions, affecting the difficulty as follows: let’s say that a character wants to perform an action 4 times as fast. The log of 4 is looked up in the log/exponent table: 20. This number is added to the difficulty of the action: it is 20 points more difficult to perform the action at 4 times normal speed. Creatures can benefit from slowing down to perform actions, up to a difficulty 10 points lower by taking twice as long.

A character may perform n actions simultaneously with the difficulty for each increased by the log of n: 10 points for 2 actions, 20 points for 4, etc. Common sense should be applied to what can be done simultaneously; archery and horseback riding are sensible concurrent activities, while archery and juggling are not. Running while doing other activities does not require an ability check, but does count as a simultaneous activity (increasing the difficulty of the other activities performed).

Section III: A Quick Key to Abbreviations

Here is what each abbreviation means. It may be convenient to print out this page to have on hand until the abbreviations become familiar.

ad acquirement difficulty ag agility al ability to learn an one half anatomy skill, rounded down au gold av adjusted value b number resulting from rolling the blue die bs base skill ch charisma co constitution cu copper d difficult de dexterity dl difficulty of learning e easy ed extremely difficult el electrum ep experience point(s) fe iron gaa governing attributes addend in intelligence kn knowledge ld learning difference m moderate me memory ms medical skill pe perception po poison r number resulting from rolling the red die si silver sp speed st strength ub untrained base vd very difficult wa weapon adjustment wi wisdom

Section IV: A Sample Character Sheet

Here are parts of a sample character sheet being set up, in order to make the model perhaps easier to understand. I am demonstrating using my stopwatch as a ten-sided die (starting and stopping it, and then looking at the place for hundredths of seconds), and a simple four function calculator. The number of decimal places kept track of is somewhat arbitrary, but I will use two.

First, I decide the character’s race, age, and gender (young Yedidia female). We’ll call her Ocula. (We should also have an idea of what kind of skills she will have — I’ll say a perceiver, although her 30 ep may be devoted any way I want.) Second, I generate 36 numbers as r-b (I roll the red and blue dice, subtracting the value on the blue die from that on the red die — if the red says ‘3’ and the blue says ‘5’, then the number is 3-5, or -2):

n1: 4; n2: 3; n3: 2; n4: -1; n5: -3; n6: 0; n7: 3; n8: -2; n9: 1; n10: 0; n11: 4; n12: -3; n13: -1; n14: 5; n15: 2; n16: 2; n17: 3; n18: 0; n19: -1; n20: 1; n21: -1; n22: -1; n23: 0; n24: -5; n25: 1; n26: 2; n27: -1; n28: 4; n27: -2; n28: 1; n29: -3; n30: 4; n31: 1; n32: -1; n33: 0; n34: -1; n35: 0; n36: 2

Now, using those 36 random numbers, I calculate her attributes as given in section II A, and adjust them as given in section II B:

Attribute Racial Gender Age Adjusted ag: 4+3+2-1-3=5 +0 +0 +5 10 al: 4+0+3-2+1=6 +0 +0 +5 11 ch: 4+0+0+4-3=5 +5 +0 +0 10 co: -1+5+2+2+3=11 +0 +0 +5 16 de: 4+3+2+0-1=8 +0 +2 +5 15 in: 4+0+3+1-1=7 +3 +0 +0 10 kn: 4+0+3-1+0=6 +0 +0 -4 2 me: 4+0+3-5+1=3 +0 +0 +0 3 pe: 4+3+2-1+4=12 +10 +5 +5 32 sp: 4+3-3+4+1=9 +0 +0 +5 14 st: -1+5-1+0+1=4 +0 -5 +5 4 wi: 4+0+3+0+2=9 +0 +0 +0 9

For all unadjusted attributes, 0 is average, and how far above or below 0 the character’s attribute is is how far above or below average the character is in that attribute.

Ocula is above average in virtually everything; this is unusual even for a heroine. (If the player does not like the first attributes generated, he may generate new ones — while Ocula is unusually gifted, heroes should be above average.) Ocula is, as compared to other young Yedidia women, mentally sharp, moves quickly, healthy, and exceptionally perceptive.

Now it is time to allocate initial experience. Ocula has 30 points to distribute on skills (above and beyond her untrained bases as a Yedidia female). Using one of the given roles, she will be a perceiver (her experience devoted, as listed in section II H, are blind action 3*1=3 ep, guess actions 3*3=9, etc.).

Now, for a daily encounter check. Will there be an encounter? 1. Encounter. What kind of encounter? 2. Animal. What animal? 19. Duck. How will it be/behave? 3. It is curious.

Upon seeing the duck, she will guess actions to see what it will do. Now we will calculate her guess actions skill.

Her untrained base for Guess Actions is 20. She has 9 ep devoted, so we calculate her bv as follows, consulting the log/exponent table: the exponent of 20 is 4. 4+9=13, so this is what her experience does. The log of 13 is 37, so she has a base skill of 37 for Guess Actions. Her al is added to this (11), and her gaa as well (32). Her av (adjusted value) for guess actions is 80.

Guessing actions for a person under normal circumstances would be of moderate difficulty; guessing the actions of a nonhuman animal is difficult (difficulty 40). Her success index is 80-40=40. The dice are rolled; red yields 4 and blue yields 1. (6*4)+1=25, and looking at the table, she needs a success index of at least -1. Ocula succeeds in guessing what the duck is going to do, namely try to figure out if she is going to attack and, if not, if she is safe to approach.

Later, a young Urvanovestilli man, in his wanderlust, comes through to visit. He has a pianoforte music box which entrances her. He is a bit of a maverick, and tells her that he will bet the music box against a well aged bottle of strawberry wine that he can beat her in a gambling game. She agrees.

He is a good gambler (gambling 30), and has an unadjusted perception of 3, adjusted 8. His al is 5, so his gambling skill is 43.

Ocula is not particularly skilled at gambling, but she can guess actions well — a skill closely related to gambling — and guess actions and gambling have an ld of 10, so she can gamble 70. Skill against skill; she has a success index of 27. Red rolls 5, blue rolls 2, for a roll of 32. She needed a success index of -11 or higher to win, so she won.

Ocula completes a quest, gaining two experience points. She decides to devote both of them to guessing actions. Her bv is 37, which has an exponent of 13. Adding the two experience points make it 15, which has a log of 39. With this two point increase, her new av is 82. (If she had trained with a tutor of sufficiently high av (84 or more — which would have been found on an acquisition skill check of difficulty 84), she would have gotten double benefit out of her experience, adding 4 to the exponent instead of 2, yielding 17 with a log of 41, so her new av would have been 84.)

Ocula’s initial character sheet (without experience from the quest) is as follow:

Ocula Yedidia Female Age: 33

Attribute Racial Gender Age Adjusted ag: 4+3+2-1-3=5 +0 +0 +5 10 al: 4+0+3-2+1=6 +0 +0 +5 11 ch: 4+0+0+4-3=5 +5 +0 +0 10 co: -1+5+2+2+3=11 +0 +0 +5 16 de: 4+3+2+0-1=8 +0 +2 +5 15 in: 4+0+3+1-1=7 +3 +0 +0 10 kn: 4+0+3-1+0=6 +0 +0 -4 2 me: 4+0+3-5+1=3 +0 +0 +0 3 pe: 4+3+2-1+4=12 +10 +5 +5 32 sp: 4+3-3+4+1=9 +0 +0 +5 14 st: -1+5-1+0+1=4 +0 -5 +5 4 wi: 4+0+3+0+2=9 +0 +0 +0 9

Health Value: co+st+ag+an=48

Skill ub ep bv gaa av Anatomy 10 0 10 2 18 Animal Handling 20 0 Animal Lore 20 0 Blind Action 10 3 Dancing 20 0 Dodge 10 0 Endurance 0 0 Fire-Building 0 0 Gardening 10 0 Guess Actions 20 9 37 32 80 Haggling 0 0 Hear Noises 20 3 Herbalism 15 0 Hide 10 0 Hunting 10 0 Improvisation 20 0 Jumping 0 0 Massage 0 0 Medicine 10 0 Move Silently 10 0 Keen Eyesight 10 3 Musical Instrument (Recorder) 10 0 Navigation 0 0 Philosophy 0 0 Read Emotion 15 3 Search 0 3 Smell Creature 10 3 Theology 10 0 Weather Sense 10 3 Wilderness Survival 20 0 Woodlore 20 0

Inventory Herbal medicines Pet puma, young male, named Liki n1: 5; n2: 0; n3: 0; n4: -4; n5: 0; n6: 2; n13: 2; n14: 0; n15: 0; n16: -3; n17: 2; n18: 0; n19: 1; n26: -4; n27: -1; n28: 2; n29: 4; n30: 3; n31: 1; n32: 1; n33: 5; n34: -5 unadjusted species gender age adjusted ag: 5+0+0-4+0=1 30 0 5 36 co: 2+0+0-3+2=1 10 0 5 16 de: 5+0+0+0+1=6 20 0 5 31 pe: 5+2-4-1-2=0 30 0 5 35 sp: 5+0+4+3+1=13 10 0 5 28 st: 2+0+1+5-5=3 30 5 5 40 Health Value: 56 Damage: r+40 Skill Points gaa av Attack 30 99 129 Blind Action 20 35 55 Climb 20 76 96 Dodge 30 64 94 Hear Noises 20 35 55 Hide 30 71 101 Hunt 30 35 65 Move Silently 30 71 101 Track 30 35 65 Purse (4 silver pieces, 3 copper pieces, 8 iron tips) Recorder

Section V: Notes and Properties

These are my comments about the model — about properties that I see as desireable and undesireable, plus miscellaneous comments.

It is a discrete, integer, dice-oriented translation of a continuous, real-valued model having the following properties:

Miscellaneous: The model (or, more properly, the racial and age attribute adjustments and racial base skills) is not balanced. I intentionally placed realism above balance in model design.

Undesireable properties:

Desireable properties:

The model is continuous and real-valued.

Related attributes are correlated in value.

What attributes are, and their impact, is appropriate.

Adjustments take the form of multiplicands, rather than addends.

Adjustments make a substantial impact on individual checks, rather than just being a subtle and minute increment.

Attributes adjust skills.

Experience devoted to skills produces an appropriate law of diminishing returns — it takes a little while to learn a little, and a long while to become a virtuoso.

Related skills apply to each other.

The model is simple and unified — one model fits all — and can be easily programmed into a scientific calculator.

Once a character’s skills are calculated, there is no more calculation for a while.

I like the way it handles time and actions.

Having listed other little virtues that this model possesses, I wish to delineate one virtue which I consider cardinal.

This model is small and incomplete; it possesses a limited domain.

It is the wide concensus of gamers that r-o-l-e-play is infinitely superior to r-o-l-l-play; this model is a miniscule thing which governs a timy part of play, and calls for contrainte in use. It governs certain natural abilities and certain developped skills; I would like to point out two major areas of play that it doesn’t touch.

The first is something which is traditionally a part of play and which mathematical models are kept out of: tole play: who a character is, what his personality is, what makes him tick, what his spiritual state is. It is something which is governed by an understanding of how things are done that cannot be reduced to rules and algorithms. On this point, I don’t feel the need to explain further.

The second is something which is traditionally a part of play in some form or other and which is traditionally governed by mathematical models, much to the detriment of play. It consists of things like the motion and gifts of the Spirit, the prayer of faith, divine intervention, etc.

In D&D, a cleric’s prayer power is reduced to another form of mechanized spell casting: a cleric gets such and such many prayers of the following power levels per day, as a function of his wisdom and the number of creatures he has killed. Star Wars is no better: using the Force is just one more skill which happens to be accompanied by some more rules about conduct. Neither is GURPS.

God is good and he is reliable, but he is not safe and not tame, and certainly not predictable enough to reduce to a model. While God is not predictable, incorporating a great deal of randomness in a model won’t cut it. God, when listening to prayers, weighs the petitioner’s faith and motives, the situation, and then makes a decision that, while unpredictable, is governed by infinite love and wisdom. This is, if anything, less, not more, reducible to algorithms than personal interactions. This calls for the GM to pray, rely on the Spirit, and think. God’s action must be handled as the most challenging and delicate role to portray, and it takes a game master created in the image of God to do.

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Author C.J.S. HaywardPosted on January 6, 2016October 15, 2019Categories The Minstrel's SongTags Articles, Christian, Creative Works, Fantasy, Games, Nonfiction, Not-so-great Works, Philosophy

Janra Ball: The Headache

The Original Cultural Context

“When it comes to games, never try to understand the Janra mind.”

-Oeildubeau, Urvanovestilli philosopher and anthropologist

It is known that Janra sports usually last for at least half an hour, involve a ball, two or more teams, running and acrobatics, and animated discussion. Beyond that, neither the Urvanovestilli’s logic nor the Yedidia’s intuition are able to make head or tail of them. In general, the teams appear to have unequal numbers of players; the players often switch teams in the course of play; teams are created and dissolved; the nature of the activities makes sudden and radical changes; there is no visible winning or losing. There are occasionally times in the course of play when some intelligible goal appears to be being approached… but then, all players seem to be approaching it in a rather erratic manner (when asked why he didn’t do thus and such simple thing and achieve the approached goal by an inexperienced anthropologist, one of the Janra said, “Technically, that would work, but that would be a very boring way to do it,” and then bolted back into play: the extent to which game play is comprehensible heightens its incomprehensibility). Late in life, Oeildubeau hinted at having suspicions that, if the Janra believe that they are being watched, they will spontaneously stop whatever sport they are playing, and instead begin a series of activities expressly designed to give any observer a headache.

Rules

There is no winning or losing.

The game has one ball, which must be kept in motion at all times. If the ball ceases to move, nobody may speak or act except to move the ball.

Il est interdit de parler en anglais au subjet de l’objet du jeu.

Any player may give any other player a rule point, provided that there is no alliance or “You scratch my back, and I’ll scratch yours” arrangement between them, at any time. Any player who has a rule point may spend that point in order to add, delete, or modify a rule in accordance with the spirit of the game.

Every player has a persona, or modus operandi, through which he is acting and answering questions. If any other player successfully identifies this persona or modus operandi, it must immediately be changed.

There is no rule number 6.

Each player must somehow touch another player before or during addressing him in speech.

No player may move from one point to another without using at least one acrobatic, dance, or martial arts motion.

Any use of a card deck or game board requires one change of rules for the card/board game per move.

Any rules disputes are to be resolved by no judge, until all involved parties come to a confusion which is more chaotic than in its initial form.

All players must wear one black sock and one white sock.

We’re sorry, but rule number twelve is not available at this time. To leave a message, please rotate your telephone clockwise by ninety degrees, and simultaneously press ‘q’ and ‘z’.

Any player who does not understand all of the rules, in their entirety, is immediately disqualified.

Any player who attempts to memorize all of the rules, or attempts to play the game by keeping its rules, is immediately disqualified.

FAQ list

Q: What is ‘Springfield’?

A: Springfield is a game in which two people alternate naming state capitals, and the first person to name Springfield wins.

Q: What’s the point of that?

A: The objective is to be the first person to say ‘Springfield’ as late as possible. The point is to see how far you can go — and still be the first to say ‘Springfield’. It’s not a game of mathematical strategy. It’s a game of perception.

Q: What is Psychiatrist?

A: Psychiatrist is a game in which one person, the psychiatrist, leaves the room, and all of the other players agree on a common delusion (such as believing themselves to be the person immediately to their left). The psychiatrist then enters, and asks the players questions, attempting to guess the delusion.

Q: What is spoon photography?

A: Very well known.

Q: What is Janra ball all about?

A: Wouldn’t you like to know?

Q: Why did you answer my question with another question?

A: How else could it be?

Q: What are the teams like?

A: Highly variable, and not necessarily mutually exclusive.

Q: How do I get ahead in the game?

A: Mu.

Q: Why won’t you give me a straight answer to my questions?

A: Come, come. Aren’t there much more interesting ways to grok the game?

Ingredients

Springfield, Monty Python, Calvin-Ball, body language, Harlem Globetrotters, sideways logic, Thieves’ Cant, intuition, counter-intuitive segues, spoon photography, creativity, Zen koans, Psychiatrist, adrenaline, perception, tickling, urban legend Spam recipe, swallowing a pill, illusionism, modern physics, raw chaos, F.D. & C. yellow number 5.

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Author C.J.S. HaywardPosted on January 6, 2016March 6, 2020Categories The Minstrel's SongTags Author's Picks, Best Works, Fantasy, Fiction, Games

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A Detailed Mathematical Model

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Janra Ball: The Headache

The Original Cultural Context

Rules

FAQ list

Ingredients