A Dream of Light

A Cord of Seven Strands
Read it on Kindle for $3!

You pull your arms to your side and glide through the water. On your left is a fountain of bubbles, upside down, beneath a waterfall; the bubbles shoot down and then cascade out and to the surface. To your right swims a school of colorful fish, red and blue with thin black stripes. The water is cool, and you can feel the currents gently pushing and pulling on your body. Ahead of you, seaweed above and long, bright green leaves below wave back and forth, flowing and bending. You pull your arms, again, with a powerful stroke which shoots you forward under the seaweed; your back feels cool in the shade. You kick, and you feel the warmth of the sun again, soaking in and through your skin and muscles. Bands of light dance on the sand beneath you, as the light is bent and turned by the waves.

There is a time of rest and stillness; all is at a deep and serene peace. The slow motion of the waves, the dancing lights below and above, the supple bending of the plants, all form part of a stillness. It is soothing, like the soft, smooth notes of a lullaby.

Your eyes slowly close, and you feel even more the warm sunlight, and the gentle caresses of the sea. And, in your rest, you become more aware of a silent presence. You were not unaware of it before, but you are more aware of it now. It is there:

Being.

Love.

Life.

Healing.

Calm.

Rest.

Reality.

Like a tree with water slowly flowing in, through roots hidden deep within the earth, and filling it from the inside out, you abide in the presence. It is a moment spent, not in time, but in eternity.

You look out of the eternity; your eyes are now open because you have eternity in your heart and your heart in eternity. In the distance, you see dolphins; one of them turns to you, and begins to swim. The others are not far off.

It lets you pet its nose, and nestles against you. You grab onto its dorsal fin, and go speeding off together. The water rushes by at an exhilarating speed; the dolphin jumps out of the water, so that you see waves and sky for a brief moment before splashing through the surface.

The dolphins chase each other, and swim hither and thither, in and out from the shore. After they all seem exhausted, they swim more slowly, until at last you come to a lagoon.

In the center, you see a large mass; swimming closer, you see that it is a sunken ship. You find an opening; inside, all is dark, but you find a passageway.

After some turns, you come up in a different place. You come up through a fountain in a public garden; the bushes and ivy are a deep, rich shade of green, and sheets of water cascade down the yellowed marble of the fountain. It is ornately and intricately sculpted, with bas-relief scenes of a voyage.

As you study the pictures, day turns to night, and all that you see is bathed in moonlight. You are looking upon a statue: a delicate, slender, elfin nude, whose long hair cascades over her shoulders and about her body. She is reaching up to the sky, as if to touch the moon and stars. She is carved out of white marble, which looks pale blue, almost luminous, in the moonlight. It looks as if she was taken from the moon, and is rising up to touch it again.

The statue is on a tall pedestal of black marble. In the moonlight, the forest has a very deep color, a green that is almost blue or purple; the dark beauty of the night makes the statue seem almost radiant. Off in the distance, you hear a high, melancholy, lilting song; it is played on a harp and sung by a voice of silver. There is something haunting and yet elusive about the melody; it subtly tells of something wanted and searched for, yet not quite reached. And it is beautiful.

You sit, looking at the statue and listening to the song, for a time. They seem to suggest a riddle, a secret – but you know not what.

You walk along; fireflies begin to appear, and you can hear the sound of crickets chirping. There is a gentle breeze. The sky stands above like a high and faroff crystalline dome; the trees and grass below surround you, like little children who see a beloved elder coming, and run clamoring for a kiss. The grass is smooth and cool beneath your feet. There is a sweet, faint fragrance in the air, as of lilacs.

A round little girl, wandering through the forest, sees you and comes running. She is dark, with olive skin, and her black hair flares out behind her. She is wearing a dark green robe, the color of the forest, and her step is almost that of a dance – as if she is from a people where moving and dancing are not two different things. She is holding, in her hand, a simple bouquet of dandelions. “Look, look!” she says, “I have flowers!”

She jumps into your arms, welcoming you. Her touch is soft, and gentle. It is not near the softness of a grown woman; it has rather a … simplicity. It is hard to find the right word. Then you recognize what it is. It has something of the carefree play of a child, but there is more than even abandon. She is holding you with complete trust. You do not doubt that she could fall asleep in your arms.

She begins to talk to you about many things. She talks about the forest, about people, about the stars, about God. After a time, you realize that she is not merely talking, but singing, as if the first words she heard were the words of a song. After another time, you realize that you have lost her words completely, and are entranced by the song. Presently she stops, and says, “Spin me! Spin me!”

Little children everywhere like to be held by the arms and swung around; this one is no exception. After you are both very dizzy, she takes you by the hand and begins, leading you along a path, to show you little details of the forest that you had never noticed before. Apart from the little details, there is something else which you begin to slowly see in the forest. The song by which she speaks, the dance by which she moves – and not just her, you do not doubt, but her people – seem to be echoed in the forest… and then you realize that rather they are echoes of the forest. Hearing, seeing, feeling that beauty from another person – you still do not doubt that they come from her, but they also help you to see what was always there but you had not noticed. As you walk along, you are lost in thoughts about the genius of all great artists… and begin to think about visiting an art gallery, not so that you can see what is in the gallery, but so that you can see what is not in the gallery.

The path widens out, around a shimmering pool. The golden flames of torches around the pool glimmer when reflected in the pool. There is singing – singing like that of the little girl, but the sound of a whole orchestra as next to the sound of a beginning flute. Men and women together pour fourth a rich harmony. The air is sweet with a delicate fragrance of incense; one of them brings you a cool wooden cup. Inside is a strawberry wine. It is sweet, and sour; the taste brings back memories of earliest childhood.

A circle forms among the people, then another, then another. Soon all of the people are spinning and weaving in a joyful dance. After a time, you realize that you are at the center; they are softly singing, “Welcome, Somebody,” and listening intently. Arms and hands reach out, and sweep you into the dance. The dance is ordered, but also free; it draws you in, and, as you move, you feel that you can do no wrong.

How long the dance lasts, you do not know; still filled with its bliss, you find yourself sitting and talking with the people. One of them finds a soft seat of moss for you to sit on; another brings you a plum. Its taste is tart, and it has the texture that only a plum has — and, when you bite into it, you know that it was still on the tree when it was chosen.

The night winds on, and, after a time, you are led into a building woven out of living trees, with a bed of loam. Into it you sink; it is soft and deep…

You find yourself standing at the edge of a forest and a grassy plain. The mouth of a cave descends into the earth, and just before this is an old man sitting on a three-legged wooden stool. He is wearing a coarse grey-green robe, and has a long, flowing white beard. He is staring intently into the forest, with a concentration you have never seen before. It is like a gaze into a lover’s eyes — nay, even deeper, a probe into the soul.

He shifts positions a few times, in his sitting, and at last stands up, takes the stool, and begins to walk towards the cavern. When he was looking into the forest, you were absorbed in watching him; now, you notice another man, a young one, approach the former.

“Is it Senex?”

“I am he.”

“Senex, the great teacher?”

You see the old man’s hand move to cover his mouth, but not quite quickly enough to conceal the faintest crack of a smile. The young man stands attentively, waiting for words to come.

The old man’s frame shakes once. A second passes, and then it shakes again and again. Then sounds the laughter that he had been attempting to conceal. Soon, the old man is convulsed with mirth, and making no attempt to conceal it.

After a while, almost doubled over with laughter, he begins to pull himself up. You can see his face from a different angle, and you see a merry twinkle in his eye. He places his arm over the young man’s shoulder.

“Forgive me, brother, but it has been ages since anyone has addressed me as ‘teacher’ or ‘great’. You cannot imagine how funny it sounds to me.”

“Are you not Senex, who has traveled the seven seas, who has seen visions and been visited by angels, who has written treatises and instructed many?”

The man chuckles, and says, “Yes, I am all that, and much more. I am the image, likeness, and glory of God. I pray, and in my prayers I touch the stars and shake the foundations of the kingdom of Hell. I am a king and priest. I am a son of God. My name is written in the book of life. I am a god.”

“Then why do you find it funny that I address you as ‘great’, or ‘teacher’?”

“Because I am more than a great teacher, as are the children who dance through this field, as are you.” Here the old man smiles at the young. “Come, now. Do you doubt that you are God’s own son? What teaching, or miracles, or visions, or conquests, or exploits compare with that?”

“But if you are so great, why should you object to being called a great teacher? Surely the title is not false.”

“My dear god – and now I am not addressing the Creator, but you yourself – what is wrong with the title is not that it says that I am a great teacher. I am. What is wrong is that the title implies that there are others who are not so great,” and here the old man gave a great belly laugh, “when the truth of the matter is that the other people are so much more than a great teacher. I will not mind being called ‘teacher’ by you, if you agree to address everyone else as ‘god’ and ‘goddess’. But if you will not call them ‘god’ and ‘goddess’, then simply call everyone ‘brother’ or ‘sister’.”

The young man stands in silent reflection for a time. “I came in search of a man who could share with me profound wisdom; I see now that I have found him. So now I ask you: Give me a profound insight, that I may contemplate it for the rest of my life, and grow wise.”

“Do you not know that God is love, that God loves mankind, that we have the new commandment to ‘Love one another’?”

“All of this I have believed since I was a little boy.”

“Then I give you one more lesson, to contemplate and learn for the rest of your life.”

The young man listens, eager with expectation.

The old man bends down, plucks a blade of grass, and holds it in his outstretched hand.

The young man takes it, and waits for an explanation. When, after a time, the old man says nothing, he says, “This blade of grass is like the blade of a sword. Have you given this to me as a sign that I should contemplate spiritual warfare, and be ready with the sword of the Spirit?”

The old man says, “You should, but that is not why.”

The young man thinks for a time, then says, “This grass is nourished by the sun, and so tells of it. Grass and sun exist as God’s creation, and tell of him. Is this why you have given me the blade of grass?”

The old man says, “What you said is very true, but that is not why, either.”

The young man says, “When Christ lived on earth, he lived as a carpenter, and observed and was surrounded by the birds of the air, the grass of the field, the lilies, and ten thousand other things. Have you given me this blade of grass to remind me of Christ’s time on earth, or of his humanity, or that this is a place he passed by?”

The old man says, “You are still right, and you are still wrong.”

The young man says, “Then what profound truth can you be teaching me? What secret key escapes my grass? I asked if you had given it to me as a symbol of a profound spiritual truth, and you said, ‘no’. Then I asked you if you had given it to me that I might deduce by logic what it tells about God, and you still said, ‘no’. Then, after that, I asked you if you had given it to me as a historical reminder of what has happened about blades of grass, and your answer is still the everchanging ‘no’. What can I possibly be missing? What am I leaving out?”

The old man turns to face the young, and looks deep into his eyes. “This blade of grass I have given you,” he said, “because it is a blade of grass.”

There is a look of puzzlement on the young man’s face, which slowly melts into dawning comprehension. He steps forward and kisses the old man, with a long, full kiss on the lips, and then steps back and bows deeply – and the old man bows to him – and says, “Thank you.” When the old man has responded, “You are very much welcome, brother,” the young turns, clutching the blade of grass as if it were a diamond – no, more than that, as if it were a blade of grass – and walks back into the forest. There is a smile on his face.

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A Cord of Seven Strands
Read it on Kindle for $3!
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A Cord of Seven Strands

You pull your arms to your side and glide through the water. On your left is a fountain of bubbles, upside down, beneath a waterfall; the bubbles shoot down and then cascade out and to the surface. To your right swims a school of colorful fish, red and blue with thin black stripes. The water is cool, and you can feel the currents gently pushing and pulling on your body. Ahead of you, seaweed above and long, bright green leaves below wave back and forth, flowing and bending. You pull your arms, again, with a powerful stroke which shoots you forward under the seaweed; your back feels cool in the shade. You kick, and you feel the warmth of the sun again, soaking in and through your skin and muscles. Bands of light dance on the sand beneath you, as the light is bent and turned by the waves.

There is a time of rest and stillness; all is at a deep and serene peace. The slow motion of the waves, the dancing lights below and above, the supple bending of the plants, all form part of a stillness. It is soothing, like the soft, smooth notes of a lullaby.

Your eyes slowly close, and you feel even more the warm sunlight, and the gentle caresses of the sea. And, in your rest, you become more aware of a silent presence. You were not unaware of it before, but you are more aware of it now. It is there:

Being.

Love.

Life.

Healing.

Calm.

Rest.

Reality.

Like a tree with water slowly flowing in, through roots hidden deep within the earth, and filling it from the inside out, you abide in the presence. It is a moment spent, not in time, but in eternity.

You look out of the eternity; your eyes are now open because you have eternity in your heart and your heart in eternity. In the distance, you see dolphins; one of them turns to you, and begins to swim. The others are not far off.

It lets you pet its nose, and nestles against you. You grab onto its dorsal fin, and go speeding off together. The water rushes by at an exhilarating speed; the dolphin jumps out of the water, so that you see waves and sky for a brief moment before splashing through the surface.

The dolphins chase each other, and swim hither and thither, in and out from the shore. After they all seem exhausted, they swim more slowly, until at last you come to a lagoon.

In the center, you see a large mass; swimming closer, you see that it is a sunken ship. You find an opening; inside, all is dark, but you find a passageway.

After some turns, you come up in a different place. You come up through a fountain in a public garden; the bushes and ivy are a deep, rich shade of green, and sheets of water cascade down the yellowed marble of the fountain. It is ornately and intricately sculpted, with bas-relief scenes of a voyage.

As you study the pictures, day turns to night, and all that you see is bathed in moonlight. You are looking upon a statue: a delicate, slender, elfin nude, whose long hair cascades over her shoulders and about her body. She is reaching up to the sky, as if to touch the moon and stars. She is carved out of white marble, which looks pale blue, almost luminous, in the moonlight. It looks as if she was taken from the moon, and is rising up to touch it again.

The statue is on a tall pedestal of black marble. In the moonlight, the forest has a very deep color, a green that is almost blue or purple; the dark beauty of the night makes the statue seem almost radiant. Off in the distance, you hear a high, melancholy, lilting song; it is played on a harp and sung by a voice of silver. There is something haunting and yet elusive about the melody; it subtly tells of something wanted and searched for, yet not quite reached. And it is beautiful.

You sit, looking at the statue and listening to the song, for a time. They seem to suggest a riddle, a secret – but you know not what.

You walk along; fireflies begin to appear, and you can hear the sound of crickets chirping. There is a gentle breeze. The sky stands above like a high and faroff crystalline dome; the trees and grass below surround you, like little children who see a beloved elder coming, and run clamoring for a kiss. The grass is smooth and cool beneath your feet. There is a sweet, faint fragrance in the air, as of lilacs.

A round little girl, wandering through the forest, sees you and comes running. She is dark, with olive skin, and her black hair flares out behind her. She is wearing a dark green robe, the color of the forest, and her step is almost that of a dance – as if she is from a people where moving and dancing are not two different things. She is holding, in her hand, a simple bouquet of dandelions. “Look, look!” she says, “I have flowers!”

She jumps into your arms, welcoming you. Her touch is soft, and gentle. It is not near the softness of a grown woman; it has rather a … simplicity. It is hard to find the right word. Then you recognize what it is. It has something of the carefree play of a child, but there is more than even abandon. She is holding you with complete trust. You do not doubt that she could fall asleep in your arms.

She begins to talk to you about many things. She talks about the forest, about people, about the stars, about God. After a time, you realize that she is not merely talking, but singing, as if the first words she heard were the words of a song. After another time, you realize that you have lost her words completely, and are entranced by the song. Presently she stops, and says, “Spin me! Spin me!”

Little children everywhere like to be held by the arms and swung around; this one is no exception. After you are both very dizzy, she takes you by the hand and begins, leading you along a path, to show you little details of the forest that you had never noticed before. Apart from the little details, there is something else which you begin to slowly see in the forest. The song by which she speaks, the dance by which she moves – and not just her, you do not doubt, but her people – seem to be echoed in the forest… and then you realize that rather they are echoes of the forest. Hearing, seeing, feeling that beauty from another person – you still do not doubt that they come from her, but they also help you to see what was always there but you had not noticed. As you walk along, you are lost in thoughts about the genius of all great artists… and begin to think about visiting an art gallery, not so that you can see what is in the gallery, but so that you can see what is not in the gallery.

The path widens out, around a shimmering pool. The golden flames of torches around the pool glimmer when reflected in the pool. There is singing – singing like that of the little girl, but the sound of a whole orchestra as next to the sound of a beginning flute. Men and women together pour fourth a rich harmony. The air is sweet with a delicate fragrance of incense; one of them brings you a cool wooden cup. Inside is a strawberry wine. It is sweet, and sour; the taste brings back memories of earliest childhood.

A circle forms among the people, then another, then another. Soon all of the people are spinning and weaving in a joyful dance. After a time, you realize that you are at the center; they are softly singing, “Welcome, Somebody,” and listening intently. Arms and hands reach out, and sweep you into the dance. The dance is ordered, but also free; it draws you in, and, as you move, you feel that you can do no wrong.

How long the dance lasts, you do not know; still filled with its bliss, you find yourself sitting and talking with the people. One of them finds a soft seat of moss for you to sit on; another brings you a plum. Its taste is tart, and it has the texture that only a plum has — and, when you bite into it, you know that it was still on the tree when it was chosen.

The night winds on, and, after a time, you are led into a building woven out of living trees, with a bed of loam. Into it you sink; it is soft and deep…

You find yourself standing at the edge of a forest and a grassy plain. The mouth of a cave descends into the earth, and just before this is an old man sitting on a three-legged wooden stool. He is wearing a coarse grey-green robe, and has a long, flowing white beard. He is staring intently into the forest, with a concentration you have never seen before. It is like a gaze into a lover’s eyes — nay, even deeper, a probe into the soul.

He shifts positions a few times, in his sitting, and at last stands up, takes the stool, and begins to walk towards the cavern. When he was looking into the forest, you were absorbed in watching him; now, you notice another man, a young one, approach the former.

“Is it Senex?”

“I am he.”

“Senex, the great teacher?”

You see the old man’s hand move to cover his mouth, but not quite quickly enough to conceal the faintest crack of a smile. The young man stands attentively, waiting for words to come.

The old man’s frame shakes once. A second passes, and then it shakes again and again. Then sounds the laughter that he had been attempting to conceal. Soon, the old man is convulsed with mirth, and making no attempt to conceal it.

After a while, almost doubled over with laughter, he begins to pull himself up. You can see his face from a different angle, and you see a merry twinkle in his eye. He places his arm over the young man’s shoulder.

“Forgive me, brother, but it has been ages since anyone has addressed me as ‘teacher’ or ‘great’. You cannot imagine how funny it sounds to me.”

“Are you not Senex, who has traveled the seven seas, who has seen visions and been visited by angels, who has written treatises and instructed many?”

The man chuckles, and says, “Yes, I am all that, and much more. I am the image, likeness, and glory of God. I pray, and in my prayers I touch the stars and shake the foundations of the kingdom of Hell. I am a king and priest. I am a son of God. My name is written in the book of life. I am a god.”

“Then why do you find it funny that I address you as ‘great’, or ‘teacher’?”

“Because I am more than a great teacher, as are the children who dance through this field, as are you.” Here the old man smiles at the young. “Come, now. Do you doubt that you are God’s own son? What teaching, or miracles, or visions, or conquests, or exploits compare with that?”

“But if you are so great, why should you object to being called a great teacher? Surely the title is not false.”

“My dear god – and now I am not addressing the Creator, but you yourself – what is wrong with the title is not that it says that I am a great teacher. I am. What is wrong is that the title implies that there are others who are not so great,” and here the old man gave a great belly laugh, “when the truth of the matter is that the other people are so much more than a great teacher. I will not mind being called ‘teacher’ by you, if you agree to address everyone else as ‘god’ and ‘goddess’. But if you will not call them ‘god’ and ‘goddess’, then simply call everyone ‘brother’ or ‘sister’.”

The young man stands in silent reflection for a time. “I came in search of a man who could share with me profound wisdom; I see now that I have found him. So now I ask you: Give me a profound insight, that I may contemplate it for the rest of my life, and grow wise.”

“Do you not know that God is love, that God loves mankind, that we have the new commandment to ‘Love one another’?”

“All of this I have believed since I was a little boy.”

“Then I give you one more lesson, to contemplate and learn for the rest of your life.”

The young man listens, eager with expectation.

The old man bends down, plucks a blade of grass, and holds it in his outstretched hand.

The young man takes it, and waits for an explanation. When, after a time, the old man says nothing, he says, “This blade of grass is like the blade of a sword. Have you given this to me as a sign that I should contemplate spiritual warfare, and be ready with the sword of the Spirit?”

The old man says, “You should, but that is not why.”

The young man thinks for a time, then says, “This grass is nourished by the sun, and so tells of it. Grass and sun exist as God’s creation, and tell of him. Is this why you have given me the blade of grass?”

The old man says, “What you said is very true, but that is not why, either.”

The young man says, “When Christ lived on earth, he lived as a carpenter, and observed and was surrounded by the birds of the air, the grass of the field, the lilies, and ten thousand other things. Have you given me this blade of grass to remind me of Christ’s time on earth, or of his humanity, or that this is a place he passed by?”

The old man says, “You are still right, and you are still wrong.”

The young man says, “Then what profound truth can you be teaching me? What secret key escapes my grass? I asked if you had given it to me as a symbol of a profound spiritual truth, and you said, ‘no’. Then I asked you if you had given it to me that I might deduce by logic what it tells about God, and you still said, ‘no’. Then, after that, I asked you if you had given it to me as a historical reminder of what has happened about blades of grass, and your answer is still the everchanging ‘no’. What can I possibly be missing? What am I leaving out?”

The old man turns to face the young, and looks deep into his eyes. “This blade of grass I have given you,” he said, “because it is a blade of grass.”

There is a look of puzzlement on the young man’s face, which slowly melts into dawning comprehension. He steps forward and kisses the old man, with a long, full kiss on the lips, and then steps back and bows deeply – and the old man bows to him – and says, “Thank you.” When the old man has responded, “You are very much welcome, brother,” the young turns, clutching the blade of grass as if it were a diamond – no, more than that, as if it were a blade of grass – and walks back into the forest. There is a smile on his face.

You walk off in the field, and lie down on the grass. The day is growing warm and sultry; a faint breeze blows.

The breeze carries with it a small, white feather of the softest down. It gently falls on the sole of your foot. The breeze blows this way and that; the feather catches here, rolls there on your foot, brushing ever so lightly, up and down, up and down.

You feel a finger, cool as marble, just barely touching the back of your neck. It tingles; you can feel the sensation radiating up and down your spine. The feather brushes against your foot, and the finger just barely touches the back of your neck. It is a slow, lingering, tingling sensation; as time passes, the sensation becomes more and more real, and just won’t go away. It tickles so.

A time passes, and you find yourself walking along a beach. It is almost dusk, and the rainbow colors of sunset are beginning to spill across the sky. It is autumn, and the many-hued leaves of the trees fall about, twirling this way and that in the wind. There is a smell of mist and brine in the air; the waves run and twirl about your toes.

A bird flies off to the right; its flight is light and agile. It flies to and fro, this way and that, until it disappears into the sunset.

There is a feeling of wistfulness, of a presence departed. To the left, you see a grayed swing, rocking back and forth in the wind; its rusty chain squeaks. It is in the yard of a boarded up house, with a garden long overgrown in weeds.

On a whim, you slowly walk up the path into the yard, and sit down on the swing. You rock back and forth; there is a feeling of emptiness. Images form and swirl in your mind.

A tree is felled; from its trunk are taken the staves of a barrel. Fresh and white, the staves are slowly covered with dust; each time the dust is disturbed or brushed off, the wood underneath is darker, grayer, rougher.

People are born, walk hither and thither, grow old, and die. Generations come and pass, and the earth grows older. People learn how to live – and then die. Vanity of vanities.

Everything is dreary, desolate, fleeting. The walls of your vision grow narrow and dark; your mind and imagination seem to protest the motion. It grows darker and darker.

After a time, you see a light – a little light. As everything around grows darker and more drab, the light does not grow brighter, but neither does it grow dimmer.

A voice sounds in the shadows – you do not doubt that is the voice of the light – says, “Come closer.”

You come closer, and you see that she is a flame. A little flame.

A thousand questions form in your mind. They pour forth from you – Why is it all so meaningless? Why do things wither and decay? Why does evil run rampant?

The flame listens patiently, and then speaks. “Look into me.”

You look into the flame, and you see everything you saw before, but it looks different. The boards of the cask are no less grey. But you see that inside the cask is wine – wine which grows rich and well-aged. The people still die – and now you see an even darker death for some. But you also see past the death, past the mourning and grieving, to a birth into life – a richness and a fullness that could not be imagined from before.

“Flame, can I step into you, so that I may be delivered from the unpleasant things?”

“No, dear one. That is not the way of things.”

“Then what can you give me?”

“I give you this: that you may always look into me, and that I will never be quenched.”

“Flame, what is your name?”

“My name is Hope.”

You look into the flame, and again see the outside world. There is still the sadness, but there is an incredible beauty. An ant crawls across your finger; you sit entranced at the wonder as its little body moves. Then you look at a rose bush, quivering in the wind – it is covered with thorns, but at the top of each stem is a flower that is still God’s autograph.

You get up and walk further.

You see a little girl on her knees, and standing against her, a man holding an immense sword. The man raises his sword over his head, and brings it down.

Then you see the sword stop in the middle of the air. There is a clanging sound; the man’s powerful muscles ripple in his exertion, but the sword does not move an inch further.

Then you slowly see a shimmer in the air, and there is another sword – a sword that seems to be forged of solid light. A sword that is blocking the first. As you watch, you see an angel beginning to become visible. It is powerful, majestic, and terrifying. The man drops his sword, and runs in blind terror.

You can see the angel’s sword here, a hand there, the hem of his luminous robe. But what you see is fleeting, and you cannot see the whole angel.

“Why cannot I see you? I can see the grass, and see the girl. Are you not as real as they?”

You see a little boy, walking on the beach, picking up a pebble here, a shell there, a piece of driftwood every now and then, and putting them into a sack.

Then he comes upon a fallen log. And he grabs one protrusion, and then another, trying to lift it. But it will not budge.

“Some day, you will be able to see God himself. But now, you can not see things that are too real for you to see.”

You see a diamond, slowly rotating, in light. One facet after another seems to sparkle.

As you watch, not just what appear to be the facets, but what appears to be the diamond, seems to change form, shift, and sparkle in different ways. The light itself seems to shift color, direction, focus.

Then speaks an almost silent voice: “You are looking upon the one thing which never changes, in a light that has been the same since before the creation of time.”

There is a moment of silence, and you feel a surge of power rush about you, and tear through your very being. It is like a blast of wind, throwing you off your feet so violently that wind itself is knocked out of you. It is like the liquid fire that explodes out of a volcano. It is like a flash of light beyond intense, light that is so much light that you cannot see. It bears like an immeasurable weight and presence on your mind and spirit; its might and force fills you with awe – no, more than awe, fear – no, more than fear: terror. It is a reality which lies beyond imagination.

A booming, thunderous voice commands, “Fear not!” Then a hand reaches out and touches you, and you are filled with strength. It holds and stills you; you dimly realize that you have been quivering as a leaf. You somehow find the strength to stand, and if anything see a greater glory and majestic power than before. This being before you is like a storm in solid form. His feet press into the earth with the weight of a mountain, and shine like the sun in full glory. He wears a robe woven of solid light, and at his side hangs a sword sheathed in fire and lightning. His hands radiate power; they seem by their energy as if they are about to tear apart the fabric of space. You dare not look upon his face. Suddenly, you find yourself falling at his feet.

Again booms the voice: “Do not worship me! I am not God!”

A hand lifts you up, and sets you on your feet. His touch is more intense even than his appearance – you are sure that it will destroy you – yet somehow it makes you more solid.

It is all you can do not to fall down again. Somehow the words come, “Who are you?”

“I am a spirit, formed before the foundation of the world. I am a star, who sang for joy as the world was created. I am a messenger, who stands in the presence of God himself and then flies out of the heavens to wage war against the darkness. I am your servant. I am an angel.”

Suddenly, images flash through your mind, images to which it would be merciful to call surreal and bizarre. You see chubby little boys fluttering about on birds’ wings. You see voluptuous women, suspended in mid-air, whose clothing is perennially falling off. It is as if you have all your life seen pictures of Don Quixote wearing a wash-basin as a helmet, holding a dull sword and sitting astride poor, plodding Rozinante – and then, suddenly and out of nowhere, find yourself staring the paladin Roland, with his sword Durendal drawn and the rippling muscles that have torn trees out of the ground, face to face. You find yourself babbling and attempting to explain what you remember, and suddenly see the angel shaking with a booming, resounding laughter.

“What, my dear child, you would wish me tame and safe, like a little pet?”

It would be much easier to face a creature which was safe, which one could predict. It would be a great deal less disquieting, and a great deal less disturbing. Yet, somehow, you feel a feeling deep within you that it would be an immeasurable loss.

He stretches out his hand. “Come, take my hand. I have something to show you.”

You extend your hand, and find it engulfed in a force that is like electricity. Yet somehow, you feel something else as well – a touch. The angel spreads out great, glorious, golden, many-hued wings, and with a mighty jump launches into the air.

You speed along, both of you. Colors and forms speed by. Then, suddenly, you are at a place that is absolutely still, absolutely silent, and pitch black. “Where are we?”

“That is not a question that I can answer in terms that you will understand. Only watch.”

You begin to see a pair of hands, They are together, and facing outward. Then they slowly move outward – and behind the hands is left a rainbow, in all its colors. The hands turn, move along, complete a perfect circle. It is the most perfect rainbow you have ever seen.

Then the left hand strikes the rainbow, and it shatters into innumerable miniscule fragments. The right hand takes the shards, and with a single motion scatters them across the blackness. Each piece of the rainbow glows with light, a little reflection of the whole, and then you see a faint, pale, crystalline blue glow. The pieces are scattered irregularly, and one looks almost like – here an insight comes like a flash – a constellation.

There is no horizon, no landscape, no other light. There are stars in every direction and from every view. The view is the most breathtaking view of the sky that you have ever seen.

Then the angel takes your hand again, and says, “Do you understand what you saw?”

“I think I do.”

“Good. Then let me show it to you again.”

Forms shift and move, and you see a faint, nebulous sea of matter spread about in every direction. It is not still – no, it is moving. You look deeper, and you can see that it is dancing.

Then you see a circle forming, and spinning. And another around it, and another. Soon many circles shift and melt together. The ones on the inside seem to move with more speed, vibrancy, energy. Then you can see a kind of a ball forming.

The swirling matter around it spins inward, more and more tightly, until a fire seems to light inside – and fills the new-formed sphere with radiance. Flashes of light, bursts of glowing forms, like water on a pot boiling, seethe and foment. In your silence and stillness watching it, you begin to realize that spheres are forming, coming to light, becoming stars, all around – and, just as the stars formed out of forms dancing, the stars themselves are forms dancing, in a great, glorious, majestic dance.

The strains of a Christmas carol ring in your ears: “Fall on your knees. O hear the angel voices!” Suddenly you realize that you and your host are not still at all, but swept into the great dance – and, about you, you can see shimmers of… you know not what.

After a long, glorious, blissful time, the angel again takes your hand, and again you find yourself swept away. When you find yourself at rest, you are again in pitch black.

“And why am I here?”

“To see what you have seen, for the third time.”

You wait with eager expectation, to see what could be next. Inside you, the images foam and mix. The rainbow, containing each piece and found in each piece, the colors, the moving dance, the energy… You try to push it aside, so that you may attentively perceive whatever changes may be happening…

Time passes, with still the forms fermenting in your mind. You feel serene and at rest; the place is a place of profound peace. After a time the images begin to fade, leaving behind a feeling, a wholeness, a satiety. It is like, after a vivacious dance has ended, sitting down, cooling off – and, then, at rest, finding the joy and the intoxication of the dance still in your heart, and your head floating in the air. It is like, after finishing a meal, sitting with its feeling of fullness.

After a time, you break the silence. “Why has nothing happened here? Why have I seen nothing, heard nothing, felt nothing? Am I here to wait?”

“Has nothing really happened here?”

“Nothing that I can perceive. I haven’t seen, or heard, or felt anything.”

“Really? You have perceived nothing?”

“Perhaps I have perceived something so subtle and ethereal that I can not notice it. I do not doubt that this place holds something wonderful. But I have not noticed anything.”

“Really?”

“Why do you answer my questions with other questions, with riddles, instead of telling me anything?”

“Do I?”

After a time, pondering what this could mean, you ask, “Am I here to wait, for something that will happen? If I am, can you tell me when it will happen? Or at least tell me if you can tell me?”

The angel is silent for a moment, and then says, “When you have seen one of these things, you have seen more than one thing. You have seen the shattering of the rainbow; one of its fragments is the one near your home that shines light on your fields and mountains. But the rainbow is also the one, beautiful, perfect language that was before man took upon himself a second time the quest to become gods.”

“But did not the sage say that we are gods?”

“Yes, you are gods, and more than gods, and will become more than you even are now. But the man who would exalt himself to godhood, blasphemes. Would that men could learn to be men, without trying to ascend to godhood or even be heroes.”

“Should I not learn to be godlike?”

“Learn to be a god, not in the way of the man who wills to be the highest of gods, but in the way of the God who was willing to be the lowest of men.”

After a time, the angel continues on.

“In a way, each shattered piece of the rainbow – including the language that you now speak – contains the pattern and image of the whole. But in another way, it has lost some of the colors. There are things that were in the whole rainbow, that are not in the piece.

“So I will answer your question, about waiting, with a word from another language. The word is not a word which answers the question, but rather which un-asks it. So I answer you with this word: Mu.”

“But why do you un-ask the question, instead of simply answering it?”

“That I will tell you, if you first tell me, to use an expression from the child’s’ words of your land, if the elephant in your refrigerator is eating peanut butter. Is the elephant in your refrigerator eating peanut butter? Yes, or no?”

Your mind is quite full; it is slow work, pondering and absorbing all that you have seen and heard. Finally you ask, “Before anything happens, may I wait here and ponder, and digest things?”

The angel says, “Yes indeed; that is why you were brought here.”

A time passes in the silence, the stillness, the darkness. It is the beginning of the slow growth that makes a newborn experience into a full-grown memory, and brings it into who you are. It is the rest which makes every work perfect.

This lasts you know not how long. After a time, you realize that you are in a different place. You are with a man of sorts – if ‘man’ is the correct word to use. ‘Man’ is not a wrong word, but there are many others. He seems to be of no particular age. He is fully what every simple child is; he is fully what every ancient sage is.

After a time, you begin to wonder what his age is, and how long you have been there. You see him smile, and then burst out laughing. “Come,” he says, “Let me show you what I see.” He places his hand on your head, and suddenly you see an image – of a little child, in a magnificent and wondrous cavern full of rubies, and emeralds, and sapphires, and diamonds. He is off in a corner, picking up lumps of coal.

“This place is full of diamonds; come, enjoy, take and carry off as much as you are ready to carry.”

Then you begin to look around, and see that you are indeed in a cavern of sorts. It is filled with a brilliant, powerful light; the walls and ceiling, full of irregular bulges and niches, seem to be gilded and encrusted with glowing gems. The space is full of forms magnificent and wonderful – fountains, statues, pedestals, crystalline spheres, animals. Everything in the room seems to have the breath of life.

You begin to gather gems; each one, luminous, seems to have its own particular feel, its own particular energy – you can almost hear a music when you touch them. Their cool, crystalline forms seem to be of congealed light.

After you have gathered a great many, you notice a peculiar phenomenon: the more you carry, the easier it seems to be to pick up even more. The gems embrace each other, and begin to form a vast interlocking structure about you. It forms a great, shining suit of armor – a scintillating armor of adornment, a living form that is as light as thought. As even more time passes, the gems begin to melt into you. As each flows into your body, you feel its energy and light, and soon, a high, subtle, ethereal music courses through your veins.

At last you stand, armored with an armor that is flawless. It gives, you do not doubt, a protection against blows that a man of iron would envy. Yet the armor is not dark and cumbersome; it is light and energizing. Your skin is as soft and sensitive as ever, and you feel the unfettered lightness of nudity, free as Adam – no, you realize, a greater lightness, for a nude person is only not fettered by clothing, but this armor fills you with the freedom of which fetters are but a crude attempt to oppose. Carrying this armor leaves you more free to move and dance, and fills you with a positive energy.

You revel in the fullness, the intoxicating lightness. After a time, you realize that the man is looking upon you. He is smiling.

You begin to ask how much you owe for this wonderful treasure, and he breaks forth in peals of merry laughter. “These treasures are not for sale. They are a free gift. Come and fill yourself to overflowing with these treasures as often as you wish.”

“Then they cost nothing?”

“No, they are very costly. They are more costly than you can ever imagine. But they are given freely, like water and light and breath, and a thousand thousand other treasures that no money can possibly buy.”

“Then why are they given freely? Surely such things are worth a price!”

The man laughs again. “You are beginning to grow alive – just beginning. When you are truly alive, you will dance so freely that you will need no one to tell you these things, because the answers will be in you.”

After a while, he hands you a chalice. “Here, drink this, that you may remain dreaming.” You drink it, and have a flash of insight that waking is not the only aroused state. In a moment, you reach out and touch a star.

You find yourself inside a castle of ice. It is cold, elegant, pure. It is night-time, and the deep blue of the starry sky provides the light. You walk about in a magnificent structure, through halls and archways, around pillars and doorways, all the time in a great silence. The place is majestic and massive.

The coldness of the ice fills the palace with a deep peace. There is a rest here. You cannot see, nor feel the presence of, yet you somehow sense a kinship to the resting dead, sleeping, awaiting the dawn when sleepers shall rise.

As you step, as you breathe, you hear your echoes, and then the echoes of your echoes. The silence has a presence.

It is a timeless place. There is no hurry, no rush, no clutter. The sparseness of the architecture is matched only by the stillness of the air. You stand and walk, footfall after footfall penetrating the vastness. For it is vast and large; it is ordered, and yet unknown.

Through the glassy ceiling above you see the stars, and as you look at them, you can begin to hear the faintest tinklings of ethereal music. Your ears listen with a new keenness, flowing from the crystalline armor, and you can hear, not a music breaking the silence, but a music in the silence. It is, like the palace, sparse, and simple. It has an order and structure, and yet not time; it is a music which sounds as if it has always been there.

After a time, you realize that you are singing a song – sparse, simple, crystalline, and beautiful. It would not be quite right to say that you started a song: rather, that you have joined a song – a song that always has been, and always will be – a song which is sung not by you alone, but by angels and archangels, by the living and the dead, by the rocks and stars and trees themselves. And for the tiniest fraction of an instant, you can almost see the song rising, as incense, in the presence of He Who Is.

As you walk through a corridor, a transformation begins. Tendrils of mist curl about your feet as a shroud slowly rises from the ground. The walls become the walls of tall, narrow buildings lining the sides of the road. They are like ancient, cracked vellum, and ivylike bushes of yellow roses climb the sides.

All is still as you walk the streets; the only motion you can see is that of the mist dancing about you. Every now and then, you catch, out of the corner of your eye, what seems to be the form of a person just disappearing around a corner – but you are never sure.

After a time, you come upon a massive, dark Gothic cathedral. It is carved out of black marble. As you pass through the doors, the air becomes very dry; there is a feeling of imminence.

As you step into the sanctuary, the building itself is rocked by a blast of sound. Your body vibrates as you hear the deep, rich sounds of an organ resound all about you. The song is a fugue, turgid and complex. You hear three parts playing, then four, then six – interwoven, turning about, speaking to each other. It is in the key of E minor.

The song continues for almost an hour, woven with a deep sense of mystery. Like the building, like the city, it is filled with a dark majesty. There is a strain you are listening to hear – and you seem almost to have caught it, now here, now there, but then it vanishes. The song comes to a climax, and then a thunderous resolution. Then the sanctuary becomes as silent as before.

A shaft of light falls, and you see a man walking towards you. He is tall and lean, and wearing a black robe with golden edges. He has black hair, and a thin, close beard. His step is stately and regal, but does not make a single sound. He reaches you, and, bowing deeply, says, “Greetings.”

His eyes meet yours, and you see that he has a piercing, probing gaze. It is intense, looking deep into your eyes – no, more, deep into your soul. And there is something else – you can not tell what. You begin to gaze back, and you realize what it is. His gaze is gentle.

He reads the questions on your face, and after a time says, “I cannot tell you everything that you wonder now. If I were to say the answers, answers that I am only beginning to understand, they would sound like trivia, or sound meaningless. And if I could make you understand them all, I would do you a great disservice.”

“Why?”

“Because the questions you ask are the right questions, but they are also the wrong questions.”

After a time, he begins again.

“But there is something which I can do. I can lead you to the library.”

He leads you through a twisted passageway, then down a stairwell. The stairwell alights in a room with shelves upon shelves upon shelves of dust-covered tomes.

“And,” the man says, “I can give you this.”

He reaches into the folds of his robe, and gives you a black rose.

It is a queer feeling to be alone with that many books. You reach on one of the shelves and pull one out. It is an illuminated manuscript. It tells a story deep, and detailed, and rich, and subtle. What you can read of it is like barely seeing the ripples on the surface of a lake, while untold forms move about below in the depths.

You replace it and look at another. It is a manual of philosophy and theology. It tells something about God – but it is also too subtle and complex to understand. And there is something else… It is like reading a book about arrangements and variations of color – to a man who has been blind from birth.

Then another… You can tell from its form that it has a sort of reason, or structure to it, but you cannot tell what. At first, you find what seem to be logical errors – and it does contradict itself, sharply and in many ways… and yet… you have the feeling that you are like a man, versed in logic and philosophy but devoid of emotion, poring over a joke, trying to understand it as an argument – and having no idea why others read it and then do something called laughing.

Another book, and another. Each time it seems like you understand something, you find yourself more confused than before. After a time, it becomes words upon words – and the more words are added, the less meaning there seems to be.

You sit down, exhausted and bewildered. After a time, you realize that a woman is standing some distance off. She is wearing a robe that is purple and black, with long sleeves and a long, flowing skirt. Her long hair, which falls behind her to a length you cannot tell, is jet black, and yet her skin is almost luminous.

She steps forward, and, embracing you, gives you three kisses on alternate cheeks. “Have you learned anything yet?”

“Nothing. I can’t understand anything in the books.”

“Have you thought to see what you can learn?”

“I have thought, and I do not doubt that there is a lesson, but it is seven times over too subtle and too complex for me.”

“There is a lesson that you are missing, but not because it is too subtle and too complex. You are missing it because it is too simple and too obvious.”

“I have read from two and ninety books, and cannot share with you the least shred of wisdom that is found in them. I do not understand. So in what wise am I to claim that I have learned?”

“Is there not even one thing you can claim to have learned?”

It is with frustration that you say, “Only the littlest thing – that I do not understand.”

“That is not so little as you think.”

She looks at you for a second, and now you can see, as well as a probing gaze, a hint of a smile. “Come; you are fatigued. Let me take you so that you can eat and rest.” She places an arm around you – her touch is soft and responsive – and leads you through other passageways into a room with a table.

The table is set with plates of clear glass; the table is set with bread, fish, and white cheeses, and there are two glasses of white wine. She leads you to a chair, which offers a welcome rest, and then sits down opposite you.

After you have eaten a couple of pieces of bread, you see her again gently looking upon you. “I can see the question in your eyes. You are wondering, are you not, why you were not simply told that you do not understand.”

“Yes.”

“Would you have understood that you do not understand? As you do now?” She pauses, and takes a sip of the wine. “A mouse can only drink its fill from a river, and no man can learn what he is not ready to understand.”

The rest of the meal is eaten in silence. It is a calm, peaceful, prayerful silence. The bread is flavorful and dense; the cheese is mild; the wine is dry and cool.

After the meal, you both sit in more silence. It is a time of rest… and also of community. There are no words and there is no touch, and yet you can sense a kind of attention, a welcome, from the lady.

When you feel refreshed, she leads you through another passageway, and out to a door to the street. She gently embraces you, and says, “It is time for you to go, and begin to taste some of the other secrets of this city. I do not know if we shall meet again, but I suspect that it will come to pass. Fare Thee well.”

The street is different from the one you first saw – it also is enshrouded by a cloak of mist, but it is wider, and there are people passing by. Their clothing varies some, but much of it is variation on a dark grey theme, almost seeming to be mist in solid form. A young woman passes by on the other side of the street; a cascade of ebon hair hides part of her face – yet you can still see, in one corner of her mouth, a hint of a smile.

You come across an open square, with an intricate pattern of stone tiles in the center. Two opposite corners have trees – gnarled, angular, and leafless. One of the corners has a fountain; cascading sheets of water fall between many-leveled pools, in which silvery and golden fish swim about. The opposite corner has a statue.

The statue is on a large pedestal of dark grey marble; the statue itself is of blackened bronze. It is of a man, gaunt and haggard, and clad in rags. His arms are raised up to Heaven, as is also his head, and yet his face bears a look of despair. The pedestal bears the inscription, “I am thirsty. Who will give me something to drink?”

You find a jug, and, filling it at the fountain, climb up the statue and pour water into the statue’s mouth. You hear sounds of water flowing, and then there is a click. It is followed by a whirr of moving clockwork, and, getting down, you see that one of the sides of the pedestal has turned inwards, revealing a shaft descending into the earth.

A lantern is at your feet; you light it, and begin to climb down the ladder at one side. It descends into a passageway; taking one direction, you come to a four way intersection. The left path turns into a circular room, with a domed roof, and a pool in the center. You test its depths – and find it descends below the floor.

Inside, you find an underwater passageway. You swim through it, and surface in a room with rough walls. Climbing upwards, you find the room to narrow into a shaft, which turns into a low passageway, and then opens into another room.

This room is lit by the glow of torches; it is large and rectangular. At the center is a thick, low stone column, about three feet tall, with some protrusions bulging from the top. When you come closer, you see that it is an intricate clockwork device; working with it, you find a pattern in its motions, and work with it until there is a click, and a segment of the far wall slides into the ground.

The passageway is dark, as was the room and passageway which you traversed without your lantern, and it opens shortly into another room. At first you cannot see; then, as you step in, your eyes slowly adjust to the darkness. Inside this room, you see another statue.

This statue is a male nude. It is an iron statue; it is immense, and the figure is powerfully built. It is in the middle of a stride – a long, powerful stride, one which seems almost to shake the ground. His eyes bear an intense gaze, one which seems to almost flash lightning, and one arm is raised, and hand outstretched, in a gesture of authority. The surface of the statue is rough and unfinished. There is something in this statue that seems to almost radiate power and energy and weight and light.

And yet, when you look closer, you notice something different. The eyes seem sad. And then, looking closer, you suddenly realize that the statue is bound by shackles. The shackles are a monstrosity, a violation; they threaten to wear down his energy and burden his strength. You grab at the shackles to see if you can pull them free, and feel a chill and drain run through the body. You drop them in shock.

As you stand in the room, you seem to even more be able to see – not only the forms, but the absurdity and injustice. The man’s great strength – it is straining against the binding chains. Your eyes trace the shackles to where they are engulfed by the floor.

Then you realize that there is another set of shackles, empty, open. You shudder to look at them; the touch of one of the chains sapped your soul; breathing felt as if you had been forcefully struck on the chest. You begin to back out of the room… and you see the statue’s eyes.

He is not pleading; he is not begging. If anything, his eyes say “Go far away; that these chains imprison me is bad enough, without one more.” You do not see pride, of someone unwilling to receive help, or the cowardice of one who dare not ask. It is rather the compassion, of someone who would not wish his worst enemy to feel the misery he feels. You feel a stirring inside your heart. What the man does not ask, conscience and every noble instinct demand. And you walk in.

A chill sweeps through you as you cross the threshold. You can almost see a presence that is unholy. At each step you are jolted. And yet… you have the strength to follow.

You fasten one of the open shackles about your feet; it stings like the sting of a scorpion. The other, and you feel as if you are sinking into the ground. A shackle is fastened around one hand, and it is all you can do not to fall down. You place your other hand in the last, and begin to close it…

The shackles fall from the man’s feet, and you see a surge of power ripple through his muscles. He crouches down, and then jumps up with a force that shakes the earth. He raises his hands upward, and there is a blinding flash of light.

Your sight slowly returns, and you find yourself on a grassy knoll bordering a field. A small grove of saplings is to the left, and a field of dandelions is to the right. From somewhere near come the sounds of birds chirping, and a babbling brook.

You see the man who was shackled, standing nearby. He is looking upon you, and smiling. He picks you up and gives you a hug – a crushing, invigorating bear hug that makes you feel very much alive – and a big kiss. Then he sets you down and opens a large leather pouch. He fills two large stone bowls with stew, and draws two draughts of cider from a small barrel. The stew is a piping hot, well-spiced, and hearty beef stew, but the cider is cold and mild – you could drink quite a lot without getting drunk.

He tells you of how he came to be imprisoned – he let a love of probing mysteries become a love of secrecy, and a love of the beauty in natural darkness become a love of evil, so that what was wholesome and free became perverted and enslaved – and then asks of your story, how you came to rescue him. He listens eagerly and intently.

After a time, he says, “There are many people who knew of my disappearance and do not know that I am free; it is time for me to go and tell them that I am free, and how you rescued me. But before I go, I give you this.” He raises one hand to Heaven and places the other on your head, and speaks a blessing. You cannot understand the blessing, but there is something about it that strikes you… and then you see, in an instant, not just one little fragment in the blackness, but the whole radiant rainbow. He is speaking the first language, before it was broken, and – though you cannot understand it – you are moved by its power, its love, its light.

He presses slightly harder on your head, and your spirit surges with joy. Then he runs off into the distance, bounding like a stag.

After a time, you begin to walk along, into the forest. It grows thicker, and the colors richer and deeper. You can feel warmth, and humidity, and wind.

As you walk along, the forest opens into a wide, grassy clearing, with thick, long bluegrass. A few small raindrops sprinkle on your face; thunder rumbles, and soon there is a heavy and torrential rainstorm. The rain is warm, and in it you begin to run and play.

A woman, short and with a full and rounded figure, begins to dance with you, and soon you are swinging around, and dancing in the rain. Sheets and columns of rain fall, and in the lightning flashes you can see the trees, the leaves – the whole forest – dancing and spinning in the wind.

The woman is laughing; you can hear the laughter in her voice and see the laughter in her eyes. On a whim, you reach and pinch her side; she laughs and squirms. She jumps and tackles you – it is half a tackle and half a hug – and knocks you over.

After wrestling around for a few minutes, she turns and walks towards a large, ancient, gnarled oak tree, and sits on a large bulge a little distance above the ground. As she sits, you vaguely realize that the tree’s form has almost the shape to welcome a human – your eyes did not pick it out, but she seemed to have walked to it as naturally as if she were breathing. She is leaning a little to her left; a ledge of wood forms almost a cushion for her to lean on – one might say that her body is curled into the wood.

You begin to look on her, and see how beautiful she really is. Her skin glistens with little drops of water. She is dark, with olive skin and large, soft, welcoming eyes that seem to enfold you, taking you in as the waters of a lagoon take in a swimmer. There is something that draws you about your hands.

Her hands are small, and seem to contain the beauty of her whole body in miniature. They are rounded, curved, and Rubenesque. You can see soft skin gently enfolding the inside of her hands; it has a looseness and ampleness so that you do not see vein and bone, only the rich color of skin. Her fingers are tiny and thin, with very mignonne nails and fingertips. The texture of her hands is subtle, yet gives her hands reality; you can see the strata and shapes in the tiny wrinkles on the back of her hand,the dark, faint hairs, and the many sheets of lines that twist and turn over the inside of her hand. Through her fingernails, you can see a glimpse of white, pink color which contrasts brightly with the rest of her hand.

And yet the shape is only half of the beauty that is in her hands, for they are not still, but in motion. It is a slow, still, lyrical motion, an adagio dance. It does not overpower the senses or make a clamoring demand for your attention, but it is yet deeply moving. Her fingers, palm, and thumb slowly move, in a rich harmony. You can see waves in her fingers as they wend back and forth. The motion is extremely simple, and has a periodicity that comes back to a single thing, yet somehow you do not wish it to be more complex, or do something new – at the moment, you would have difficulty understanding why anybody watching this slow undulation would want to see anyone else. It seems that she is speaking in a language with her hands, and you long to understand what her hands are saying, to put it into words. Then you look deeper, and you realize that you do understand what her hands are saying, and you cannot put it into words because it is a truth different from what words express. You rather feel and sense… peace… rest… stillness… the motion of breath… the beating of a heart… the music that lies in and beyond silence… the ebb and flow of water… day and night and the four seasons turning in cycle… the rhythm of a song that does not pulse, and yet has order… tufts of long, dry grass, resting in a field… the tops of trees, blowing in a wind… a rock, buried deep in the earth, remaining a rock, in the process of not-changing… the light at dusk, and yet not the light of dusk for the sunlight at dusk fades, and this, even in its softness, would not rightly be said to fade.

She begins to walk along a path, leading you, and takes you to a small hovel. You step inside, and as your eyes adjust to the light, you see a very old woman. She is emaciated, and in her face are etched lines of pain. She begins to try to get up, and say something, but the sounds are hardly understandable as words, and the young woman gently places her hand over the old woman’s mouth and leads her to lie down. Reaching up to the wall, she brings a flask of wine to the old woman’s lips, and helps her drink a little. After that, she goes to a chair, and picks up a wooden recorder, and plays it. It is the same song as her hands danced: soft, still, and beautiful. It has a very soft, woody sound, and the notes themselves are… like the color grey, like a gentle light, like a friend’s voice. You are lost in the music, carried away by its beauty. Slowly, the song tapers into silence, into a rest allowing the music heard to sink in. You look at the old woman, and see that she is still, absolutely still. Her eyes vacuously point into space.

The young woman gets up, with infinite gentleness, and with her hand slowly closes the old woman’s eyes. She turns to you, and, speaking so softly that you can barely hear her, says the first words you have heard from her: “She was my grandmother.” You can see the tears forming in her eyes.

It is dusk, and the last rays of the sun ebb into darkness, into a dark and moonless night.

The next day, you begin to build a pyre in the middle of the field. Some people come by from the wood and help; they are bearing little gifts, and each embrace her. There is not what you would understand to be a ceremony; they each come and go. After a time, you realize that the animals also come, and pay their respects in their own ways. Dusk comes again, and she takes a lantern and sets it at the bottom of the fire. Flames begin to lick upwards, and then touch the grandmother’s body. Then the young woman screams, a piercing, dissonant, discordant scream of which you would not have thought her capable. She begins to sob uncontrollably, and weeps the whole night long.

The woman stands up to greet the coming of the dawn, the tears still streaming down her face. The first rays begin to break over her face, and then you notice something… different. Something that you had not noticed before.

You see pain in her face; it is of no effort to see that a great hole has been torn in her soul. And yet there is something else. She is beaten, but not crushed; wounded, but not destroyed. If she is bleeding, it is because there is living blood coursing through her veins. It would not be quite right to say that she is not too badly hurt because she is a deep person; rather, she is very badly hurt because she is a deep person. And yet… you cannot quite tell what it is.

She turns to you, and sees the puzzlement in your face. She reaches, and with one hand touches your eyes; her lips move in silent prayer. Then she takes her hand back, and you slowly see something else. You see angels all around, and feel the Spirit of God. One of the angels – great, mighty, magnificent – has wrapped his arms around her. The angels are still, and… intent. It would be a gross distortion to say that one of them waves a magic wand and makes the pain go away, and yet…

You cannot quite see, and yet in your spirit you sense, prayers, around and under and in her. You cannot understand all of what is going on. The pain is not taken away, and you share the pain as well. And yet… Though you cannot say what, you can sense someone, and something happening, which is infinitely greater than the pain. And you, again, hear singing.

Sister, let me be your servant. Let me be as Christ to you. I will laugh when you are laughing. When you weep, I’ll weep with you. Pray that I might have the grace to Let you be my servant, too.

When you feel so weak and burdened, When the world is harsh to you, Know that Christ has gone before you, Felt the pain and shed the tears. As Christ has so giv’n to others, So he will also give to you.

And e’en with Christ you’re not alone, For we are Christ’s body, too. We are all brother and sister. Your burden is our burden, too. As you have so giv’n to others, So we all shall give to you.

A little boy runs up with something clutched in his hand, and kisses her. He says, “I love you. Sorry you hurt bad. Havva big gift. Look!” He opens his hand.

Inside is a blade of grass.

A Christmas gift for children

Hymn to the Creator of Heaven and Earth

The Sign of the Grail

Stephanos

Doxology

CJSH.name/doxology


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How shall I praise thee, O Lord?
For naught that I might say,
Nor aught that I may do,
Compareth to thy worth.
Thou art the Father for whom every fatherhood in Heaven and on earth is named,
The Glory for whom all glory is named,
The Treasure for whom treasures are named,
The Light for whom all light is named,
The Love for whom all love is named,
The Eternal by whom all may glimpse eternity,
The Being by whom all beings exist,
יהוה
Ο ΩΝ.
The King of Kings and Lord of Lords,
Who art eternally praised,
Who art all that thou canst be,
Greater than aught else that may be thought,
Greater than can be thought.
In thee is light,
In thee is honour,
In thee is mercy,
In thee is wisdom, and praise, and every good thing.
For good itself is named after thee,
God immeasurable, immortal, eternal, ever glorious, and humble.
What mighteth compare to thee?
What praise equalleth thee?
If I be fearfully and wonderfully made,
Only can it be,
Wherewith thou art fearful and wonderful,
And ten thousand things besides,
Thou who art One,
Eternally beyond time,
So wholly One,
That thou mayest be called infinite,
Timeless beyond time thou art,
The One who is greater than infinity art thou.
Father, Son, and Holy Spirit,
The Three who are One,
No more bound by numbers than by word,
And yet the Son is called Ο ΛΟΓΟΣ,
The Word,
Divine ordering Reason,
Eternal Light and Cosmic Word,
Way pre-eminent of all things,
Beyond all, and infinitesimally close,
Thou transcendest transcendence itself,
The Creator entered into his Creation,
Sharing with us humble glory,
Lowered by love,
Raised to the highest,
The Suffering Servant known,
The King of Glory,
Ο ΩΝ.

What tongue mighteth sing of thee?
What noetic heart mighteth know thee,
With the knowledge that drinketh,
The drinking that knoweth,
Of the νους,
The loving, enlightened spiritual eye,
By which we may share the knowing,
Of divinised men joining rank on rank of angels.

Thou art,
The Hidden Transcendent God who transcendest transcendence itself,
The One God who transfigurest Creation,
The Son of God became a Man that men might become the sons of God,
The divine became man that man mighteth become divine.

Beyond measure is thy glory,
The weight of thy power transcendeth,
Thy power of thine all-surpassing authority bespeaketh,
And yet art thou,
Not in fire, not earthquake,
Not wind great as maelstrom,
But in soft gentle whisper,
Thy prophets wait upon thee,
For thy silence is more deafening than thunder,
Thine weakness stronger than the strength of men,
Thy humility surpassingly far exceedeth men’s covetous thirst for glory,
Thou who hidst in a manger,
Treasure vaster than the Heavens,
And who offerest us glory,
In those things of our lives,
That seem humble to us,
As a manger rude in a cavern stable.

Thou Christ God, manifest among Creation,
Vine, lamb, and our daily bread,
Tabernacled among us who may taste thy glory,
Art come the priest on high to offer thy Creation up into Heaven,
Sanctified,
Transfigured,
Deified.

Wert thou a lesser god,
Numerically one as a creature is one,
Only one by an accident,
Naught more,
Then thou couldst not deify thine own creation,
Whilst remaining the only one god.

But thou art beyond all thought,
All word, all being,
We may say that thou existest,
But then we must say,
Thou art, I am not.
And if we say that we exist,
It is inadequate to say that thou existest,
For thou art the source of all being,
And beyond our being;
Thou art the source of all mind, wisdom, and reason,
Yet it is a fundamental error to imagine thee,
To think and reason in the mode of mankind.
Thou art not one god because there happeneth not more,
Thou art The One God because there mighteth not be another beside thee.
Thus thou spakest to Moses,
Thou shalt have no other gods before me.
Which is to say,
Thou shalt admit no other gods to my presence.

And there can be no other god beside thee,
So deep and full is this truth,
That thy Trinity mighteth take naught from thine Oneness,
Nor could it be another alongside thy divine Oneness,
If this God became man,
That man become god.

Great art thou,
Greater than aught that can be thought,
And thus dealest thou,
With thy Creation.

For thou camest into the world,
O Christ,
Thy glory veiled,
But a few could see thy glory,
In a seed.

But thou returnest soon,
In years, or centuries, or ages untold,
A day or a thousand years, soon,
Then a seed no more.
None shall escape seeing you,
Not an angel choir to shepherds alone,
But rank on rank of angel host.
Every eye shall see thee,
And they also which pierced thee,
Thou camest and a few knees bowed,
Thou wilt return,
And every knee shall bow,
And every tongue shall confess,
Jesus Christ is Lord,
To the glory of God the Father,
As the Father triumphs in the Son.

Who mighteth tell of thy glory, thy might?
We hope for Heaven yet,
Yet the Heavens cannot contain thee.
Great art Ο ΩΝ,
And greatly to be praised.
Thou art awesome beyond all gods,
Who sayest,
Wound not my christs.
For the Son of God became the Son of Man,
That the sons of man might become the sons of God,
And the divine image,
The ancient and glorious foundation,
And radix of mankind,
Be transfigured,
Into the likeness of Christ,
And shine with uncreated Light,
The glory of God shining through his sons.

Let our spiritual eye be ever transfixed upon thine eternal radiant glory,
Our hearts ever seeking thy luminous splendour,
Ever questing,
Ever sated,
Slaked by the greatest of draughts,
Which inflameth thirst.

Glorified art thou,
In all ages,
In every age,
Thy soft, gentle whisper,
Speaking life,
In every here and now,
And today.

Let us give our lives,
To thine all-surpassing greatness,
From this day,
From this hour,
Henceforth and forevermore.

Αμην,
So be it. Amen.

Death

Hymn to the Creator of Heaven and Earth

The Angelic Letters

Why This Waste?

Two Decisive Moments

CJSH.name/decisive

Read it on Kindle: part of the collection, The Best of Jonathan’s Corner

In the name of the Father, and of the Son, and of the Holy Ghost. Amen.

There is a classic Monty Python “game show”: the moderator asks one of the contestants the second question: “In what year did Coventry City last win the English Cup?” The contestant looks at him with a blank stare, and then he opens the question up to the other contestants: “Anyone? In what year did Coventry City last win the English Cup?” And there is dead silence, until the moderator says, “Now, I’m not surprised that none of you got that. It is in fact a trick question. Coventry City has never won the English Cup.”

I’d like to dig into another trick question: “When was the world created: 13.7 billion years ago, or about six thousand years ago?” The answer in fact is “Neither,” but it takes some explaining to get to the point of realizing that the world was created 3:00 PM, March 25, 28 AD.

Adam fell and dragged down the whole realm of nature. God had and has every authority to repudiate Adam, to destroy him, but in fact God did something different. He called Noah, Abraham, Moses, and Elijah, and in the fullness of time he didn’t just call a prophet; he sent his Son to become a prophet and more.

It’s possible to say something that means more than you realize. Caiaphas, the high priest, did this when he said, “It is better that one man be killed than that the whole nation perish.” (John 11:50) This also happened when Pilate sent Christ out, flogged, clothed in a purple robe, and said, “Behold the man!

What does this mean? It means more than Pilate could have possibly dreamed of, and “Adam” means “man”: Behold the man! Behold Adam, but not the Adam who sinned against God and dragged down the Creation in his rebellion, but the second Adam, the new Adam, the last Adam, who obeyed God and exalted the whole Creation in his rising. Behold the man, Adam as he was meant to be. Behold the New Adam who is even now transforming the Old Adam’s failure into glory!

Behold the man! Behold the first-born of the dead. Behold, as in the icon of the Resurrection, the man who descends to reach Adam and Eve and raise them up in his ascent. Behold the man who will enter the realm of the dead and forever crush death’s power to keep people down.

An Orthodox icon of the Resurrection.
An icon of the Resurrection.

Behold the man and behold the firstborn of many brothers! You may know the great chapter on faith, chapter 11 of the book of Hebrews, and it is with good reason one of the most-loved chapters in the Bible, but it is not the only thing in Hebrews. The book of Hebrews looks at things people were caught up in, from the glory of angels to sacrifices and the Mosaic Law, and underscores how much more the Son excels above them. A little before the passage we read above, we see, “To which of the angels did he ever say, ‘You are my son; today I have begotten you’?” (Hebrews 1:5) And yet in John’s prologue we read, “To those who received him and believed in his name, he gave the authority to become the children of God.” (John 1:9) We also read today, “To which of the angels did he ever say, ‘Sit at my right hand until I have made your enemies a footstool under your feet?'” (Hebrews 1:13) And yet Paul encourages us: “The God of peace will shortly crush Satan under your feet,” (Romans 16:20) and elsewhere asks bickering Christians, “Do you not know that we will judge angels?” (I Corinthians 6:3) Behold the man! Behold the firstborn of many brothers, the Son of God who became a man so that men might become the Sons of God. Behold the One who became what we are that we might by grace become what he is. Behold the supreme exemplar of what it means to be Christian.

Behold the man and behold the first-born of all Creation, through whom and by whom all things were made! Behold the Uncreated Son of God who has entered the Creation and forever transformed what it means to be a creature! Behold the Saviour of the whole Creation, the Victor who will return to Heaven bearing as trophies not merely his transfigured saints but the whole Creation! Behold the One by whom and through whom all things were created! Behold the man!

Pontius Pilate spoke words that were deeper than he could have possibly imagined. And Christ continued walking the fateful journey before him, continued walking to the place of the Skull, Golgotha, and finally struggled to breathe, his arms stretched out as far as love would go, and barely gasped out, “It is finished.”

Then and there, the entire work of Creation, which we read about from Genesis onwards, was complete. There and no other place the world was created, at 3:00 PM, March 25, 28 AD. Then the world was created.

That is a decisive moment, but decisive moments are not some kind of special exception to Christian life. Christian history and the Christian spiritual walk alike take their pace from decisive moments. I would like to look at the decisive moment in the Gospel reading.

In that reading, the people who have gathered to listen to Jesus went beyond a “standing room only” crowd to being so packed you couldn’t get near the door. Some very faithful friends of a paralytic did the only thing they could have done. They climbed on the roof and started digging through it. I suspect that the homeowner didn’t like the idea. But they dug in, and lowered him, hoping this teacher will heal him.

Jesus saw their faith and said, “Your sins are forgiven.” And people were shocked—there was a very good reason for this! If I have two friends, and one owes the other money, I can’t tell the first one, “Your debt is forgiven. It’s wiped clean.” That’s not my place. Sin is not a debt, or a crime, or even a disease. It’s worse. And Christ told a man who owed an infinite debt to God that his slate was wiped clean and his sins were forgiven. And the reason people were saying, “This man blasphemes! Who can forgive sins but God alone?” was that they understood exactly how significant it was for Jesus to say, “Your sins are forgiven.” Maybe they failed to recognize Christ as God (it is very rare that anyone but the demons identified him as the Son of God), but they were absolutely right when they said that Jesus was saying something that only God had the authority to say.

They were murmuring, and Christ knew why. So he asked them, “Which is easier: to say, ‘Your sins are forgiven,’ or to say, ‘Arise. Take up your mat and walk.'” Everybody knew the answer, that forgiving sins was an infinitely weightier matter, but Jesus was about to give a lesser demonstration of the exact same authority by which he said, “Your sins are forgiven.” He said to the paralytic, “Arise. Take up your mat and walk.” And the paralytic did exactly that.

That is authority. That is the authority that commands the blind to gaze on the light of the Transfiguration, the deaf to listen to the song of angels, the mute to sing with God’s angels, the lame to dance for joy, and what is greater than all of these, command you and me, sinners, to be freed from our sins.

Great and rare as the restoration of one paralytic may be, everybody knew that that was less important than the forgiveness of his sins. The story of that healing is a decisive moment.

But it’s not the only decisive moment, and there is another decisive moment that may be much less rare, much less something we want to write home about, but is profoundly important, especially in Lent. I am talking about repentance.

When the Holy Spirit convicts me of my sin, there are two responses I give, both of which I ought to be ashamed of. The first response is to tell God that he doesn’t know what he’s talking about. Now of course I am not blunt enough to tell God, “You don’t know what you’re doing.” (Perhaps it would be better if I did.) What I say instead is something like, “I can see where you’re coming from, and I can see that you have a point. But I’ve given it a little thought and I’d like you to consider a suggestion that is much better for everyone involved. Would you consider this consolation prize?” Now again, perhaps it would be better if I were honest enough to simply tell God, “You don’t know what you’re doing.” Not only is it not good that I do that, but it is spurning the grace of God.

When a mother takes a knife or a sharp pair of scissors from a little boy, this is not because the mother wants a pair of scissors and is too lazy or inconsiderate to go get her own pair: her motivation is entirely for the child’s welfare. God doesn’t need our repentance or our sin. When he commands us through his Spirit to let go of our sin, is this for our sake or for his need? It is entirely for our own benefit, and not something God was lacking, that we are commanded to repent from sin. And this has a deeper implication. If God convicts us from our sin and asks our surrender to him in the unconditional surrender for repentance, then that is how we will be healed from our sin: it is the best medicine chosen by the Great Physician, and it is out of his mercy that the Great Physician refuses all of our consolation prizes that will cut us off from his healing love. Repentance is terrifying at times; it is letting go of the one thing we least want to give over to God, and it is only once we have let go that our eyes are opened and we realize, “I was holding on to a piece of Hell!” The more we understand repentance the more we understand that it is a decisive moment when God is at work.

The second response I give to the Holy Spirit is even more an affront to the decisive now in which the Lord meets me. I say, “Well, I think you’re right, and I need to repent of it, only now isn’t the best time for me. I’d like to deal with it at another time.” Here, also, things might be better if I were at least honest enough to acknowledge I was telling God, “Your timing is far from perfect.” God lives outside of time, and yet he has all the time there is. There is never reason for him to say with a sheepish grin, “I know this really isn’t the best time for you, but I only have two minutes right now, and I’m going to ask for you to deal with this now even though this isn’t the best time.” When he comes and tells us to repent, now, the reason for that is not that some point later on we may feel more like repenting and that is a better time; the reason is that by the time I am struggling against God’s Spirit I have already entered the decisive moment when I can choose either to be cleansed and freed of my sin, or keep on fumbling for the snooze button while God tells me, “Enough sleep! It is time for you to arise!”

Let us repent, in the name of the Father, and of the Son, and of the Holy Ghost. Amen.

Creation and Holy Orthodoxy: Fundamentalism Is Not Enough

The Horn of Joy: A Meditation on Eternity and Time, Kairos and Chronos

Now

The Transcendent God Who Approaches Us Through Our Neighbor

Death

CJSHayward.com/death

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In the time of life,
Prepare for death.

Dost thou love life?
Be thou of death ever mindful,
For the remembrance of death,
Better befits thee,
Than closing fast thine eyes,
That the snares before thee may vanish.
All of us are dying,
Each day, every hour, each moment,
Of death the varied microcosm,
The freedom given us as men,
To make a decision eternal,
The decision we build and make,
In each microcosm of eternity,
Until one day cometh our passing,
And what is now fluid,
Forever fixed will be made,
When we will trample down death by death,
Crying out from life to death,
O Death, where is thy victory?
O Grave, where is thy sting?
So even death and the grave,
Claim us to their defeat,
Or else,
After a lifetime building the ramp,
Having made earth infernal,
Closing bit by bit the gates of Hell,
Bolting and barring them from the inside,
We seal our decision,
Not strong enough to die rightly in life,
We sink to death in death,
Sealing ourselves twice dead.
Choosest thou this day,
Which thou shalt abide.

Seekest thou a mighty deed,
Our broken world to straighten out?
Seek it not! Knowest thou not,
That the accursed axe ever wielded in the West,
To transform society, with a program to improve,
Is a wicked axe, ever damned,
And hath a subtle backswing, and most grievous?
Wittest thou not that to heal in such manner,
Is like to bearing the sword,
To smite a dead man to life therewith?
Know rather the time-honeyed words,
True and healthgiving when first spoken,
Beyond lifesaving in our own time:
Save thyself,
And ten thousand around thee shall be saved.

We meet death in microcosm,
In the circumstances of our lives and the smallest decisions,
The decision, when our desire is cut off,
In anger to abide, or to be unperturbed.
Politeness to show to others, little things,
A rhythm of prayer to build up,
Brick by brick, even breath by breath,
Our mind to have on the things of Heaven or on earth,
A heart’s answer of love and submission,
To hold when the Vinedresser takes knife to prune,
The Physician takes scalpel to ransack our wounds,
With our leave, to build us up,
Or to take the gold,
The price of our edification,
And buy demolition in its stead.
Right poetic and wondrous it may sound right now,
Right poetic and wondrous it is in its heart,
But it cometh almost in disguise,
From a God who wishes our humility never to bruise,
To give us better than we know to ask,
And until we see with the eyes of faith,
Our humble God allows it to seem certain,
That he has things wrong,
That we are not in the right circumstances for his work,
When his greatest work is hid from our eyes,
Our virtue not to crush,
Knowing that we are dust,
And not crushing our frame dust to return.
Right frail are we,
And only our Maker knows the right path,
That we may shine with his Glory.

Canst thou not save thyself even?
Perchance thou mayest save another.
Be without fear, and of good cheer:
He saved others, himself he cannot save,
Is but one name of Heaven.
Canst not save thyself?
Travail to save another.
Can God only save in luxury?
Can God only save when we have our way?
Rather, see God his mighty arm outstretched in disaster,
Rather, see glory unfurl in suffering.
Suffering is not what man was made for,
But bitter medicine is better,
And to suffer rightly is lifegiving,
And to suffer unjustly has the Treasure of Heaven inside,
Whilst comfort and ease sees few reach salvation:
Be thou plucked from a wide and broad path?
Set instead on a way strait and narrow?
Give thanks for God savest thee:
Taking from thee what thou desirest,
Giving ever more than thou needest,
That thou mightest ever awaken,
To greater and grander and more wondrous still:
For the gate of Heaven appears narrow, even paltry,
And opens to an expanse vast beyond all imagining,
And the gate of Hell is how we imagine grandeur,
But one finds the belly of the Wyrm constricting ever tighter.

Now whilst the noose about our necks,
Tightens one and all,
Painful blows of the Creator’s chisel stern and severe,
Not in our day, nor for all is it told,
That the Emperor hears the words,
In this sign conquer,
The Church established,
Persecutions come to an end,
And men of valor seeking in monastery and hermitage,
Saving tribulations their souls to keep,
The complaint sounded,
Easy times rob the Church of her saints,
Not in our day does this happen:
For the noose is about our necks,
More than luxury is stripped away;
A Church waxen fat and flabby from easy living,
Must needs be sharpened to a fighting trim,
Chrismated as one returning to Orthodoxy,
Anointed with sacred oil for the athlete,
And myrrh for the bride.
And as Christian is given gifts of royal hue,
Gold, frankincense, and myrrh:
Gold for kingship,
Frankincense for divinity,
Myrrh for anointing the dead,
A trinity of gifts which are homoousios: one,
Gold and frankincense which only a fool seeks without myrrh,
Myrrh of pain, suffering, and death,
Myrrh which befits a sacrifice,
Myrrh which pours forth gold and frankincense.
And as the noose tightens about our neck,
As all but God is taken from us,
And some would wish to take God himself,
The chisel will not wield the Creator,
The arm of providence so deftly hid in easy times,
Is bared in might in hard times,
And if those of us who thought we would die in peace,
Find that suffering and martyrdom are possible,
We must respond as is meet and right:
Glory to God in all things!

Be thou ever sober in the silence of thine heart:
Be mindful of death, and let this mindfulness be sober.
Wittest thou not the hour of thy death:
Wete thou well that it be sooner than thou canst know.
Put thy house in order, each day,
Peradventure this very night thy soul will be required of thee.
Be thou prepared,
For the hour cometh like a thief in the night,
When thou wilt be summoned before Christ’s dread judgment seat.
If thou wilt not to drown,
Say thou not, I can learn to swim tomorrow,
For the procrastinator’s tomorrow never cometh,
Only todays, to use right or wrong.
If thou wilt not to drown,
Learn, however imperfectly, to swim today,
A little better, if thou canst:
Be thou sober and learn to swim,
For all of our boats will sink,
And as we have practiced diligently or neglected the summons,
So will we each sink, or each swim,
When thy boat is asink, the time for lessons is gone.

For contemplation made were we.
Unseen warfare exists because contemplation does not.
Yet each death thou diest well,
A speck of tarnish besmircheth the mirror no more,
The garden of tearful supplication ever healeth,
What was lost in the garden of delights:
Ever banished our race may be from the garden of delights:
‘Til we find its full stature in vale of tears,
‘Til we find what in death God hath hid,
‘Til each microcosm of death given by day to day,
Is where we seek Heaven’s gate, ever opening wide.

The Lord shepherdeth me even now,
And nothing shall be wanting:
There shall be lack of nothing thou shalt need,
In a place of verdure, a place of rest, where the righteous dwell,
Hath he set my tabernacle today,
He hath nourished me by the waters of rest,
Yea, even baptism into Christ’s lifegiving death.
My soul hath he restored from the works of death,
He hath led me in the paths of righteousness,
That his name be hallowed.
Yea though my lifelong walk be through the valley of the shadow of death,
I will fear no evils;
Thy rod and thy staff themselves have comforted me:
Thy staff, a shepherd’s crook,
A hook of comfort to restore a sheep gone astray,
Thy rod a glaive, a stern mace,
The weapon of an armed Lord and Saviour protecting,
Guarding the flock amidst ravening wolves and lions,
Rod and staff both held by a stern and merciful Lord.
Thou preparest before me table fellowship,
In the midst of all them that afflict me:
Both visible and invisible, external and internal.
Thou hast anointed me with oil,
My head with the oil of gladness,
And thy chalice gives the most excellent cheer.
Thy mercy upon me, a sinner, shall follow me,
All my days of eternal life even on earth,
And my shared dwelling shall be in the house of the Lord,
Unto the greatest of days.

Death may be stronger than mortal men, yet:
Love is stronger than death.

The Arena

The Damned Backswing

Maximum Christ, Maximum Ambition, Maximum Repentance

Why This Waste?

Creation and Holy Orthodoxy: Fundamentalism Is Not Enough

CJSHayward.com/creation

Read it on Kindle for FREE!

Against (crypto-Protestant) “Orthodox” fundamentalism

If you read Genesis 1 and believe from Genesis 1 that the world was created in six days, I applaud you. That is a profound thing to believe in simplicity of faith.

However, if you wish to persuade me that Orthodox Christians should best believe in a young earth creation in six days, I am wary. Every single time an Orthodox Christian has tried to convince me that I should believe in a six day creation, I have been given recycled Protestant arguments, and for the moment the entire conversation has seemed like I was talking with a Protestant fundamentalist dressed up in Orthodox clothing. And if the other person claims to understand scientific data better than scientists who believe an old earth, and show that the scientific data instead support a young earth, this is a major red flag.

Now at least some Orthodox heirarchs have refused to decide for the faithful under their care what the faithful may believe: the faithful may be expected to believe God’s hand was at work, but between young earth creationism, old earth creationism, and “God created life through evolution”, or any other options, the heirarchs do not intervene. I am an old earth creationist; I came to my present beliefs on “How did different life forms appear?” before becoming Orthodox, and I have called them into a question a few times but not yet found reason to revise them, either into young earth creation or theistic evolution. I would characterize my beliefs, after being reconsidered, as “not changed”, and not “decisively confirmed”: what I would suggest has improved in my beliefs is that I have become less interested in some Western fascinations, such as getting right the details of how the world was created, moving instead to what might be called “mystical theology” or “practical theology”, and walking the Orthodox Way.

There is something that concerns me about Orthodox arguing young earth creationism like a Protestant fundamentalist. Is it that I think they are wrong about how the world came to be? That is not the point. If they are wrong about that, they are wrong in the company of excellent saints. If they merely hold another position in a dispute, that is one thing, but bringing Protestant fundamentalism into the Orthodox Church reaches beyond one position in a dispute. Perhaps I shouldn’t be talking because I reached my present position before entering the Orthodox Church; or rather I haven’t exactly reversed my position but de-emphasized it and woken up to the fact that there are bigger things out there. But I am concerned when I’m talking with an Orthodox Christian, and every single time someone tries to convince me of a young earth creationism, all of the sudden it seems like I’m not dealing with an Orthodox Christian any more, but with a Protestant fundamentalist who always includes arguments that came from Protestant fundamentalism. And what concerns me is an issue of practical theology. Believing in a six day creation is one thing. Believing in a six day creation like a Protestant fundamentalist is another matter entirely.

A telling, telling line in the sand

In reading the Fathers, one encounters claims of a young earth. However, often (if not always) the claim is one among many disputes with Greek philosophers or what have you. To my knowledge there is no patristic text in which a young earth is the central claim, let alone even approach being “the article by which the Church stands or falls” (if I may borrow phrasing from Protestant fundamentalist cultural baggage).

But, you may say, Genesis 1 and some important Fathers said six days, literally. True enough, but may ask a counterquestion?

Are we obligated to believe that our bodies are composed of earth, air, fire and water, and not of molecules and atoms including carbon, hydrogen, and oxygen?

If that question seems to come out of the blue, let me quote St. Basil, On the Six Days of Creation, on a precursor to today’s understanding of the chemistry of what everyday objects are made of:

Others imagined that atoms, and indivisible bodies, molecules and bonds, form, by their union, the nature of the visible world. Atoms reuniting or separating, produce births and deaths and the most durable bodies only owe their consistency to the strength of their mutual adhesion: a true spider’s web woven by these writers who give to heaven, to earth, and to sea so weak an origin and so little consistency! It is because they knew not how to say “In the beginning God created the heaven and the earth.” Deceived by their inherent atheism it appeared to them that nothing governed or ruled the universe, and that was all was given up to chance.

At this point, belief in his day’s closest equivalent to our atoms and molecules is called an absolutely unacceptable “spider’s web” that is due to “inherent atheism.” Would you call Orthodox Christians who believe in chemistry’s molecules and atoms inherent atheists? St. Basil does provide an alternative:

“And the Spirit of God was borne upon the face of the waters.” Does this spirit mean the diffusion of air? The sacred writer wishes to enumerate to you the elements of the world, to tell you that God created the heavens, the earth, water, and air and that the last was now diffused and in motion; or rather, that which is truer and confirmed by the authority of the ancients, by the Spirit of God, he means the Holy Spirit.

St. Basil rejected atoms and molecules, and believed in elements, not of carbon or hydrogen, but of earth, air, fire, and water. The basic belief is one Orthodoxy understands, and there are sporadic references in liturgical services to the four elements of earth, air, fire, and water, and so far as I know no references to modern chemistry. St. Basil seems clearly enough to endorse a six day creation, and likewise endorses an ancient view of elements while rejecting belief in atoms and molecules as implicit atheism.

Why then do Orthodox who were once Protestant fundamentalists dig their heels in at a literal six day creation and make no expectation that we dismiss chemistry to believe the elements are earth, air, fire, water, and possibly aether? The answer, so far as I can tell, has nothing whatsoever to do with Orthodoxy or any Orthodox Christians. It has to do with a line in the sand chosen by Protestants, the same line in the sand described in Why Young Earthers Aren’t Completely Crazy, a line in the sand that is understandable and was an attempt to address quite serious concerns, but still should not be imported from Protestant fundamentalism into Holy Orthodoxy.

Leaving Western things behind

If you believe in a literal six day creation, it is not my specific wish to convince you to drop that belief. But I would have you drop fundamentalist Protestant “creation science” and its efforts to prove a young earth scientifically and show that it can interpret scientific findings better than the mainstream scientific community. And I would have you leave Western preoccupations behind. Perhaps you might believe St. Basil was right about six literal days. For that matter, you could believe he was right about rejecting atoms and molecules in favor of earth, air, fire, and water—or at least recognize that St. Basil makes other claims besides six literal days. But you might realize that really there are much more important things in the faith. Like how faith plays out in practice.

The fundamentalist idea of conversion is like flipping a light switch: one moment, a room is dark, then in an instant it is full of light. The Orthodox understanding is of transformation: discovering Orthodoxy is the work of a lifetime, and perhaps once a year there is a “falling off a cliff” experience where you realize you’ve missed something big about Orthodoxy, and you need to grow in that newly discovered dimension. Orthodoxy is not just the ideas and enthusiasm we have when we first come into the Church; there are big things we could never dream of and big things we could never consider we needed to repent of. And I would rather pointedly suggest that if a new convert’s understanding of Orthodoxy is imperfect, much less of Orthodoxy can be understood from reading Protestant attacks on it. One of the basic lessons in Orthodoxy is that you understand Orthodoxy by walking the Orthodox Way, by attending the services and living a transformed life, and not by reading books. And if this goes for books written by Orthodox saints, it goes all the more for Protestant fundamentalist books attacking Orthodoxy.

Science won’t save your soul, but science (like Orthodoxy) is something you understand by years of difficult work. Someone who has done that kind of work might be able to argue effectively that evolution does not account for the fossil record, let alone how the first organism could come to exist: but here I would recall The Abolition of Man: “It is Paul, the Pharisee, the man ‘perfect as touching the Law’ who learns where and how that Law was deficient.” Someone who has taken years of effort may rightly criticize evolution for its scientific merits. Someone who has just read fundamentalist Protestant attacks on evolution and tries to evangelize evolutionists and correct their scientific errors will be just as annoying to an atheist who believes in evolution, as a fundamentalist who comes to evangelize the unsaved Orthodox and “knows all about Orthodoxy” from polemical works written by other fundamentalists. I would rather pointedly suggest that if you care about secular evolutionists at all, pray for them, but don’t set out to untangle their backwards understanding of the science of it all. If you introduce yourself as someone who will straighten out their backwards ideas about science, all you may really end up accomplishing is to push them away.

Conversion is a slow process. And letting go of Protestant approaches to creation may be one of those moments of “falling off a cliff.”

The evolution of a perspective on creation and origins

Note to Orthodox evolutionists: stop trying to retroactively shanghai recruit the Fathers to your camp!

“Religion and science” is not just intelligent design vs. evolution

What Makes Me Uneasy About Fr. Seraphim (Rose) and His Followers

The Commentary

CJSH.name/commentary

Firestorm 2034
Read it on Kindle for $3!

Memories flitted through Martin’s mind as he drove: tantalizing glimpses he had seen of how people really thought in Bible times. Glimpses that made him thirsty for more. It had seemed hours since he left his house, driving out of the city, across back roads in the forest, until at last he reached the quiet town. The store had printer’s blocks in the window, and as he stepped in, an old-fashioned bell rung. There were old tools on the walls, and the room was furnished in beautifully varnished wood.

An old man smiled and said, “Welcome to my bookstore. Are you—” Martin nodded. The man looked at him, turned, and disappeared through a doorway. A moment later he was holding a thick leatherbound volume, which he set on the counter. Martin looked at the binding, almost afraid to touch the heavy tome, and read the letters of gold on its cover:

COMMENTARY
ON THE OLD AND NEW TESTAMENTS
IN ONE VOLUME
CONTAINING A CAREFUL ANALYSIS OF ALL CULTURAL ISSUES
NEEDFUL TO UNDERSTAND THE BIBLE
AS DID ITS FIRST READERS

“You’re sure you can afford it, sir? I’d really like to let it go for a lower price, but you must understand that a book like this is costly, and I can’t afford to sell it the way I do most other titles.”

“Finances will be tight, but I’ve found knowledge to cost a lot and ignorance to cost more. I have enough money to buy it, if I make it a priority.”

“Good. I hope it may profit you. But may I make one request, even if it sounds strange?”

“What is your request?”

“If, for any reason, you no longer want the commentary, or decide to get rid of it, you will let me have the first chance to buy it back.”

“Sir? I don’t understand. I have been searching for a book like this for years. I don’t know how many miles I’ve driven. I will pay. You’re right that this is more money than I could easily spare—and I am webmaster to a major advertising agency. I would have only done so for something I desired a great, great deal.”

“Never mind that. If you decide to sell it, will you let me have the first chance?”

“Let’s talk about something else. What text does it use?”

“It uses the Revised Standard Version. Please answer my question, sir.”

“How could anyone prefer darkness to light, obscurity to illumination?”

“I don’t know. Please answer my question.”

“Yes, I will come to you first. Now will you sell it to me?”

The old man rung up the sale.

As Martin walked out the door, the shopkeeper muttered to himself, “Sold for the seventh time! Why doesn’t anybody want to keep it?”


Martin walked through the door of his house, almost exhausted, and yet full of bliss. He sat in his favorite overstuffed armchair, one that had been reupholstered more than once since he sat in it as a boy. He relaxed, the heavy weight of the volume pressing into his lap like a loved one, and then opened the pages. He took a breath, and began reading.

INTRODUCTION

At the present time, most people believe the question of culture in relation to the Bible is a question of understanding the ancient cultures and accounting for their influence so as to be able to better understand Scripture. That is indeed a valuable field, but its benefits may only be reaped after addressing another concern, a concern that is rarely addressed by people eager to understand Ancient Near Eastern culture.

A part of the reader’s culture is the implicit belief that he is not encumbered by culture: culture is what people live under long ago and far away. This is not true. As it turns out, the present culture has at least two beliefs which deeply influence and to some extent limit its ability to connect with the Bible. There is what scholars call ‘period awareness’, which is not content with the realization that we all live in a historical context, but places different times and places in sealed compartments, almost to the point of forgetting that people who live in the year 432, people who live in 1327, and people who live in 1987 are all human. Its partner in crime is the doctrine of progress, which says at heart that we are better, nobler, and wiser people than those who came before us, and our ideas are better, because ideas, like machines, grow rust and need to be replaced. This gives the reader the most extraordinary difficulties in believing that the Holy Spirit spoke through humans to address human problems in the Bible, and the answer speaks as much to us humans as it did to them. Invariably the reader believes that the Holy Spirit influenced a first century man trying to deal with first century problems, and a delicate work of extrication is needed before ancient texts can be adapted to turn-of-the-millenium concerns.

Martin shifted his position slightly, felt thirsty, almost decided to get up and get a glass of water, then decided to continue reading. He turned a few pages in order to get into the real meat of the introduction, and resumed reading:

…is another example of this dark pattern.

In an abstracted sense, what occurs is as follows:

  1. Scholars implicitly recognize that some passages in the Bible are less than congenial to whatever axe they’re grinding.
  2. They make a massive search, and subject all of the offending passages to a meticulous examination, an examination much more meticulous than orthodox scholars ever really need when they’re trying to understand something.
  3. In parallel, there is an exhaustive search of a passage’s historical-cultural context. This search dredges up a certain kind of detail—in less flattering terms, it creates disinformation.
  4. No matter what the passage says, no matter who’s examining it, this story always has the same ending. It turns out that the passage in fact means something radically different from what it appears to mean, and in fact does not contradict the scholar at all.

This dark pattern has devastating effect on people from the reader’s culture. They tend to believe that culture has almost any influence it is claimed to; in that regard, they are very gullible . It is almost unheard-of for someone to say, “I’m sorry, no; cultures can make people do a lot of things, but I don’t believe a culture could have that influence.”

It also creates a dangerous belief which is never spoken in so many words: “If a passage in the Bible appears to contradict what we believe today, that is because we do not adequately understand its cultural context.”

Martin coughed. He closed the commentary slowly, reverently placed it on the table, and took a walk around the block to think.

Inside him was turmoil. It was like being at an illusionist show, where impossible things happened. He recalled his freshman year of college, when his best friend Chaplain was a student from Liberia, and come winter, Chaplain was not only seared by cold, but looked betrayed as the icy ground became a traitor beneath his feet. Chaplain learned to keep his balance, but it was slow, and Martin could read the pain off Chaplain’s face. How long would it take? He recalled the shopkeeper’s words about returning the commentary, and banished them from his mind.

Martin stepped into his house and decided to have no more distractions. He wanted to begin reading commentary, now. He opened the book on the table and sat erect in his chair:

Genesis

1:1 In the beginning God created the heavens and the earth.
1:2 The earth was without form and void, and darkness was upon the face of the deep; and the Spirit of God was moving over the face of the waters.
1:3 And God said, “Let there be light”; and there was light.

The reader is now thinking about evolution. He is wondering whether Genesis 1 is right, and evolution is simply wrong, or whether evolution is right, and Genesis 1 is a myth that may be inspiring enough but does not actually tell how the world was created.

All of this is because of a culture phenomenally influenced by scientism and science. The theory of evolution is an attempt to map out, in terms appropriate to scientific dialogue, just what organisms occurred, when, and what mechanism led there to be new kinds of organisms that did not exist before. Therefore, nearly all Evangelicals assumed, Genesis 1 must be the Christian substitute for evolution. Its purpose must also be to map out what occurred when, to provide the same sort of mechanism. In short, if Genesis 1 is true, then it must be trying to answer the same question as evolution, only answering it differently.

Darwinian evolution is not a true answer to the question, “Why is there life as we know it?” Evolution is on philosophical grounds not a true answer to that question, because it is not an answer to that question at all. Even if it is true, evolution is only an answer to the question, “How is there life as we know it?” If someone asks, “Why is there this life that we see?” and someone answers, “Evolution,” it is like someone saying, “Why is the kitchen light on?” and someone else answering, “Because the switch is in the on position, thereby closing the electrical circuit and allowing current to flow through the bulb, which grows hot and produces light.”

Where the reader only sees one question, an ancient reader saw at least two other questions that are invisible to the present reader. As well as the question of “How?” that evolution addresses, there is the question of “Why?” and “What function does it serve?” These two questions are very important, and are not even considered when people are only trying to work out the antagonism between creationism and evolutionism.

Martin took a deep breath. Was the text advocating a six-day creationism? That was hard to tell. He felt uncomfortable, in a much deeper way than if Bible-thumpers were preaching to him that evolutionists would burn in Hell.

He decided to see what it would have to say about a problem passage. He flipped to Ephesians 5:

5:21 Be subject to one another out of reverence for Christ.
5:22 Wives, be subject to your husbands, as to the Lord.
5:23 For the husband is the head of the wife as Christ is the head of the church, his body, and is himself its Savior.
5:24 As the church is subject to Christ, so let wives also be subject in everything to their husbands.
5:25 Husbands, love your wives, as Christ loved the church and gave himself up for her,
5:26 that he might sanctify her, having cleansed her by the washing of water with the word,
5:27 that he might present the church to himself in splendor, without spot or wrinkle or any such thing, that she might be holy and without blemish.
5:28 Even so husbands should love their wives as their own bodies. He who loves his wife loves himself.
5:29 For no man ever hates his own flesh, but nourishes and cherishes it, as Christ does the church,
5:30 because we are members of his body.
5:31 “For this reason a man shall leave his father and mother and be joined to his wife, and the two shall become one flesh.”
5:32 This mystery is a profound one, and I am saying that it refers to Christ and the church;
5:33 however, let each one of you love his wife as himself, and let the wife see that she respects her husband.

The reader is at this point pondering what to do with this problem passage. At the moment, he sees three major options: first, to explain it away so it doesn’t actually give husbands authority; second, to chalk it up to misogynist Paul trying to rescind Jesus’s progressive liberality; and third, to take this as an example of why the Bible can’t really be trusted.

To explain why the reader perceives himself caught in this unfortunate choice, it is necessary to explain a powerful cultural force, one whose effect cannot be ignored: feminism. Feminism has such a powerful effect among the educated in his culture that the question one must ask of the reader is not “Is he a feminist?” but “What kind of feminist is he, and to what degree?”

Feminism flows out of a belief that it’s a wonderful privelege to be a man, but it is tragic to be a woman. Like Christianity, feminism recognizes the value of lifelong penitence, even the purification that can come through guilt. It teaches men to repent in guilt of being men, and women to likewise repent of being women. The beatific vision in feminism is a condition of sexlessness, which feminists call ‘androgyny’.

Martin stopped. “What kind of moron wrote this? Am I actually supposed to believe it?” Then he continued reading:

This is why feminism believes that everything which has belonged to men is a privelege which must be shared with women, and everything that has belonged to women is a burden which men must also shoulder. And so naturally, when Paul asserts a husband’s authority, the feminist sees nothing but a privelege unfairly hoarded by men.

Martin’s skin began to feel clammy.

The authority asserted here is not a domineering authority that uses power to serve oneself. Nowhere in the Bible does Paul tell husbands how to dominate their wives. Instead he follows Jesus’s model of authority, one in which leadership is a form of servanthood. Paul doesn’t just assume this; he explicitly tells the reader, “Husbands, love your wives, as Christ loved the church and gave himself up for her.” The sigil of male headship and authority is not a crown of gold, but a crown of thorns.

Martin was beginning to wish that the commentary had said, “The Bible is misogynistic, and that’s good!” He was beginning to feel a nagging doubt that what he called problem passages were in fact perfectly good passages that didn’t look attractive if you had a problem interpretation. What was that remark in a theological debate that had gotten so much under his skin? He almost wanted not to remember it, and then—”Most of the time, when people say they simply cannot understand a particular passage of Scripture, they understand the passage perfectly well. What they don’t understand is how to explain it away so it doesn’t contradict them.”

He paced back and forth, and after a time began to think, “The sword can’t always cut against me, can it? I know some gay rights activists who believe that the Bible’s prohibition of homosexual acts is nothing but taboo. Maybe the commentary on Romans will give me something else to answer them with.” He opened the book again:

1:26 For this reason God gave them up to dishonorable passions. Their women exchanged natural relations for unnatural,
1:27 and the men likewise gave up natural relations with women and were consumed with passion for one another, men committing shameless acts with men and receiving in their own persons the due penalty for their error.

The concept of ‘taboo’ in the reader’s culture needs some explanation. When a person says, “That’s taboo,” what’s being said is that there is an unthinking, irrational prejudice against it: one must not go against the prejudice because then people will be upset, but in some sense to call a restriction a taboo is de facto to show it unreasonable.

The term comes from Polynesia and other South Pacific islands, where it is used when people recognize there is a line which it is wiser not to cross. Thomas Aquinas said, “The peasant who does not murder because the law of God is deep in his bones is greater than the theologian who can derive, ‘Thou shalt not kill’ from first principles.”

A taboo is a restriction so deep that most people cannot offer a ready explanation. A few can; apologists and moral philosophers make a point of being able to explain the rules. For most people, though, they know what is right and what is wrong, and it is so deeply a part of them that they cannot, like an apologist, start reasoning with first principles and say an hour and a half later, “and this is why homosexual acts are wrong.”

What goes with the term ‘taboo’ is an assumption that if you can’t articulate your reasons on the drop of a hat, that must mean that you don’t have any good reasons, and are acting only from benighted prejudice. Paradoxically, the term ‘taboo’ is itself a taboo: there is a taboo against holding other taboos, and this one is less praiseworthy than other taboos…

Martin walked away and sat in another chair, a high wooden stool. What was it that he had been thinking about before going to buy the commentary? A usability study had been done on his website, and he needed to think about the results. Designing advertising material was different from other areas of the web; the focus was not just on a smooth user experience but also something that would grab attention, even from a hostile audience. Those two goals were inherently contradictory, like mixing oil and water. His mind began to wander; he thought about the drive to buy the commentary, and began to daydream about a beautiful woman clad only in—

What did the commentary have to say about lust? Jesus said it was equivalent to adultery; the commentary probably went further and made it unforgiveable. He tried to think about work, but an almost morbid curiosity filled him. Finally, he looked up the Sermon on the Mount, and opened to Matthew:

5:27 “You have heard that it was said, `You shall not commit adultery.’
5:28 But I say to you that every one who looks at a woman lustfully has already committed adultery with her in his heart.

There is a principle here that was once assumed and now requires some explanation. Jesus condemned lust because it was doing in the heart what was sinful to do in the hands. There is a principle that is forgotten in centuries of people saying, “I can do whatever I want as long as it doesn’t harm you,” or to speak more precisely, “I can do whatever I want as long as I don’t see how it harms you.” Suddenly purity was no longer a matter of the heart and hands, but a matter of the hands alone. Where captains in a fleet of ships once tried both to avoid collisions and to keep shipshape inside, now captains believe that it’s OK to ignore mechanical problems inside as long as you try not to hit other ships—and if you steer the wheel as hard as you can and your ship still collides with another, you’re not to blame. Heinrich Heine wrote:

Should ever that taming talisman break—the Cross—then will come roaring back the wild madness of the ancient warriors, with all their insane, Berserker rage, of whom our Nordic poets speak and sing. That talisman is now already crumbling, and the day is not far off when it shall break apart entirely. On that day, the old stone gods will rise from their long forgotten wreckage and rub from their eyes the dust of a thousand years’ sleep. At long last leaping to life, Thor with his giant hammer will crush the gothic cathedrals. And laugh not at my forebodings, the advice of a dreamer who warns you away from the . . . Naturphilosophen. No, laugh not at the visionary who knows that in the realm of phenomena comes soon the revolution that has already taken place in the realm of spirit. For thought goes before deed as lightning before thunder. There will be played in Germany a play compared to which the French Revolution was but an innocent idyll.

Heinrich Heine was a German Jewish poet who lived a century before Thor’s hammer would crush six million of his kinsmen.

The ancient world knew that thought goes before deed as lightning before thunder. They knew that purity is an affair of the heart as well as the hands. Now there is grudging acknowledgment that lust is wrong, a crumbling acceptance that has little place in the culture’s impoverished view, but this acknowledgment is like a tree whose soil is taken away. For one example of what goes with that tree, I would like to look at advertising.

Porn uses enticing pictures of women to arouse sexual lust, and can set a chain of events in motion that leads to rape. Advertising uses enticing pictures of chattels to arouse covetous lust, and exists for the sole reason of setting a chain of events in motion that lead people to waste resources by buying things they don’t need. The fruit is less bitter, but the vine is the same. Both operate by arousing impure desires that do not lead to a righteous fulfillment. Both porn and advertising are powerfully unreal, and bite those that embrace them. A man that uses porn will have a warped view of women and be slowly separated from healthy relations. Advertising manipulates people to seek a fulfillment in things that things can never provide: buying one more product can never satisfy that deep craving, any more than looking at one more picture can. Bruce Marshall said, “…the young man who rings at the door of a brothel is unconsciously looking for God.” Advertisers know that none of their products give a profound good, nothing like what people search for deep down inside, and so they falsely present products as things that are transcendent, and bring family togetherness or racial harmony.

It has been asked, “Was the Sabbath made for man, or was man made for the Sabbath?” Now the question should be asked, “Was economic wealth made for man, or was man made for economic wealth?” The resounding answer of advertising is, “Man was made for economic wealth.” Every ad that is sent out bears the unspoken message, “You, the customer, exist for me, the corporation.”

Martin sat in his chair, completely stunned.

After a long time, he padded off to bed, slept fitfully, and was interrupted by nightmares.


The scenic view only made the drive bleaker. Martin stole guiltily into the shop, and laid the book on the counter. The shopkeeper looked at him, and he at the shopkeeper.

“Didn’t you ask who could prefer darkness to light, obscurity to illumination?”

Martin’s face was filled with anguish. “How can I live without my darkness?”

Creation and Holy Orthodoxy: Fundamentalism Is Not Enough

Dark Patterns / Anti-patterns and cultural context study of Scriptural texts: a case study in Craig Keener’s Paul, Women, and Wives: Marriage and Women’s Ministry in the Letters of Paul

The Most Politically Incorrect Sermon in History: A Commentary on the Sermon on the Mount

“Religion and Science” Is Not Just Intelligent Design vs. Evolution

QUICK! What Is Your Opinion About Chemistry?

CJSH.name/chemistry

QUICK! What Is Your Opinion About Chemistry?

A Christmas tree built using chemistry's instruments.

Readers who also read the popular usability author Jakob Nielsen may have read him give a popularized version of “the query effect,” which is essentially that even if people don’t have an opinion on something before you ask, if you ask their opinion they will very quickly come to an opinion, share the newly formed with you, and walk away thoroughly convinced of the opinion they just shared.

I haven’t actually done this, but if I were to waste people’s time and perhaps get in trouble with clergy by taking a survey at church and ask them what their opinion of chemistry was, I would expect some hesitation and befuddlement, people being perhaps a bit uncertain about where the question was coming from or my motives for asking, but given a bit of time to answer, something like the following might be expected:

Read it on Kindle: part of the collection, The Seraphinians: “Blessed Seraphim Rose” and his Axe-Wielding Western Converts

  • It’s hard.
  • It’s boring.
  • It’s fascinating.
  • I think it’s really cool that a chemist can take two beakers full of clear liquid and pour them together and have it turn colors.
  • Our lives are so much better for things that need chemistry for us to be able to manufacture them.
  • Chemistry is foundational to how we as a society have raped the environment.
  • What difference chemistry makes depends on how you make use of it.
  • Chemistry came from alchemy—I’m a bit more curious about alchemy!

Now what about an answer of “There are not hundreds of elements, e.g. hydrogen, helium, lithium, etc., but the original four elements: earth, air, fire, and water. Chemistry is intrinsically atheistic, and no Orthodox should believe it.“?

Most readers may be even further confused as to where I may be going this, and suspect that the source of the opinion is occult, or deranged, or on drugs, or some combination of the above. But in fact that is the position of Church Fathers, although I will only investigate one of the Three Holy Heirarchs. In St. Basil’s Hexaëmeron (Homily 1, 2, 3, 4, 5, 6, 7, 8, 9), in which we read:

Others imagined that atoms, and indivisible bodies, molecules and [bonds], form, by their union, the nature of the visible world. Atoms reuniting or separating, produce births and deaths and the most durable bodies only owe their consistency to the strength of their mutual adhesion: a true spider’s web woven by these writers who give to heaven, to earth, and to sea so weak an origin and so little consistency! It is because they knew not how to say “In the beginning God created the heaven and the earth.” Deceived by their inherent atheism it appeared to them that nothing governed or ruled the universe, and that was all was given up to chance.

Now a chemist who communicated well would be hard pressed to summarize chemistry (not alchemy) better in so few words as the opponents’ position as summarized by St. Basil. Even if modern chemistry is developed in a great deal more detail and scientific accuracy than St. Basil’s opponents. Compare the words of Nobel Prize laureate Richard Feynman, in the Feynman Lectures which are considered exemplars of excellent communication in teaching the sciences, in words that might as well have come from a chemist trying to explain chemistry in a single sentence:

If, in some cataclysm, all of scientific knowledge were to be destroyed, and only one sentence passed on to the next generation of creatures, what statement would contain the most information in the fewest words? I believe it is the atomic hypothesis that all things are made of atoms — little particles that move around in perpetual motion, attracting each other when they are a little distance apart, but repelling upon being squeezed into one another. In that one sentence, you will see, there is an enormous amount of information about the world, if just a little imagination and thinking are applied.

Feynman and St. Basil’s summary of his opponents are saying the same thing, and almost with the same economy. St. Basil’s description could be used as a pretty effective surrogate if Feynman’s words here were lost.

If that is the case, what should we make of it? Well, let me mention one thing I hope doesn’t happen: I don’t want to see even one pharmacist (or as is said in the U.K., “chemist”), weeping, make the confession of a lifetime, stop using chemistry to ease the sick and the suffering, after the sobbing confession, “I thought I was an Orthodox Christian, but it turns out I was really an atheist all along!

A sane reading of the Fathers would take a deep breath—or simply not need to take a deep breath—and recognize that something other than legalism is the wisest course for dealing with occasional passages in the Fathers that condemn chemistry, just like with the passages that claim a young earth.

Just like the passages that claim a young earth?

People in the U.S. who are not connected with Hispanic culture will often wonder that Mexicans, either in Mexico or the U.S., do not really celebrate Cinco de Mayo, and probably make less of a hubbub of what is assumed to be the the Mexican holiday. But, as my brother pointed out, “Cinco de Mayo legitimately is a Mexican holiday, but it’s not on par with the U.S.’s Independence Day; it’s on par with [the U.S.’s] Casamir Pulaski Day.”

It is helpful in dealing with passages from the Fathers to recognize what are genuinely Independence Day topics and what are only Casamir Pulaski Day topics. Independence Day topics include repentance, theosis, Grace, hesychasm, and there tend to be numerous treatises devoted to them. Casamir Pulaski Day topics like rejection of chemistry as atheistic, or insisting on a young earth, may be agreed on, but I have not read or heard in thousands of pages of patristic writing where either topic is front and center. So far I have only found brief passages, generally among other passages condemning various opinions in ways that, when they touch scientific subjects, are a bit scattershot—much as when one is proceeding the wrong way—as regards contributing to any useful and coherent way of evaluating modern science.

I’m not going to condemn believing in a young earth as it is a very easy conclusion to reach and it is shared among many saints. But I will suggest that even the conceptual framework of having an origins position is strange and not helpful, as it is spiritually really not that helpful to weigh in on whether chemistry makes you an atheist. We’re making a really big deal of a Mexican Casamir Pulaski Day, much to the confusion of those connected with Méjico!

Mainstream origins positions

Let me briefly comment on the mainstream origins positions held by Orthodox. Some things are non-negotiable; among them being that God created the world and that the human race is created in the image of God. Atheism, naturalism or materialism is not acceptable, with or without connection to evolution. The Ancient Near East and pagan Greek philosophy hold to various opinions which are not to be accepted: among these are that a hero or god fought a dragon or demon and ripped her body in half, making half into the sky and half into the earth; that the universe was created by divine sexual activity in a fashion that need not be described to Orthodox Christians; that the world has always existed and is as uncreated as God; and that the world is an emanation from God (divine by nature in a diluted form), in classical pantheistic fashion. All of these are to be rejected, but I am not aware of a camp among today’s Orthodox, nor have I encountered a single Orthodox follower, for these kinds of positions. And none of these seem to really overlap any mainstream position.

Among mainstream positions, let me enumerate the following. This excludes being completely not sure, finding the whole question messy and hesitating between two or more basic options (where I am now), and a few others. As far as I know, this list covers all encounters where I have seen a definite position taken by Orthodox. (Some or all of these positions may admit varieties and clarification.)

1: The saints believed in a young earth and that’s how I read Genesis.
If you believe this, and don’t go further or mix it with anything non-Orthodox, this is fine.

2: I believe in an old earth where God miraculously intervened by creating new life forms over time.
This position is now backed by intelligent design movement texts, such as Philip Johnson’s Darwin on Trial. The downside, at least as explained to me by two very hostile Orthodox theistic evolutionists who shut me down before I could make my point instead of letting me make my point and then refuting it, is that the new intelligent design movement was concocted by the Protestant creationist Discovery Institute to attract people not attracted by young earth creationism’s handling of science. Like the position that follows, most of its followers don’t jackhammer people who disagree.

3: I’m not a scientist, but I believe God could have done it through evolution.
This option, theistic evolution, is perfectly permissible, but I wince as it usually means “I’m coming to terms with the science of a hundred years ago.”

One hundred years ago, evolution was a live option in the academy. Now people still use the term, but its meaning has been gutted and any belief that life forms slowly evolve into different life forms has been dead so long that it has long since stopped even smelling bad. The evidence (the “evolutionary” term being “punctuated equilibrium” or “punk eek”) is that the fossil record shows long periods of great stability without real change in what kind of organisms there, abruptly interrupted by geological eyeblinks and the sudden appearance and disappearance of life forms. Or as my “University Biology” teacher at the Illinois Mathematics and Science Academy said, “Evolution is like baseball. There are long periods of boredom interrupted by brief moments of intense excitement.

This option registers to me as a genuinely comfortable assent to science, but without awareness that the science in question has changed profoundly in the past hundred years.

But I wish to underscore: theistic evolution is (usually) an “I won’t drop the hammer on you” signal, and that is an excellent kind of signal.

4: I am a scientist, and I believe God probably worked through evolution.
My experience with this has not been the most pleasant; in one case behind the open hostility and efforts to shut me down from arguing (and rudely stop me before I could make my point at all instead of letting me make my point and then explain its flaws) may have lurked an uneasiness that I represented enough authority that I was intrinsically a threat to their certitude that scientific evidence pointed to “evolution” (as the term has been redefined in the sciences of today).

With that stated, I have known several Orthodox physicians, and I expect some of them after extensive evolution-laden biology classes would lean towards theistic evolution. However, I’m not sure as they generally seemed more interested in knowing, for instance, if I was having a nice day, than convincing me of their views about origins.

(I don’t remember any clergy or heirarch who was above me bringing up origins questions, although they have been willing to offer their thoughts if requested; “I’m not a scientist, but I believe God could have done it through evolution” is the most frequent opinion I’ve seen even among conservative clergy. Priests seem to be focused on bigger questions, like “What hast thou to confess?“)

All four opinions above are at least tolerable, but there is one additional common opinion that takes “problematic” to a whole new level:

5: God created a young earth and we know because Creation Science proves it.
I am perhaps biased by my frustrating experience with this crowd. I’ve had people offer to straighten out my backwards understanding of science whose understanding of science was so limited that I could not lead them to see when I was making a scientific argument, as opposed to just arbitrarily playing around with words. I have an advanced degree from a leading institution and a lot of awards. I am not aware of any of the people who sought to do me the favor of straightening out my backwards views on science as having a community college learner’s permit associate’s degree in any of the sciences.

The assertion is made that Creation Science is just science (after all, how could it not, if it has “Science” in its name?). A slightly more astute reader might listen to artificial intelligence critic John Searle’s rule of thumb that anything with the word “science” in its name is probably not a science: “military science,” “food science,” “Creation Science”, “cognitive science.” My best response to people who think Creation “Science” is science in the usual sense of the term, is to say that “Creation Science is real, legitimate science” is wrong, in the same way, for the same reason, as saying “Pro-choice Catholics are real, legitimate Catholics”. Pro-choice “Catholics” do not understand, appreciate, respect, or accept what it means to be a Catholic; Creation “scientists” do not understand, appreciate, respect, or accept what it means to be a scientist. Not only do Scientists and Catholics not accept the obnoxious intrusion, but arguing is pointless and brings to mind Confucious’s warning, “It is useless to take counsel with those who follow a different Way.

The problem with Creation Science is not that it is not science. It is painfully obvious to those outside of the movement that it is a feature of the Protestant landscape, perhaps a Protestantism of yesteryear rather than Protestantism today: Wheaton College, which is quite arguably the Evangelical Vatican, has something like three young earth creationists on its faculty, and I have never heard the one I know even mention Creation Science—he only claims to accept a young earth from reading and trusting the Bible), and the origin and nature of Creation Science are well described by a leading Evangelical scholar of Evangelicalism, Mark Noll in The Scandal of the Evangelical Mind.

Kiddies, if you’re going to take one feature of Protestantism and incorporate it into Orthodoxy, take Bible studies, or My Utmost for His Highest, or some other genuine treasure that tradition has produced. It would be better to do neither, of course, but those are better choices. Taking Creation Science from Evangelicalism is like robbing Evangelicalism in a blind alley, and all you take away is its pocket lint!

More than one person who have held this last position have called into question whether I should be calling myself an Orthodox Christian at all because I didn’t believe in a young earth. And I really think that’s a bit extreme. In twelve years of being Orthodox, I have on numerous occasions been told I was wrong by people who were often right. I have been told I was wrong many times by my spiritual father, by other priests, and by laity who usually have had a little bit more experience, and I suspect that future growth will fueled partly by further instances of people pointing where I am wrong. However, when I was newly illumined and my spiritual father said that what I had just said sounded very Protestant, he did not thereby call into question whether I should be calling myself an Orthodox Christian. The only context in the entirety of my dozen years of being Orthodox that anybody has responded to my words, faith, belief, practice, etc. by directly challenging whether I should be calling myself an Orthodox Christian at all, was Seraphinians who were exceedingly and sorely displeased to learn I did not share their certain belief in a young earth. This seems to say little about my weaknesses (besides that I am the chief of sinners), and a great deal more about an unnatural idol that has blown out of all proportions. The Casamir Pulaski day represented by the theologoumenon of a young earth has completely eclipsed every Independence Day question on which I’ve been wrong, from my early ecumenism (ecumenism has been anathematized as a heresy), to a more-inappropriate-than-usual practice of the Protestant cottage industry of archaeologically restoring the early Church. In both cases my error was serious, and I am glad clergy out-stubborned me as I did not give in quickly. But they refrained from casting doubt on whether I should be calling myself an Orthodox Christian; they seem to have seen me as both a nascent Orthodox and wrong about several things they would expect from my background. Really, we do need Church discipline, but isn’t dropping that sledgehammer on people who don’t believe a young earth a bit extreme?

I’ll not return the insult of casting doubt on whether they’re Orthodox; I don’t see that this option is acceptable, but I believe it is coherent to talk about someone who is both Orthodox and wrong about something major or minor. I believe that Creation Science is a thoroughly Protestant practice (that it is not science is beside the point), and militantly embracing Creation Science is one of the ways that the Seraphinians continue a wrong turn.

But quite apart from that, the question of origins as I have outlined it is itself a heritage from Protestantism. Evangelicals once were fine with an old earth, before Evangelicals created today’s young earth creationism; the article Why young earthers aren’t completely crazy talks with some sympathy about the Evangelical “line in the sand;” Noll tells how it came to be drawn. The fact that it can be a relatively routine social question to ask someone, “What is your opinion about origins?” signals a problem if this Protestant way of framing things is available in Orthodoxy. It’s not just that the Seraphinian answer is wrong: the question itself is wrong, or at least not Orthodox as we know it now. Maybe the question “Did God create the entire universe from nothing, or did he merely shape a world that has always existed and is equally uncreated with him?” is an Independence Day question, or something approaching one. The questions of “Young or old earth?” and “Miraculous creation of new species or theistic evolution?” are Casamir Pulaski Day questions, and it is not helpful to celebrate them on par with Independence Day.

One friend and African national talked about how in her home cultural setting, you don’t ask a teacher “What is your philosophy of education?” as is routinely done in the U.S. for teacher seeking hire who may or may not have taken a single philosophy class. In her culture, that question does not fit the list of possibles et pensables, what is possible and what is even thinkable in that setting. (This whole article has been made to introduce a concept not readily available in the possibles et pensables of our own cultural setting, that having a modern style of “origins popsition” at all is not particularly Orthodox; and that some positions, even or especially among conservatives, are even more problematic. A transposition to chemistry helps highlight just how strange and un-Orthodox certain positions really are.) And let us take a look at Orthodox spiritual fathers. As advised in the Philokalia and innumerable other sources, if you are seeking a spiritual father, in or out of monasticism, you should make every investigation before entering the bond of obedience; after you have entered it, the bond is inviolable. I don’t know exactly how Orthodox have tried spiritual fathers, but I have difficulty imagining asking a monastic elder, “What is your personal philosophy of spiritual direction?” Quite possibly there is none.Even thinking about it feels uncomfortably presumptuous, and while theological opinion does exist and have a place, defining yourself by your opinions is not Orthodox.

If I were to ask someone in the U.S. “What are your family traditions for celebrating Casamir Pulaski Day?” the best response I could get would be, “Cas-Cashmere WHO?

And now I will show you a more excellent way

I feel I may be sending a very mixed message by the amount I have written in relation to origins questions given that my more recent postings keep downplaying origins debates. Much of what I have written has been because I don’t just think certain answers have flaws; the questions themselves have been ill-framed.

But that isn’t really the point.

These pieces are all intended to move beyond Casamir Pulaski Day and pull out all of the stops and celebrate Independence Day with bells on. They may be seen as an answer to the question, “Do you have anything else to discuss besides origins?” If you read one work, Doxology is my most-reshared.

1. Doxology
How shall I praise thee, O Lord?
For naught that I might say,
Nor aught that I may do,
Compareth to thy worth.
Thou art the Father for whom every fatherhood in Heaven and on earth is named,
The Glory for whom all glory is named,
2. A Pilgrimage from Narnia
Wardrobe of fur coats and fir trees:
Sword and armor, castle and throne,
Talking beast and Cair Paravel:
From there began a journey,
From thence began a trek,
Further up and further in!
3. God the Spiritual Father

I believe in one God, the Father, Almighty…

The Nicene Creed

All of us do the will of God. The question is not whether we do God’s will or not, but whether we do God’s will as instruments, as Satan and Judas did, or as sons, as Peter and John did. In the end Satan may be nothing more than a hammer in the hand of God.

C.S. Lewis, paraphrased

4: Akathist to St. Philaret the Merciful
To thee, O camel who passed through the eye of the needle, we offer thanks and praise: for thou gavest of thy wealth to the poor, as an offering to Christ. Christ God received thy gift as a loan, repaying thee exorbitantly, in this transient life and in Heaven. Rejoice, O flowing fountain of Heaven’s treasures! (Repeated thrice.)

5: A Pet Owner’s Rules
God is a pet owner who has two rules, and only two rules. They are:

  1. I am your owner. Enjoy freely the food and water which I have provided for your good!
  2. Don’t drink out of the toilet.
6: The Orthodox Martial Art Is Living the Sermon on the Mount

A look at India in relation to my own roots and formation

My live story up until now would be immeasurably impoverished if the various ways in which India had entered my life would simply be subtracted. I appreciate Indian food, even if I eat it in a non-Indian (Paleo) fashion. And that is not trivial, but there are deeper ways I’ve been enriched by that great nation. One of these relates to pacifism, where one of India’s giants, one certain Gandhi, is perhaps the best-known person in history as I know it for the strength of pacifism.

7: Silence: Organic Food for the Soul
We are concerned today about our food,
and that is good:
sweet fruit and honey are truly good and better than raw sugar,
raw sugar not as bad as refined sugar,
refined sugar less wrong than corn syrup,
and corn syrup less vile than Splenda.
But whatever may be said for eating the right foods,
this is nothing compared to the diet we give our soul.
8: Repentance, Heaven’s Best-Kept Secret
I would like to talk about repentance, which has rewards not just in the future but here and now. Repentance, often, or perhaps always for all I know, bears a hidden reward, but a reward that is invisible before it is given. Repentance lets go of something we think is essential to how we are to be—men hold on to sin because they think it adorns them, as the Philokalia well knows. There may be final rewards, rewards in the next life, and it matters a great deal that we go to confession and unburden ourselves of sins, and walk away with “no further cares for the sins which you have confessed.” But there is another reward that appears in the here and now…

9: Why This Waste?
“Why This Waste?” quoth the Thief,
Missing a pageant unfold before his very eyes,
One who sinned much, forgiven, for her great love,
Brake open a priceless heirloom,
An alabaster vessel of costly perfume,
Costly chrism beyond all price anointing the Christ,
Anointing the Christ unto life-giving death,
Anointed unto life-giving death,
A story ever told,
In memory of her:
10: The Transcendent God Who Approaches Us Through Our Neighbor

The temperature of Heaven can be rather accurately computed from available data. Our authority is the Bible: Isaiah 30:26 reads, Moreover the light of the Moon shall be as the light of the Sun and the light of the Sun shall be sevenfold, as the light of seven days. Thus Heaven receives from the Moon as much radiation as we do from the Sun and in addition seven times seven (forty-nine) times as much as the Earth does from the Sun, or fifty times in all.

11: Open
How shall I be open to thee,
O Lord who is forever open to me?
Incessantly I seek to clench with tight fist,
Such joy as thou gavest mine open hand.
12: The Angelic Letters
My dearly beloved son Eukairos;

I am writing to you concerning the inestimable responsibility and priceless charge who has been entrusted to you. You have been appointed guardian angel to one Mark.

Who is Mark, whose patron is St. Mark of Ephesus? A man. What then is man? Microcosm and mediator, the midpoint of Creation, and the fulcrum for its sanctification. Created in the image of God; created to be prophet, priest, and king. It is toxic for man to know too much of his beauty at once, but it is also toxic for man to know too much of his sin at once. For he is mired in sin and passion, and in prayer and deed offer what help you can for the snares all about him. Keep a watchful eye out for his physical situation, urge great persistence in the liturgical and the sacramental life of the Church that he gives such godly participation, and watch for his ascesis with every eye you have. Rightly, when we understand what injures a man, nothing can injure the man who does not injure himself: but it is treacherously easy for a man to injure himself. Do watch over him and offer what help you can.

With Eternal Light and Love,
Your Fellow-Servant and Angel

Happy Independence Day! Enjoy the fireworks display.

An Orthodox Looks at a Calvinist Looking at Orthodoxy

CJSH.name/calvinist

The Christmas Tales
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Part of the collection:
The Christmas Tales

Jack Kinneer, an Orthodox Presbyterian minister and a D.Min. graduate of an Eastern Orthodox seminary, wrote a series of dense responses to his time at that seminary. The responses are generally concise, clear, and make the kind of observations that I like to make. My suspicion is that if Dr. Kineer is looking at things this way, there are a lot of other people who are looking at things the same way—but may not be able to put their finger on it. And he may have given voice to some things that Orthodox may wish to respond to.

Orthodoxy is difficult to understand, and I wrote a list of responses to some (not all) of the points he raises. I asked New Horizons, which printed his article, and they offered gracious permission to post with attribution, which is much appreciated. I believe that Dr. Kinneer’s words open a good conversation, and I am trying to worthily follow up on his lead.

A Calvinist Looks at Orthodoxy

Jack D. Kinneer


During my studies at St. Vladimir’s Orthodox Theological Seminary, I was often asked by students, “Are you Orthodox?” It always felt awkward to be asked such a question. I thought of myself as doctrinally orthodox. I was a minister in the Orthodox Presbyterian Church. So I thought I could claim the word orthodox.

But I did not belong to the communion of churches often called Eastern Orthodox, but more properly called simply Orthodox. I was not Greek Orthodox, Russian Orthodox, or Antiochian Orthodox. As far as the Orthodox at St. Vladimir’s were concerned, I was not Orthodox, regardless of my agreement with them on various doctrines.

My studies at St. Vladimir’s allowed me to become acquainted with Orthodoxy and to become friends with a number of Orthodox professors, priests, and seminarians. My diploma was even signed by Metropolitan Theodosius, the head of the Orthodox Church in America. From the Metropolitan to the seminarians, I was received kindly and treated with respect and friendliness.

I am not the only Calvinist to have become acquainted with Orthodoxy in recent years. Sadly, a number have not only made the acquaintance, but also left the Reformed faith for Orthodoxy. What is Orthodoxy and what is its appeal to some in the Reformed churches?

The Appeal of Orthodoxy

Since the days of the apostles, there have been Christian communities in such ancient cities as Alexandria in Egypt, Antioch in Syria, and Corinth in Greece. In such places, the Christian church grew, endured the tribulation of Roman persecution, and ultimately prevailed when the Roman Empire was officially converted to Christianity. But, unlike Christians in the western half of the Roman Empire, the eastern Christians did not submit to the claims of the bishop of Rome to be the earthly head of the entire church. And why should they have done so? The centers of Orthodox Christianity were as old as, or even older than, the church in Rome. All the great ecumenical councils took place in the East and were attended overwhelmingly by Christian leaders from the East, with only a smattering of representatives from the West. Indeed, most of the great theologians and writers of the ancient church (commonly called the Church Fathers) were Greek-speaking Christians in the East.

The Orthodox churches have descended in an unbroken succession of generations from these ancient roots. As the Orthodox see it, the Western church followed the bishop of Rome into schism (in part by adding a phrase to the Nicene Creed). So, from their perspective, we Protestants are the product of a schism off a schism. The Orthodox believe that they have continued unbroken the churches founded by the apostles. They allow that we Reformed may be Christians, but our churches are not part of the true church, our ordinations are not valid, and our sacraments are no sacraments at all.

The apparently apostolic roots of Orthodoxy provide much of its appeal for some evangelical Protestants. Furthermore, it is not burdened with such later Roman Catholic developments as the Papacy, purgatory, indulgences, the immaculate conception of Mary, and her assumption into heaven. Orthodoxy is ancient; it is unified in a way that Protestantism is not; it lacks most of the medieval doctrines and practices that gave rise to the Reformation. This gives it for many a fascinating appeal.

Part of that appeal is the rich liturgical heritage of Orthodoxy, with its elaborate liturgies, its glorious garbing of the clergy, and its gestures, symbols, and icons. If it is true that the distinctive mark of Reformed worship is simplicity, then even more so is glory the distinctive mark of Orthodox worship. Another appealing aspect of Orthodox worship is its otherness. It is mysterious, sensual, and, as the Orthodox see it, heavenly. Orthodox worship at its best makes you feel like you have been transported into one of the worship scenes in the book of Revelation. Of course, if the priest chants off-key or the choir sings poorly, it is not quite so wonderful.

There are many other things that could be mentioned, but I’ve mentioned the things that have particularly struck me. These are also the things that converts from Protestantism say attracted them.

The Shortcomings of Orthodoxy

So then, is this Orthodox Presbyterian about to drop the “Presbyterian” and become simply Orthodox? No! In my estimation, the shortcomings of Orthodoxy outweigh its many fascinations. A comparison of the Reformed faith with the Orthodox faith would be a massive undertaking, made all the more difficult because Orthodoxy has no doctrinal statement comparable to the Westminster Confession of Faith. Orthodoxy is the consensus of faith arising from the ancient Fathers and the ecumenical councils. This includes the forty-nine volumes of the Ante- and Post-Nicene Fathers, plus the writings of the hermits and monastics known collectively as the Desert Fathers! It would take an entire issue of New Horizons just to outline the topics to be covered in a comparison of Orthodoxy and Reformed Christianity. So the following comments are selective rather than systematic.

First, in my experience, the Orthodox do not understand justification by faith. Some reject it. Others tolerate it, but no one I met or read seemed to really understand it. Just as Protestants can make justification the whole (rather than the beginning) of the gospel, so the Orthodox tend to make sanctification (which they call “theosis” or deification) the whole gospel. In my estimation, this is a serious defect. It weakens the Orthodox understanding of the nature of saving faith.

Orthodoxy also has a real problem with nominal members. Many Orthodox Christians have a very inadequate understanding of the gospel as Orthodoxy understands it. Their religion is often so intertwined with their ethnicity that being Russian or Greek becomes almost synonymous with being Orthodox. This is, by the way, a critique I heard from the lips of Orthodox leaders themselves. This is not nearly as serious a problem in Reformed churches because our preaching continually stresses the necessity for a personal, intimate trusting, receiving, and resting upon Jesus Christ alone for salvation. Such an emphasis is blurred among the Orthodox.

Second, the Orthodox have a very inadequate understanding of sovereign grace. It is not fair to say that they are Pelagians. (Pelagius was a Western Christian who denied original sin and taught that man’s will is free to choose good.) But they are definitely not Augustinians (Calvinists) on sin and grace. In a conversation with professors and doctoral students about the nature of salvation, I quoted Ezekiel 36:26-27 as showing that there is a grace of God that precedes faith and enables that human response. One professor said in response, “I never thought of that verse in that way before.” The Orthodox have not thought a lot about sin, regeneration, election, and so forth. Their view of original sin (a term which they avoid) falls far short of the teaching of Paul. Correspondingly, their understanding of Christ’s atonement and God’s calling is weak as well. Their views could best be described as undeveloped. If you want to see this for yourself, read Chrysostom on John 6:44-45, and then read Calvin on the same passage.

Third, the Orthodox are passionately committed to the use of icons (flat images of Christ, Mary, or a saint) in worship. Indeed, the annual Feast of Orthodoxy celebrates the restoration of icons to the churches at the end of the Iconoclast controversy (in a.d. 843). For the Orthodox, the making and venerating of icons is the mark of Orthodoxy—showing that one really believes that God the Son, who is consubstantial with the Father, became also truly human. Since I did not venerate icons, I was repeatedly asked whether or not I really believed in the Incarnation. The Orthodox are deeply offended at the suggestion that their veneration of icons is a violation of the second commandment. But after listening patiently to their justifications, I am convinced that whatever their intentions may be, their practice is not biblical. However, our dialogue on the subject sent me back to the Bible to study the issue in a way that I had not done before. The critique I would offer now is considerably different than the traditional Reformed critique of the practice.

Finally, many of the Orthodox tend to have a lower view of the Bible than the ancient Fathers had. At least at St. Vladimir’s, Orthodox scholars have been significantly influenced by higher-critical views of Scripture, especially as such views have developed in contemporary Roman Catholic scholarship. This is, however, a point of controversy among the Orthodox, just as it is among Catholics and Protestants. Orthodoxy also has its divisions between liberals and conservatives. But even those who are untainted by higher-critical views rarely accord to Scripture the authority that it claims for itself or which was accorded to it by the Fathers. The voice of Scripture is largely limited to the interpretations of Scripture found in the Fathers.

There is much else to be said. Orthodoxy is passionately committed to monasticism. Its liturgy includes prayers to Mary. And the Divine Liturgy, for all its antiquity, is the product of a long historical process. If you want to follow the “liturgy” that is unquestionably apostolic, then partake of the Lord’s Supper, pray the Lord’s Prayer, sing “psalms, hymns, and spiritual songs,” and say “amen,” “hallelujah,” and “maranatha.” Almost everything else in any liturgy is a later adaptation and development.

A Concluding Assessment

But these criticisms do not mean that we have nothing to learn from Orthodoxy. Just as the Orthodox have not thought a lot about matters that have consumed us (such as justification, the nature of Scripture, sovereign grace, and Christ’s work on the cross), so we have not thought a lot about what have been their consuming passions: the Incarnation, the meaning of worship, the soul’s perfection in the communicable attributes of God (which they call the energies of God), and the disciplines by which we grow in grace. Let us have the maturity to keep the faith as we know it, and to learn from others where we need to learn.

Orthodoxy in many ways fascinates me, but it does not claim my heart nor stir my soul as does the Reformed faith. My firsthand exposure to Orthodoxy has left me all the more convinced that on the essential matters of human sin, divine forgiveness, and Christ’s atoning sacrifice, the Reformed faith is the biblical faith. I would love to see my Orthodox friends embrace a more biblical understanding of these matters. And I am grieved when Reformed friends sacrifice this greater good for the considerable but lesser goods of Orthodox liturgy and piety.


Dr. Kinneer is the director of Echo Hill Christian Study Center in Indian Head, Pa.

Reprinted from New Horizons of the Orthodox Presbyterian Church, as posted at http://www.opc.org/new_horizons/calvinist_on_orthodoxy.html. Used with permission.


I wrote the following reply:

Dear Dr. Kinneer;

First, on an Orthodox mailing list, I saw a copy of your “A Calvinist Looks at Orthodoxy.” I would like to write a somewhat measured response that you might find of interest; please quote me if you like, preferably with attribution and a link to my website (CJSHayward.com). I am a convert Orthodox and a graduate of Calvin College, for which I have fond memories, although I was never a Calvinist, merely a non-Calvinist Evangelical welcomed in the warm embrace of the community. I am presently a Ph.D. student in theology and went to church for some time at St. Vladimir’s Seminary and have friends there. I hope that you may find something of interest in my comments here.

Second, you talk about discussion of being Eastern Orthodox versus being orthodox. I would take this as a linguistically confusing matter of the English language, where even in spoken English the context clarifies whether (o)rthodox or (O)rthodox is the meaning intended by the speaker.

Third, I will be focusing mostly on matters I where I would at least suggest some further nuance, but your summary headed “The Appeal of Orthodoxy,” among other things in the article, is a good sort of thing and the sort of thing I might find convenient to quote.

Fourth, the Orthodox consensus of faith is not a much longer and less manageable collection of texts than the Ante-Nicene Fathers and Nicene and Post-Nicene Fathers, combined with the even more massive Patrologia Graecae, and other patristic sources. I have said elsewhere that Western and particularly Protestant and Evangelical culture are at their core written cultures, and Orthodoxy is at its core an oral culture that makes use of writing—I could suggest that it was precisely the Reformation that is at the root of what we now know as literate culture. This means that Orthodoxy does not have, as its closest equivalent to the Westminster Confession, a backbreaking load of books that even patristics scholars can’t read cover to cover; it means that the closest Orthodox equivalent to Westminster Confession is not anything printed but something alive in the life and culture of the community. (At very least this is true if you exclude the Nicene Creed, which is often considered “what Orthodox are supposed to believe.”)

Fifth, regarding the words, “First, in my experience, the Orthodox do not understand justification by faith:” are you contending that former Evangelicals, who had an Evangelical understanding of justification by faith, were probably fairly devout Evangelicals, and are well-represented at St. Vladimir’s Seminary, do not understand justification by faith?

There seems to be something going on here that is a mirror image of what you say below about icons: there, you complain about people assuming that if you don’t hold the Orthodox position on icons, you don’t understand the Christian doctrine of the incarnation; here, you seem in a mirror image to assume that if people don’t have a Reformation-compatible understanding of justification by faith, you don’t understand the Biblical teaching.

I wrote, for a novella I’m working on, The Sign of the Grail, a passage where the main character, an Evangelical, goes to an Orthodox liturgy, hears amidst the mysterious-sounding phrases a reading including “The just shall walk by faith,” before the homily:

In the Name of the Father, and of the Son, and of the Holy Ghost. Amen.

One of the surprises in the Divine Comedy—to a few people at least—is that the Pope is in Hell. Or at least it’s a surprise to people who know Dante was a devoted Catholic but don’t recognize how good Patriarch John Paul and Patriarch Benedict have been; there have been some moments Catholics aren’t proud of, and while Luther doesn’t speak for Catholics today, he did put his finger on a lot of things that bothered people then. Now I remember an exasperated Catholic friend asking, “Don’t some Protestants know anything else about the Catholic Church besides the problems we had in the sixteenth century?” And when Luther made a centerpiece out of what the Bible said about “The righteous shall walk by faith,” which was in the Bible’s readings today, he changed it, chiefly by using it as a battle axe to attack his opponents and even things he didn’t like in Scripture.

It’s a little hard to see how Luther changed Paul, since in Paul the words are also a battle axe against legalistic opponents. Or at least it’s hard to see directly. Paul, too, is quoting, and I’d like to say exactly what Paul is quoting.

In one of the minor prophets, Habakkuk, the prophet calls out to the Lord and decries the wickedness of those who should be worshiping the Lord. The Lord’s response is to say that he’s sending in the Babylonians to conquer, and if you want to see some really gruesome archaeological findings, look up what it meant for the Babylonians or Chaldeans to conquer a people. I’m not saying what they did to the people they conquered because I don’t want to leave people here trying to get disturbing images out of people’s minds, but this was a terrible doomsday prophecy.

The prophet answered the Lord in anguish and asked how a God whose eyes were too pure to look on evil could possibly punish his wicked people by the much more wicked Babylonians. And the Lord’s response is very mysterious: “The righteous shall walk by faith.”

Let me ask you a question: How is this an answer to what the prophet asked the Lord? Answer: It isn’t. It’s a refusal to answer. The same thing could have been said by saying, “I AM the Lord, and my thoughts are not your thoughts, nor are my ways your ways. I AM WHO I AM and I will do what I will do, and I am sovereign in this. I choose not to tell you how, in my righteousness, I choose to let my wicked children be punished by the gruesomely wicked Babylonians. Only know this: even in these conditions, the righteous shall walk by faith.”

The words “The righteous shall walk by faith” are an enigma, a shroud, and a protecting veil. To use them as Paul did is a legitimate use of authority, an authority that can only be understood from the inside, but these words remain a protecting veil even as they take on a more active role in the New Testament. The New Testament assumes the Old Testament even as the New Testament unlocks the Old Testament.

Paul does not say, “The righteous will walk by sight,” even as he invokes the words, “The righteous shall walk by faith.”

Here’s something to ponder: The righteous shall walk by faith even in their understanding of the words, “The righteous shall walk by faith.”

In the Name of the Father, and of the Son, and of the Holy Ghost. Amen.

When I showed this to one Reformation scholar to check my treatment of the Reformation, he said that I didn’t explain what “The righteous shall walk by faith,” but my entire point was to show what the Old Testament quotation could mean besides a shibboleth that one is sanctified in entirety in response to faith without one iota being earned by good works. The Reformation teaching, as I understand it, reflects a subtle adaptation of the Pauline usage—and here I might underscore that Paul and Luther had different opponents—and a profound adaptation of the Old Testament usage. And it may be possible to properly understand the Biblical text without interpreting it along Reformation lines.

Sixth, you write that Orthodox tend to have a poor understanding of sovereign grace. I remember how offended my spiritual Father was when I shared that a self-proclaimed non-ordained Reformed minister—the one person who harassed me when I became Orthodox—said that Orthodox didn’t believe in grace. He wasn’t offended at me, but I cannot ever recall seeing him be more offended. (Note: that harassment was a bitter experience, but I’d really like to think I’m not bitter towards Calvinists; I have a lot of fond memories from my time at Calvin and some excellent memories of friends who tended to be born and bred Calvinists.)

I would suggest that if you can say that Orthodox do not understand sovereign grace shortly after talking about a heavy emphasis on theosis, you are thinking about Orthodox doctrine through a Western grid and are missing partly some details and partly the big picture of how things fit together.

Seventh, I am slightly surprised that you describe original sin as simply being in the Bible and something Orthodox do not teach. Rom 5:12 as translated in the Vulgate (“…in quo omnes peccaverunt”) has a Greek ambiguity translated out, so that a Greek text that could quite justifiably be rendered that death came into the world “because all sinned” (NIV) is unambiguously rendered as saying about Adam, “in whom all have sinned,” which in turn fed into Augustine’s shaping of the Western doctrine of original sin. It’s a little surprising to me that you present this reading of an ambiguity as simply being what the Bible says, so that the Orthodox are deficiently presenting the Bible by not sharing the reading.

Eighth, I too was puzzled by the belief that the Incarnation immediately justifies icons, and I find it less puzzling to hold a more nuanced understanding of the Orthodox teaching that if you understand the Incarnation on patristic terms—instead of by a Reformation definition—its inner logic flows out to the point of an embrace of creation that has room for icons. I won’t develop proof-texts here; what I will say is that the kind of logical inference that is made is similar to a kind of logical inference I see in your report, i.e. that “The righteous shall walk by faith” means the Reformation doctrine that we are justified by faith alone and not by works.

I believe that this kind of reasoning is neither automatically right nor automatically wrong, but something that needs to be judged in each case.

Ninth, you write, “Finally, many of the Orthodox tend to have a lower view of the Bible than the ancient Fathers had.” When I was about to be received into the Orthodox Church, I told my father that I had been devoted in my reading of the Bible and I would switch to being devoted in my reading of the Fathers. My spiritual father, who is a graduate of St. Vladimir’s Seminary, emphatically asked me to back up a bit, saying that the Bible was the core text and the Fathers were a commentary. He’s said that he would consider himself very fortunate if his parishioners would spend half an hour a day reading the Bible. On an Orthodox mailing list, one cradle Orthodox believer among mostly converts quoted as emphatic an Orthodox clergyman saying, “If you don’t read your Bible each day, you’re not a Christian.” Which I would take as exaggeration, perhaps, but exaggeration as a means of emphasizing something important.

Tenth, regarding higher-critical views at St. Vladimir’s Seminary: I agree that it is a problem, but I would remind you of how St. Vladimir’s Seminary and St. Tikhon’s Seminary compare. St. Vladimir’s Seminary is more liberal, and it is an excellent academic environment that gives degrees including an Orthodox M.Min. St. Tikhon’s Seminary is academically much looser but it is considered an excellent preparation for ministry. If you saw some degree of liberal academic theology at St. Vladimir’s, you are seeing the fruits of your (legitimate) selection. Not that St. Vladimir’s Seminary is the only Orthodox seminary which is not completely perfect, but if you want to see preparation for pastoral ministry placed ahead of academic study at an Orthodox institution, St. Tikhon’s might interest you.

Eleventh, after I was at Calvin, I remembered one friend, tongue-in-cheek, talking about “the person who led me to Calvin.” I also remember that when I was at Calvin, I heard more talk about being “disciples of John Calvin” than being “disciples of Jesus Christ,” and talk more about bearing the name of “Calvinist” than “Christian,” although this time it wasn’t tongue-in-cheek. I notice that you speak of how, “sadly,” people “left the Reformed faith for Orthodoxy.” One response might be one that Reformers like Calvin might share: “Was John Calvin crucified for you? Or were you baptized in the name of John Calvin?” (Cf I Cor. 1:13)

I left this out at first because it’s not as “nice” as some of the others, but I would like to invite you to perhaps leave the “faith” (as you call it) that aims for John Calvin, and embrace the faith that Calvin was trying to re-create in response to abuses in the Western Church. It’s still alive, and we still have an open door for you.

When I studied early modern era Orthodox Patriarch Cyril Lucaris, I compared the Eucharistic teaching in his profession of faith to the Eucharistic teaching in Calvin’s Institutes

…and concluded that Calvin was more Orthodox. Calvin, among other things, concerned himself with the question of what John Chrysostom taught.

I really don’t think I was trying to be a pest. But what I did not develop is that Calvin tried to understand what the Greek Fathers taught, always as an answer to Protestant questions about what, in metaphysical terms, happens to the Holy Gifts. The Orthodox question is less about the transformation of the Holy Gifts than the transformation of those who receive it, and Calvin essentially let the Fathers say whatever they wanted… as long as they answered a question on terms set by the Reformation.

When I read Francis Schaeffer’s How Should We Then Live?, my immediate reaction was that I wished the book had been “expanded to six times its present length.” I have some reservations about the fruitfulness of presuppositional apologetics now. What I do not have reservations about is saying that there is a valid insight in Schaeffer’s approach, and more specifically there is distortion introduced by letting Orthodoxy say whatever it wants… as an answer to Calvinist questions.

To assert, without perceived need for justification, that the Orthodox have very little understanding of sovereign grace and follow this claim by saying that there is a preoccupation with divinization comes across to Orthodox much like saying, “_______ have very little concept of ‘medicine’ or ‘health’ and are always frequenting doctor’s offices, pharmacies, and exercise clubs.” It’s a sign that Orthodox are allowed to fill in the details of sin, incarnation, justification, or (in this case) grace, but on condition that they are filling out the Reformation’s unquestioned framework.

But the way to understand this is less analysis than worship.

Creation and Holy Orthodoxy: Fundamentalism Is Not Enough

Evangelical Converts Striving to be Orthodox

A Glimpse Into Eastern Orthodoxy

An Open Letter to Catholics on Orthodoxy and Ecumenism

The Wagon, the Blackbird, and the Saab

CJSH.name/blackbird


Read it on Kindle for $3!

Before I get further, I’d like to say a few words about what I drive.

I drive an Oldsmobile F-85 station wagon. What’s the color? When people are being nice, they talk about a classic, subdued camouflage color. Sometimes the more candid remarks end up saying something like, “The Seventies called. They want their paint job back,” although my station wagon is a 1965 model. All in all, I think I had the worst car of anyone I knew. Or at least that’s what I used to think.

Then I changed my mind. Or maybe it would be better to say that I had my mind changed for me.

I was sitting at the cafeteria, when I saw someone looking for a place to sit. He was new, and I motioned for him to come over. He sat down, quietly, and ate in silence. There was a pretty loud conversation at the table, and when people started talking about cars, his eyes seemed to widen. I asked him what kind of car he drove.

After hesitating, he mumbled something hard to understand, and looked like he was getting smaller. Someone said, “Maybe he doesn’t drive a car at all,” and whatever he mumbled was forgotten in raucous laughter.

I caught him in the hallway later, and he asked if I could help him move several large boxes that were not in the city. When we made the trip, he again seemed to be looking around with round eyes, almost enchanted by my rustbucket.

I began to feel sorry for the chap, and I gave him rides. Even if I didn’t understand.

He still managed to dodge any concrete hint of whatever it was that got him around—and I had a hunch that he hadn’t just walked. My other friends may have given me some ribbing about my bucket of bolts, but really it was just ribbing. I tried to impress on him that he would be welcome even if he just got around on a derelict moped—but still not a single peep.

By the time it was becoming old to joke about whatever he drove, I accepted a dare and shadowed him as he walked along a couple of abandoned streets, got to the nearest airstrip…

and got into an SR-71 Blackbird. The man took off in an SR-71 Blackbird. An SR-71 Blackbird! Words failed me. Polite ones, at any rate. The SR-71 Blackbird may be the coolest looking reconnaissance plane ever; as far as looks go, it beats the pants off the spacecraft in a few science fiction movies. But the engineers weren’t really trying to look cool; that was a side effect of trying to make an aircraft that was cool. It has those sleek lines because it’s a bit of a stealth aircraft; it can be detected by radar, but it’s somewhat harder. And suppose you’re in an SR-71 Blackbird and you are picked up by radar, and enemy soldiers launch a surface-to-air missle at you—or two, or ten? Just speed up and you’ll outrun it; the SR-71 Blackbird is the fastest aircraft ever built. Some SR-71 Blackbirds have been shot at. Ain’t never got one shot down. One of the better surface-to-air rockets has about the same odds of hitting an SR-71 Blackbird doing Mach 3.2 as a turtle trying to catch up with a cheetah and ram it. An SR-71 Blackbird is a different kind of rare. It’s not just that it’s not a common electronic device that you can pick up at any decent department store; it isn’t even like something very expensive and rare that has a waiting list is almost never on store shelves. The SR-71 Blackbird is more like, if anything, an invention that the inventor can’t sell—perhaps, some years back, one of the first, handmade electric light bulbs—because it is so far from how people think and do things that they can’t see anyone would want to use them. The SR-71 Blackbird is rare enough that few pilots have even seen it. And I saw, or thought I saw, my friend get into one.

and got into an SR-71 Blackbird. The man took off in an SR-71 Blackbird. An SR-71 Blackbird! Words failed me. Polite ones, at any rate. And probably the impolite ones, too. The SR-71 Blackbird may be the coolest looking reconnaissance plane ever; as far as looks go, it beats the pants off the spacecraft in a few science fiction movies. But the engineers weren’t really trying to look cool; that was a side effect of trying to make an aircraft that was cool. It has those sleek lines because it’s a bit of a stealth aircraft; it can be detected by radar, but it’s somewhat harder. And suppose you’re in an SR-71 Blackbird and you are picked up by radar, and enemy soldiers launch a surface-to-air missle at you—or two, or ten? Just speed up and you’ll outrun it; the SR-71 Blackbird is the fastest aircraft ever built. Some SR-71 Blackbirds have been shot at. Ain’t never got one shot down. One of the better surface-to-air rockets has about the same odds of hitting an SR-71 Blackbird doing Mach 3.2 as a turtle trying to catch up with a cheetah and ram it. An SR-71 Blackbird is a different kind of rare. It’s not just that it’s not a common electronic device that you can pick up at any decent department store; it isn’t even like something very expensive and rare that has a waiting list is almost never on store shelves. The SR-71 Blackbird is more like, if anything, an invention that the inventor can’t sell—perhaps, some years back, one of the first, handmade electric light bulbs—because it is so far from how people think and do things that they can’t see anyone would want to use them. The SR-71 Blackbird is rare enough that few pilots have even seen it. And I saw, or thought I saw, my friend get into one.

I walked back in a daze, sat down, decided not to take any drinks just then, and cornered the joker, who couldn’t keep his mouth shut. I told him to fess up about whatever he slipped me, but he was clueless—and when I couldn’t keep my mouth shut and blabbed why, he didn’t believe me. (Not that I blame him; I didn’t believe it myself.)

I ate by myself, later, and followed him. The third time, I caught him in the act.

I was red with anger, and almost saw red.

He blanched whiter than at the wisecrack about him maybe not driving a car.

What I would have said then, if I were calmer, was, “Do you think it’s right for a billionaire, to go around begging? You have things that none of us even dream of, and you—?”

After I had yelled at him, he looked at me and said, “How can I fuel up?”

I glared at him. “I don’t know, but it’s got to be much cooler than waiting in line at a gas station.”

“Maybe it is cooler, but I don’t think so, and that’s not what I asked. Suppose I want to fly in my airplane. What do I do to be fueled up?”

“Um, a fuel truck drives out and fills you up?”

“And then I’m good to go because I have a full tank, just like you?”

“I don’t see what you’re getting at.”

“Ok, let me ask you. What do you do if you want to make a long trip? Can you fill your tank, maybe a day or two before your trip, and leave?”

“Yes. And that would be true if you had a moped, or a motorcycle, or a luxury car, or even something exotic like an ATV or a hovercraft.”

“But not an SR-71 Blackbird.”

“What do you mean, not an SR-71 Blackbird? Did you get a good deal because your aircraft is broken?”

“Um, just because you can assume something in a good car, or even a bad car, doesn’t mean that it’s true across the board. When it’s sitting on the ground, my aircraft leaks fuel.”

“It leaks fuel? Why are you flying an aircraft that’s not broken?”

“There’s a difference between designing a passenger car and what I deal with. With a passenger car, if the manufacturers are any good, the car can sit with little to no fuel leak even if it’s badly maintained.”

“But this does not apply to what the rest of us can only dream of?”

“No.”

“Why not?”

“A passenger car heats up a little, at top speeds, due to air friction. One and the same part works for the fuel line when it’s been in the garage for an hour, and when it’s driving as fast as you’ve driven it. Not so with my aircraft. The SR-71 Blackbird is exposed to one set of temperatures in the hangar, and then there is air friction for moving at Mach 3.2, and there’s a basic principle of physics that says that what gets hotter, gets bigger.”

“What’s your point?”

“The parts that make up an SR-71 Blackbird are one size in the hangar and other sizes when the aircraft is flying at high speeds. The engineers could have sized the parts so that you could keep an aircraft in the hangar without losing any fuel… or they could make an airplane that leaks fuel on the ground, but it works when it was flying. But they could not make an airplane that would work at Mach 3.2 and have a sealed fuel line in the hangar… and that means that, when I go anywhere worth mentioning in my hot, exciting airplane, even I get fueled up on the ground, and I lose quite a lot of fuel getting airborne and more or less need an immediate air-to-air refueling… This is besides the obvious fact that I can’t run on any fuel an ordinary gas station would carry. For that matter, the JP-7, a strange beast of a ‘fuel’ that must also serve as hydraulic fluid and engine coolant, is about as exotic compared to most jet fuel as it is compared to the ‘boring’ gasoline which you take for granted—you can’t get fuel for an SR-71 Blackbird at a regular airport any more than you can buy ‘ordinary’ jet fuel at a regular gas station… and you think me strange when I get excited about the fact that you can drive up to any normal gas station and fill-er-up!”

I hesitated, and then asked, “But besides one or two details like—”

He cut me off. “It’s not ‘one or two details,’ any more than—than filling out paperwork and dealing with bureaucracy amounts to ‘one or two details’ of a police officer’s life. Sure, on television, something exciting happens to police officers every hour, but a real police officer’s life is extremely different from police shows. It’s not just paperwork. Perhaps there is lots of paperwork—a police officer deals with at least as much paperwork and bureaucracy as an employee who’s a cog in a big office—but there are other things. Police officers get in firefights all the time on TV. But this is another area where TV’s image is not the reality. I’ve known police officers who wouldn’t trade their work for anything in the world. Doesn’t mean that their work is like a cop show. When police officers aren’t being filmed on those videos that make dramatic shows, and they aren’t training, the average police officer starts firing maybe once every three or four years. There are many, many seasoned veterans who have never fired a gun on the street. And having an SR-71 Blackbird is no more what you’d imagine it was like to have a cool, neat, super-duper reconnaissance plane instead of your unsatisfying, meagre, second-rate, dull car than… than… than being a police officer has all the excitement of surviving a shootout every day, but only having to fill paperwork once every three or four years if at all!”

“Um, what else is there?”

“Um, what’s a typical trip for you? I mean, with your car?”

“My wife’s family is at the other side of the state, and—”

“So that’s an example of a common trip? More common than shopping or driving to meet someone?”

“Ok; often I’m just running some errands.”

“Such a boring thing to do with a station wagon. If you want things to get interesting, try something I wouldn’t brave.”

“What?”

“Go for the gusto. Borrow my vehicle! First, you can fuel up at home, as any fuel that had been in your tank is now a slippery puddle underneath the vehicle you wish you had. Then start the vehicle. You’ll have something to deal with later, after the hot exhaust sets your trees on fire. And maybe a building or two. Then lurch around, and try to taxi along the streets. (Let’s assume you don’t set any trees on fire, which is not likely.) Now you’re used to be able to see most of the things on the road, at least the ones you don’t want to hit? And—”

“Ok, ok, I get the idea! The SR-71 Blackbird is the worst, most pitiable—”

“Perhaps I have misspoken. Or at least wasn’t clear enough. I wasn’t trying to say that it’s simple torture flying an SR-71 Blackbird. There are few things as joyful as flying. And do you know what kind of possibilities exist (in everything from friendship to work to hobbies) when the list of things you can easily make a day trip to the other side of the globe? When—”

“Then why the big deal you just made before?”

“An SR-71 Blackbird is many things, but it is not what you imagine if you fantasize about everything you imagine my vehicle to be, and assume almost everything you take for granted in yours. There are a great many nice things that go without saying in your vehicle, that aren’t part of mine. You know, a boring old station wagon with its dull room for a driver plus a few passengers and some cargo, that runs on the most mundane petroleum-based fuel you can get, and of course is familiar to most mechanics and can be maintained by almost any real automotive shop, and—if this is even worth mentioning—can be driven safely across a major network of roads, and—of course this can be taken for granted in any real vehicle—has a frame that gives you a fighting chance of surviving a full-speed collision with—”

“Ok, ok, I get the picture. But wouldn’t it have helped matters if you would tell people these things up front? You know, maybe something about avoiding these confrontations, or maybe something about ‘Honesty is the best policy’?”

He said, “Ok. So when I meet people, I should say, ‘Hi. My vehicle leaves Formula One racecars in the dust. It also flies, can slip through radar, and does several things you can’t even imagine. But don’t worry, I haven’t let any of this go to my head. I’m not full of myself. I promise I won’t look down on you or whatever car you drive. And you can promise not to feel the least bit envious, inferior, or intimated. Deal?’ It seems to come across that way no matter how I try to make that point. And really, why shouldn’t it?”

I paused. “Do our vehicles have anything in common at all?”

“Yes—more than either of us can understand.”

“But what on earth, if we’re so different? My vehicle is a 1965 model; your vehicle sounds so new you’d need a time machine to get one—”

“My vehicle is a 1965 model too.”

“If you want to lie and make me feel better, you could have told me that your vehicle was years older than mine.”

“I meant it. There is something about our vehicles that is cut from the same cloth.”

“How can you say that? I mean, without stretching? Is what they have in common that they’re both in the same universe? Or that they’re both bigger than an atom but smaller than a galaxy? Or some other way of really stretching?”

“If you want to dig deeper, have you read, ‘I, Pencil‘? Where an economist speaks on behalf of a common, humble pencil?”

“A speech from a pencil? What does that have to do with our vehicles? Are you going to compare our vehicles to a pencil?”

“Yes.”

“So you’re stretching.”

“No.”

“In I, Pencil, a cheap wooden pencil explains what it took to make it. It talks about how a diamond in the rough—I mean, graphite in the rough—crosses land and sea and is combined with clay, and a bit of this and that to make the exquisite slender shaft we call pencil ‘lead’. The wood comes from the majestic cedar—do you know what it takes to make a successful logging operation—and then a mind-boggling number of steps transform a hundred feet of tree into something that’s a little hard to explain, but machined to very precise specifications, and snapped together before six coats of laquer—oh, I forgot, before the cedar wraps around the slender graphite wand, it’s also adorned by being tinted a darker color, ‘for the same reason women put rouge on their faces’ or something like that. Its parts come through a transportation network from all over the world, and the rubber eraser—which wouldn’t erase at all well if were just rubber; it needs to be a cocktail of ingredients that perform at least three major tasks if it will work as an eraser. Try erasing pencil with a rubber ball sometime; it will erase terribly if it erases at all. Your erases is not mere rubber, but a rubber alloy, the way airplanes are made, not with mere aluminum, but with an aluminum alloy, and—”

“So the parts of a pencil have an interesting story?”

“Yes. And the quite impressive way they are put together—pencils don’t assemble themselves, and a good machine—for some steps—costs a king’s ransom. And the way they’re distributed, and any number of things necessary for business to run the whole process, and—”

“Then should I start offering my daughter’s pencils to a museum?”

“I wouldn’t exactly offer one of her pencils to a museum. Museums do not have room for every wonder this world has. But I will say this. The next pencil you forget somewhere wouldn’t have been yours to lose without more work, talent, skill, knowledge, venture capital, and a thousand other things than it took to make a wonder like the Rosetta Stone or the Mona Lisa.”


As usual, she was dressed to kill. Her outfit was modest—I can almost say, ostentatiously modest—but, somehow, demurely made the point that she might be a supermodel.

I had a bad feeling about something. During our conversation on the way over, I said, “You have an issue with Saab drivers.” He replied, “No. Or yes, but it’s beside the point. Saab drivers tend to have issues with me.” I was caught off-guard: “That sounds as arrogant as anything I’ve—”

He asked me to forget what he had said. For the rest of the conversation, he seemed to be trying to change the subject.

She greeted us, shook his hand warmly, and turned back. “—absolutely brilliant. Not, in any way, like the British Comet, which never should have been flown in the first place, and was part of why jumbo jetliners were dangerous in the public’s eye. The training for people who were going to be in that jumbo jetliner—the Comet—included being in a vacuum so that soldiers would know what to do if they were flying in a sparse layer of the atmosphere and the airplane simply disintegrated around them and left them in what might as well have been a vacuum. This sort of thing happened with enough jumbo jetliners that the public was very leery of them. For good reason, they were considered a disaster looking for a place to happen.

“And so, when Boeing effectively bet the company on the Boeing 707—like they did with every new airplane; it wasn’t just one product among others that could be a flop without killing the company—they gave the test pilot very careful instructions about what to do when he demonstrated their new jumbo jetliner.

“At the airshow, he was flying along, and after a little while, people began to notice that one of the airplane’s wings was lower, and the other was higher…

“The Boeing 707 test pilot was doing a barrel roll, which is extremely rough on an airplane. It’s like… something like, instead of saying that a computer is tough, throwing it across the room. This stunt was a surprise to the other people at Boeing, almost as much as to the other, and it wasn’t long before Boeing got on the radio and asked the pilot, ‘What the [Bleep] do you think you’re doing?’ The pilot’s reply was short, and to the point:

“‘Why, selling airplanes, sir.’

“He told a reporter afterwards, ‘And when I got done with that barrel roll, I realized that the people weren’t going to believe what they just saw… so I turned around and I did another one!'”

A moment later, someone else said, “What does ‘Saab’ mean again? You’ve told me, but—”

She smiled. “It took me a while to remember, too. ‘SAAB’ stands for ‘Svenska aeroplan Aktiebolaget,’ literally ‘Swedish Aeroplane Limited.’ It’s a European aerospace company that decided that besides making fighter jets and military aircraft, they would run a side business of selling cars, or at least the kind of car you get when you combine a muscle car, a luxury vehicle, and more than a touch of a military jet. It’s like an airplane in big and small ways—everything from, if you unbuckle your seatbelt, a ‘Fasten seatbelts’ light just like an airliners’, to the rush of power you feel when you hit the gas and might as well be lifting off… I’m not sure how you would describe it… It’s almost what Lockheed-Martin would sell if they were Scandinavian and wanted to sell something you could drive on the street.”

He said, “It sounds like a delight to drive.”

She said, “It is. Would you two like me to take you out for a spin? I’d be delighted to show it to you. What kind of car do you drive?”

He paused for a split second and said, “I needed to get a ride with him; I have nothing that I could use to get over here.”

I told her, “He’s being modest.”

She looked at me quizzically. “How?”

“He flies an SR-71 Blackbird… um… sorry, I shouldn’t have said that just as you were taking a drink.”

He seemed suddenly silent. For that matter, the room suddenly seemed a whole lot quieter.

She said, “You’re joking, right?”

No one said a word.

Then she said, “Wow. It is a privilege and an honor. I have never met someone who…”

He said, “I really don’t understand… maybe… um… I’m not really better, or—”

She said, “Stop being modest. I’d love to hear more about your fighter. Have you shot anything down?”

He looked as if he was thinking very hurriedly, and not finding the thought that he wanted.

“The SR-71 Blackbird would be pretty useless in a dogfight. It is neither designed or equipped to fight even with a very obsolete enemy aircraft; it’s just designed to snoop around and gather information.”

She said, “Um, so they get shot down all the time? Wouldn’t you tend to get a lot of missiles fired by enemy fighters who aren’t worried about you shooting back? What do you do when you run out of countermeasure flares?”

He paused for a moment, saying, “The SR-71 Blackbird doesn’t have anything you’d expect. Flares are a great way to decoy a heat-seeking missile, but the SR-71 Blackbird doesn’t have them, either.”

I turned to him and said, “You’re being almost disturbingly modest.” Then I turned to her and said, “An SR-71 Blackbird can go over three times the speed of sound. The standard evasive to a surface-to-air rocket is simply to accelerate until you’ve left the rocket in the dust. I’m not aware of one of them being shot down.”

Her eyes were as big as dinner plates.

She said, “I am stunned. I have talked with a few pilots, but I have never met anyone close to an SR-71 Blackbird pilot. I hope we can be friends.” She stood close to him and offered her hand.

The three of us ran into each other a number of times in the following days. She seemed to want to know everything about his aircraft, and seemed very respectful, or at least seemed to be working hard to convey how impressed she was.


It was a dark and stormy night. He and I were both on our way out the door, when she asked, “What are you doing?”

He said, “I want to try some challenges. I plan on going out over the ocean and manoeuvering in the storm system.”

She turned to him and said, very slowly, “No, you’re not.”

He turned to me and said, “C’mon, let’s go.”

She said, “Are you crazy? A storm like that has done what enemy rockets have failed to do: take down your kind of craft. I’ve grown quite fond of you, and I’d hate to see you get killed because you were being stupid. Think about 61-7969 / 2020.”

He said, “May I ask why you know about that?”

“I have been doing some reading because I want to understand you. And I understand people well enough, and care about you enough, to tell when you are acting against your best interests.”

He grabbed my arm and forced me out the door. Once in the car, he said, “I’m sorry… I needed to get out before saying something I would regret.”

“Like what?”

“‘So you know just the perfect way to straighten me out, and you don’t even need to ask me questions. Walk a mile in my shoes, to a place you can reach in a car but not my aircraft, and then we might be able to talk.'”

I watched him take off, and I came back to pick him up, after waiting an hour. I could tell something that seemed not quite perfect about his flying, but I do not regret that I kept my mouth shut about that.

The next day she surprised us by meeting us first thing in the morning.

She gave us a stack of paper. “I care about you quite a lot, and I don’t want to be invited to your funeral in the next year. Here are detailed aviation regulations and international laws which are intended for your safety. I could not get an exact count of the number of crimes you committed, either for last night or for your reckless day-to-day flying around. I am sure that there are many responsible ways a vehicle like yours can be used, and I have inquired about whether there are any people who can offer some guidance and free you to…”

He turned around, took my elbow, and began walking out to the parking lot. We got in my car, and she raced for hers.

I saw her go to the mouth of the parking lot and then stop. The one Rolls-Royce in town had broken down, of all places there, and the owner and chauffer were both outside. I had thought that the person who was chauffered in a Rolls-Royce was a peaceful sort of man, but he was yelling then, and before she got over the owner positively erupted at the chauffeur and waved his arms. She had gotten out and wanted to talk with them, but you can’t get a word in edgewise at a time like that.

Now I’d like to clarify something about my car. I’ve only seen a vehicle like mine in a demolition derby once, but I was surprised. I wasn’t surprised, in particular, that the wagon was the last vehicle moving. What I was surprised at was that over a third of the derby had passed before the ugly wagon started to crumple at all.

And one other thing: one April Fools’ Day, a friend who drives a sleek, sporty little 1989 Chrysler LeBaron gave me a bumper sticker that said, “Zero to sixty in fifteen minutes,” and then acted surprised when I challenged him to a short race. When the race had finished, he seemed extraordinarily surprised, and I told him, “There is a question on your face. Let me answer it.” Then I opened the hood on my ugly, uncool station wagon and said, “Your sleek little number can get by on a 2.2 liter engine. Do you know what that is?” He said, “Um, the engine?” And I said, “That is a 6.6 liter V8. Any questions?”

Ok, enough clarification. I looked around, turned in the opposite direction, and floored my car, blasting through the hedges and getting heavy scrapes on the bottom of my car. I got shortly on the road, and had a straight shot at the airport. She did eventually catch up to me, but not until there was nothing left to see but some hot exhaust and the fuel that had leaked when he tried to take off. (I still get the occasional note from him.)

Besides worrying about him, I was also much less worried about my car: tough as it is, cars don’t like getting their undersides scraped on gravel, and I decided to take my car to the garage and have the mechanic take a look at it and tell me if I broke anything.

I was surprised—though maybe I shouldn’t have been—to see the Rolls-Royce in the garage when I pulled in. I intended to explain that I might have scraped the bottom up, and after I did so, my curiosity got the better of me. I asked something about Rolls-Royces breaking down.

The mechanic gave me the oddest look.

I asked him, “Why the funny look?”

He opened the hood, and said, “Rolls-Royces do break down easily… and it’s even easier to break down if you open the hood, jam a screwdriver right there, and rev it as hard as you can.”

An author’s musing memoirs about his work: retrospective reflections, retracings, and retractions

Gifted? Let me harass you!

The Mindstorm

The Spectacles

Janra Ball: The Headache

CJSH.name/ball


Read it on Kindle for $3!
Part of the collection:
The Minstrel’s Song

The Original Cultural Context

“When it comes to games, never try to understand the Janra mind.”

-Oeildubeau, Urvanovestilli philosopher and anthropologist

It is known that Janra sports usually last for at least half an hour, involve a ball, two or more teams, running and acrobatics, and animated discussion. Beyond that, neither the Urvanovestilli’s logic nor the Yedidia’s intuition are able to make head or tail of them. In general, the teams appear to have unequal numbers of players; the players often switch teams in the course of play; teams are created and dissolved; the nature of the activities makes sudden and radical changes; there is no visible winning or losing. There are occasionally times in the course of play when some intelligible goal appears to be being approached… but then, all players seem to be approaching it in a rather erratic manner (when asked why he didn’t do thus and such simple thing and achieve the approached goal by an inexperienced anthropologist, one of the Janra said, “Technically, that would work, but that would be a very boring way to do it,” and then bolted back into play: the extent to which game play is comprehensible heightens its incomprehensibility). Late in life, Oeildubeau hinted at having suspicions that, if the Janra believe that they are being watched, they will spontaneously stop whatever sport they are playing, and instead begin a series of activities expressly designed to give any observer a headache.

Rules

  1. There is no winning or losing.
  2. The game has one ball, which must be kept in motion at all times. If the ball ceases to move, nobody may speak or act except to move the ball.
  3. Il est interdit de parler en anglais au subjet de l’objet du jeu.
  4. Any player may give any other player a rule point, provided that there is no alliance or “You scratch my back, and I’ll scratch yours” arrangement between them, at any time. Any player who has a rule point may spend that point in order to add, delete, or modify a rule in accordance with the spirit of the game.
  5. Every player has a persona, or modus operandi, through which he is acting and answering questions. If any other player successfully identifies this persona or modus operandi, it must immediately be changed.
  6. There is no rule number 6.
  7. Each player must somehow touch another player before or during addressing him in speech.
  8. No player may move from one point to another without using at least one acrobatic, dance, or martial arts motion.
  9. Any use of a card deck or game board requires one change of rules for the card/board game per move.
  10. Any rules disputes are to be resolved by no judge, until all involved parties come to a confusion which is more chaotic than in its initial form.
  11. All players must wear one black sock and one white sock.
  12. We’re sorry, but rule number twelve is not available at this time. To leave a message, please rotate your telephone clockwise by ninety degrees, and simultaneously press ‘q’ and ‘z’.
  13. Any player who does not understand all of the rules, in their entirety, is immediately disqualified.
  14. Any player who attempts to memorize all of the rules, or attempts to play the game by keeping its rules, is immediately disqualified.

FAQ list

Q: What is ‘Springfield’?

A: Springfield is a game in which two people alternate naming state capitals, and the first person to name Springfield wins.

Q: What’s the point of that?

A: The objective is to be the first person to say ‘Springfield’ as late as possible. The point is to see how far you can go — and still be the first to say ‘Springfield’. It’s not a game of mathematical strategy. It’s a game of perception.

Q: What is Psychiatrist?

A: Psychiatrist is a game in which one person, the psychiatrist, leaves the room, and all of the other players agree on a common delusion (such as believing themselves to be the person immediately to their left). The psychiatrist then enters, and asks the players questions, attempting to guess the delusion.

Q: What is spoon photography?

A: Very well known.

Q: What is Janra ball all about?

A: Wouldn’t you like to know?

Q: Why did you answer my question with another question?

A: How else could it be?

Q: What are the teams like?

A: Highly variable, and not necessarily mutually exclusive.

Q: How do I get ahead in the game?

A: Mu.

Q: Why won’t you give me a straight answer to my questions?

A: Come, come. Aren’t there much more interesting ways to grok the game?

Ingredients

Springfield, Monty Python, Calvin-Ball, body language, Harlem Globetrotters, sideways logic, Thieves’ Cant, intuition, counter-intuitive segues, spoon photography, creativity, Zen koans, Psychiatrist, adrenaline, perception, tickling, urban legend Spam recipe, swallowing a pill, illusionism, modern physics, raw chaos, F.D. & C. yellow number 5.

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Procedures for the Repair and Adjustment of Televisions